Semiotics for Beginners by Daniel Chandler

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Semiotics for Beginners by Daniel Chandler • Leach, Edmund (1970): Lévi-Strauss (Fontana Modern Masters). London: Fontana • Leach, Edmund (1982): Social Anthropology (Fontana Masterguides). London: Fontana • Lechte, John (1994): Fifty Key Contemporary Thinkers: From Structuralism to Postmodernity. London: Routledge • Lee, Dorothy (1960): 'Lineal and Nonlineal Codifications of Reality'. In Edmund Carpenter & Marshall McLuhan (Eds): Explorations in Communication. Boston: Beacon Press, pp. 136-54 • Leiss, William, Stephen Kline & Sut Jhally (1990): Social Communication in Advertising: Persons, Products and Images of Well-Being (2nd Edn.). London: Routledge • Lemke, Jay (1995): Textual Politics: Discourse and Social Dynamics. London: Taylor & Francis • Lemon, Lee T & Marion J Reis (1965): Russian Formalist Criticism. Lincoln, NE: University of Nebraska Press • Lévi-Strauss, Claude (1961): Tristes Tropiques (trans. John Russell). New York: Criterion • Lévi-Strauss, Claude (1964): Totemism (trans. Rodney Needham). Harmondsworth: Penguin • Lévi-Strauss, Claude ([1949] 1969): The Elementary Structures of Kinship (trans. James Harle Bell, John Richard von Sturmer & Rodney Needham). London: Eyre & Spottiswoode • Lévi-Strauss, Claude (1970): The Raw and the Cooked (trans. John & Doreen Weightman). London: Jonathan Cape • Lévi-Strauss, Claude (1972): Structural Anthropology (trans. Claire Jacobson & Brooke Grundfest Schoepf). Harmondsworth: Penguin • Lévi-Strauss, Claude ([1962] 1974): The Savage Mind. London: Weidenfeld & Nicolson • Lévy-Bruhl, Claude ([1926] 1985): How Natives Think (trans. L A Clare). Princeton, NJ: Princeton University Press • Lewis, Justin (1991): The Ideological Octopus: An Exploration of Television and its Audience. New York: Routledge • Lodge, David ([1977] 1996): The Modes of Modern Writing: Metaphor, Metonymy and the Typology of Modern Literature. London: Arnold • Lodge, David (1987): 'After Bakhtin'. In Nigel Fabb, D Attridge, A Durrant & C MacCabe (Eds.): The Linguistics of Writing: Arguments Between Language and Literature. New York: Methuen • Lodge, David (1988): Nice Work: A Novel. London: Secker & Warburg • Lotman, Yuri (1976): Analysis of the Poetic Text. Ann Arbor: University of Michigan Press • Lotman, Yuri (1990): Universe of the Mind: A Semiotic Theory of Culture (trans. Ann Shukman). Bloomington, IN: Indiana University Press • Lovell, Terry (1983): Pictures of Reality: Aesthetics, Politics and Pleasure. London: BFI • Lyons, John (1977): Semantics, Vol. 1. Cambridge: Cambridge University Press A B C D E F G H I J K L M N O P Q R S T U V W X Y Z • MacCabe, Colin (1974): 'Realism and the Cinema', Screen 15(2), pp. 7-27 • Malkiel, Yakov (1968): Essays on Linguistic Themes. Oxford: Blackwell • McKim, Robert H (1972): Experiences in Visual Thinking. Monterey, CA: Brooks/Cole • McLuhan, Marshall (1962): The Gutenberg Galaxy. Toronto: University of Toronto Press • McLuhan, Marshall & Quentin Fiore (1967): The Medium is the Massage. New York: Bantam • McLuhan, Marshall (1970): Counterblast. London: Rapp & Whiting • McQuarrie, Edward F & David Glen Mick (1992): 'On Resonance: A Critical Pluralistic Inquiry into Advertising Rhetoric', Journal of Consumer Research 19: 180-97 • McQuarrie, Edward F & David Glen Mick (1999): 'Visual Rhetoric in Advertising: Text-Interpretative, Experimental and Reader-Response Analyses', Journal of Consumer Research 26(1): 37-54 • Megill, Allan & Donald N. McCloskey (1987): 'The Rhetoric of History'. In Nelson, J. S., A. Megill & D. N. McCloskey (Eds.): The Rhetoric of the Human Sciences: Languages and Argument in Scholarship and Public Affairs. Madison, WI: University of Wisconsin Press • Merton, Robert K (1968): Social Theory and Social Structure. New York: Free Press • Messaris, Paul (1982): 'To What Extent Does One Have to Learn to Interpret Movies?' In Sari Thomas (Ed.): Film/Culture. Metuchen, NJ: Scarecrow Press, pp. 168-83 • Messaris, Paul (1994): Visual 'Literacy': Image, Mind and Reality. Boulder, CO: Westview Press • Messaris, Paul (1997): Visual Persuasion: The Role of Images in Advertising. London: Sage
Semiotics for Beginners by Daniel Chandler • Metz, Christian (1974): Film Language: A Semiotics of the Cinema (trans. Michael Taylor). New York: Oxford University Press • Metz, Christian (1981): 'Methodological Propositions for the Analysis of Film'. In Eaton (Ed.), op. cit., pp. 86-98 • Metz, Christian (1982): The Imaginary Signifier (trans. Celia Britton, Annwyl Williams, Ben Brewster & Alfred Guzzetti). Bloomington: Indiana University Press • Mick, David Glen (1986): 'Consumer Research and Semiotics: Exploring the Morphology of Signs, Symbols and Significance', Journal of Consumer Research 13(2): 196-213 • Mick, David Glen (1988): 'Schema-theoretics and Semiotics: Toward More Holistic, Programmatic Research on Marketing Communication', Semiotica 70(1/2): 1-26 • Mick, David Glen & Claus Buhl (1992): 'A Meaning-based Model of Advertising Experiences', Journal of Consumer Research 19: 317-38 • Mick, David Glen & Laura G Politi (1989): 'Consumers' Interpretations of Advertising Imagery: A Visit to the Hell of Connotation'. In Elizabeth C Hirschman (Ed.): Interpretive Consumer Research. Provo, UT: Association for Consumer Research, pp. 85-96 • Millum, Trevor (1975): Images of Woman: Advertising in Women's Magazines. London: Chatto & Windus • Monaco, James (1981): How to Read a Film. New York: Oxford University Press (Part III, 'The Language of Film: Signs and Syntax') • Moores, Shaun (1993): Interpreting Audiences: The Ethnography of Media Consumption. London: Sage • Morley, David (1980): The 'Nationwide' Audience: Structure and Decoding. London: BFI • Morley, David (1981a): '"The Nationwide Audience" - A Critical Postscript', Screen Education 39: 3-14 • Morley, David (1981b): Interpreting Television. In Popular Culture and Everyday Life (Block 3 of U203 Popular Culture). Milton Keynes: Open University Press, pp. 40-68 • Morley, David (1983): 'Cultural Transformations: The Politics of Resistance'. In Davis & Walton (Eds.), op. cit., pp. 104-17 • Morley, David (1992): Television, Audiences and Cultural Studies. London: Routledge • Morris, Charles W (1938/1970): Foundations of the Theory of Signs. Chicago: Chicago University Press • Morris, Pam (Ed.) (1994): The Bakhtin Reader: Selected Writings of Bakhtin, Medvedev, Voloshinov. London: Edward Arnold Prentice-Hall • Murray, Donald M. (1978): 'Internal Revision - A Process of Discovery'. In C R Cooper & L Odell (Eds.): Research on Composing. Urbana, IL: NCTE • Myers, Kathy (1983): 'Understanding Advertisers'. In Davis & Walton (Eds.), op. cit., pp. 205-223 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z • Nelson, Richard K (1983): Make Prayers to the Raven: A Koyukon View of the Northern Forest. Chicago: University of Chicago Press • Newcomb, Theodore M (1952): Social Psychology. London: Tavistock • Nichols, Bill (1981): Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington, IN: Indiana University Press • Nöth, Winfried (1990): Handbook of Semiotics. Bloomington, IN: Indiana University Press A B C D E F G H I J K L M N O P Q R S T U V W X Y Z • Ogden, Charles K ([1930] 1944): Basic English (9th Edn.). London: Kegan Paul, Trench, Trubner & Co. • Ogden, Charles K & Ivor A Richards (1923): The Meaning of Meaning. London: Routledge & Kegan Paul • Olson, David (1994): The World on Paper: The Conceptual and Cognitive Implications of Writing and Reading. Cambridge: Cambridge University Press • Orwell, George ([1949] 1989): Nineteen Eighty-Four. Harmondsworth: Penguin • Osgood, Charles E, George J Suci & Percy H Tannenbaum (1957): The Measurement of Meaning. Urbana, IL: University of Illinois Press
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