Semiotics for Beginners by Daniel Chandler
Semiotics for Beginners by Daniel Chandler
Semiotics for Beginners by Daniel Chandler
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<strong>Semiotics</strong> <strong>for</strong> <strong>Beginners</strong> <strong>by</strong> <strong>Daniel</strong> <strong>Chandler</strong><br />
Representations require interpretation. Realities are contested, and textual representations are thus 'sites of<br />
struggle'. Representation is unavoidably selective, <strong>for</strong>egrounding some things and backgrounding others. Every<br />
representation is motivated and historically contingent. Realists focus on the 'correspondence' of representations<br />
to 'objective' reality (in terms of 'truth', 'accuracy' and 'distortion'), whereas constructivists focus on whose realities<br />
are being represented and whose are being denied. Structuralist semioticians often explore how subjects are<br />
positioned within systems of representation. Both structuralist and poststructuralist theories lead to 'reality' and<br />
'truth' being regarded as the products of particular systems of representation. Social semioticians focus on how<br />
representations are produced and interpreted. Some postmodern theorists avoid the term 'representation'<br />
completely because the epistemological assumptions of realism seem embedded in it. See also: Mimesis,<br />
Realism, aesthetic, Reality, Referent, Relativism, epistemological, Representational codes<br />
• Representational codes: These are textual codes which represent reality. Those which are perceived as 'realistic'<br />
(especially in film and television) are routinely experienced as if they were recordings or direct reproductions of<br />
reality rather than as representations in the <strong>for</strong>m of codes. See also: Aesthetic codes, Discourse, Reality,<br />
Realism, aesthetic, Representation, Textual codes<br />
• Reproductive fallacy: André Bazin refers to this fallacy as being that the only kind of representation which can<br />
show things 'as they really are' is one which is (or appears to be) exactly like that which it represents in every<br />
respect. Since texts are almost invariably constructed out of different materials from that which they represent,<br />
exact replicas are impossible. For Bazin, aesthetic realism depended on a broader 'truth to reality'. See also:<br />
Reality, Realism, aesthetic, Representation<br />
• Restricted codes: See Broadcast codes<br />
• Rules of trans<strong>for</strong>mation: See Trans<strong>for</strong>mation, rules of<br />
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z<br />
• Sapir-Whorf hypothesis: See Whorfianism<br />
• Saussurean model of the sign: In Saussure's model, the sign consisted of two elements: a signifier and a signified<br />
(though he insisted that these were inseparable other than <strong>for</strong> analytical purposes). This dyadic model makes no<br />
direct reference to a referent in the world, and can be seen as supporting the notion that language does not<br />
'reflect' reality but rather constructs it. It has been criticized as an idealist model. Saussure stressed that signs<br />
only made sense in terms of their relationships to other signs within the same signifying system (see Value). See<br />
also: Peircean model, Sign<br />
• Schools or circles, linguistic/semiotic: See Copenhagen school, Moscow school, Paris school, Prague school,<br />
Tartu school<br />
• Scriptism: See Graphocentrism<br />
• Second articulation: At the (lower) structural level of second articulation, a semiotic code is divisible into minimal<br />
functional units which lack meaning in themselves (e.g. phonemes in speech or graphemes in writing). These<br />
lower units are nonsignifying sign elements - purely differential structural units (called figurae <strong>by</strong> Hjelmslev). They<br />
are recurrent features in the code. See also: Articulation, Double articulation, First articulation, Single articulation<br />
• Secondness: See Firstness, Secondness and Thirdness<br />
• Selection, axis of: A structuralist term <strong>for</strong> the 'vertical' axis in the analysis of a textual structure: the plane of the<br />
paradigm (Jakobson). See also: Combination, axis of<br />
• Self-referentiality: See Poetic function<br />
• Semantics: Morris divided semiotics into three branches: syntactics, semantics and pragmatics. Semantics refers<br />
to the study of the meaning of signs (the relationship of signs to what they stand <strong>for</strong>). The interpretation of signs<br />
<strong>by</strong> their users can also be seen as levels corresponding to these three branches - the semantic level being the<br />
comprehension of the preferred reading of the sign. See also: Pragmatics, <strong>Semiotics</strong>, Syntactics<br />
• Semiology: Saussure's term sémiologie dates from a manuscript of 1894. 'Semiology' is sometimes used to refer<br />
to the study of signs <strong>by</strong> those within the Saussurean tradition (e.g. Barthes, Lévi-Strauss, Kristeva and<br />
Baudrillard), whilst 'semiotics' sometimes refers to those working within the Peircean tradition (e.g. Morris,<br />
Richards, Ogden and Sebeok). Sometimes 'semiology' refers to work concerned primarily with textual analysis<br />
whilst 'semiotics' refers to more philosophically-oriented work. Saussure's semiotics embraced only intentional<br />
communication - specifically human communication using conventionalized, artificial sign systems. Nowadays the<br />
term 'semiotics' is widely used as an umbrella term to include 'semiology' and (to use Peirce's term) 'semiotic'.<br />
See also: <strong>Semiotics</strong>