Semiotics for Beginners by Daniel Chandler

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Semiotics for Beginners by Daniel Chandler • Danesi, Marcel (1994a): Messages and Meanings: An Introduction to Semiotics. Toronto: Canadian Scholars' Press • Danesi, Marcel (1994b): Cool: The Signs and Meanings of Adolescence. Toronto: University of Toronto Press • Danesi, Marcel (1999): Of Cigarettes, High Heels and Other Interesting Things: An Introduction to Semiotics. London: Macmillan • Davis, Desmond (1960): The Grammar of Television Production (revised by John Elliot). London: Barrie & Rockliff • Davis, Howard & Paul Walton (Eds.) (1983a): Language, Image, Media. Oxford: Basil Blackwell • Davis, Howard & Paul Walton (1983b): 'Death of a Premier: Consensus and Closure in International News'. In Davis & Walton (Eds.), op. cit, pp. 8-49 • de Lauretis, Teresa (1984): Alice Doesn't: Feminism, Semiotics, Cinema. London: Macmillan • Deacon, David, Michael Pickering, Peter Golding & Graham Murdock (1999): Researching Communications: A Practical Guide to Methods in Media and Cultural Analysis. London: Arnold • Deregowski, Jan B (1980): Illusions, Patterns and Pictures: A Cross-Cultural Perspective. New York: Academic Press • Derrida, Jacques (1974): 'White Mythology: Metaphor in the Text of Philosophy', New Literary History 6(1): 5-74 • Derrida, Jacques (1976): Of Grammatology (trans. Gayatri Chakravorty Spivak). Baltimore, MD: Johns Hopkins University Press • Derrida, Jacques (1978): Writing and Difference (trans. Alan Bass). London: Routledge & Kegan Paul • Derrida, Jacques (1981): Positions (trans. Alan Bass). London: Athlone Press • Douglas, Mary (1982): 'The Future of Semiotics', Semiotica 38(3/4): 197-203 • Dyer, Richard (1992): Only Entertainment. London: Routledge • Dyer, Richard (1997): White. London: Routledge A B C D E F G H I J K L M N O P Q R S T U V W X Y Z • Eagleton, Terry (1983): Literary Theory: An Introduction. Oxford: Basil Blackwell • Easthope, Antony (1990): What a Man's Gotta Do. Boston, MA: Unwin Hyman • Eaton, Mick (Ed.) (1981): Cinema and Semiotics (Screen Reader 2). London: Society for Education in Film and Television • Eco, Umberto (1965): 'Towards a Semiotic Enquiry into the Television Message', In Corner & Hawthorn (Eds.) (1980), pp. 131-50 • Eco, Umberto (1966): 'Narrative Structure in Fleming'. In E. del Buono & Umberto Eco (Eds.): The Bond Affair. London: Macdonald • Eco, Umberto (1976): A Theory of Semiotics. Bloomington, IN: Indiana University Press/London: Macmillan • Eco, Umberto ([1980] 1984): The Name of the Rose. London: Picador/Secker & Warburg • Eco, Umberto (1981): The Role of the Reader. London: Hutchinson • Eco, Umberto (1982): 'Critique of the Image'. In Burgin (Ed.), op. cit. • Eco, Umberto (1984): Semiotics and the Philosophy of Language. Bloomington, IN: Indiana University Press • Edgerton, Samuel Y (1975): The Renaissance Rediscovery of Linear Perspective. New York: Harper & Row A B C D E F G H I J K L M N O P Q R S T U V W X Y Z • Fairclough, Norman (1995): Media Discourse. London: Edward Arnold • Fish, Stanley (1980): Is There A Text In This Class? The Authority Of Interpretive Communities. Cambridge, MA: Harvard University Press • Fiske, John (1982): Introduction to Communication Studies. London: Routledge • Fiske, John (1987): Television Culture. London: Routledge • Fiske, John (1989): 'Codes'. In International Encyclopedia of Communications, Vol. 1. New York: Oxford University Press, pp. 312-6 • Fiske, John (1992): 'British Cultural Studies and Television'. In Allen (Ed.), op. cit., pp. 284-326; also in Storey (Ed.) (1996), op. cit., pp. 115-146
Semiotics for Beginners by Daniel Chandler • Fiske, John & John Hartley (1978): Reading Television. London: Methuen • Fleming, Dan (1996): Powerplay: Toys as Popular Culture. Manchester: Manchester University Press • Floch, Jean-Marie (2000): Visual Identities (trans. Pierre Van Osselaer & Alec McHoul). London: Continuum • Forceville, Charles (1996): Pictorial Metaphor in Advertising. London: Routledge • Forman, H B (Ed.) (1880): The Works of Percy Bysshe Shelley in Verse and Prose, Vol. 6. London: Reeves & Turner • Foucault, Michel (1970): The Order of Things. London: Tavistock • Foucault, Michel (1974): The Archaeology of Knowledge. London: Tavistock • Franklin, Sarah, Celia Lury & Jackie Stacey (1996): 'Feminism and Cultural Studies: Pasts, Presents, Futures'. In Storey (Ed.) op. cit., pp. 255-72 • Freud, Sigmund (1938): The Basic Writings of Sigmund Freud. New York: Modern Library • Fuss, Diane (Ed.) (1991): Inside/Out: Lesbian Theories, Gay Theories. London: Routledge • Fussell, Paul (1984): Caste Marks: Style and Status in the USA. London: Heinemann A B C D E F G H I J K L M N O P Q R S T U V W X Y Z • Gallie, W B (1952): Peirce and Pragmatism. Harmondsworth: Penguin • Galtung, Johan & Eric Ruge (1981): 'Structuring and Selecting News'. In Cohen & Young, op. cit., pp. 52-63 • Gardiner, Michael (1992): The Dialogics of Critique: M M Bakhtin and the Theory of Ideology. London: Routledge • Gelb, I J (1963): A Study of Writing. Chicago: University of Chicago Press • Genette, Gérard ([1972] 1980): Narrative Discourse. Oxford: Oxford University Press • Genette, Gérard (1997): Palimpsests (trans. Channa Newman & Claude Doubinsky). Lincoln, NB: University of Nebraska Press • Genosko, Gary (1994): Baudrillard and Signs: Signification Ablaze. London: Routledge • Glasgow University Media Group (1980): More Bad News. London: Routledge & Kegan Paul • Goffman, Erving (1969): Behaviour in Public Places. Harmondsworth: Penguin • Goffman, Erving (1979): Gender Advertisements. New York: Harper & Row/London: Macmillan • Goldman, Robert & Stephen Papson (1994): 'Advertising in the Age of Hypersignification', Theory, Culture & Society 11 (August), 23-54 • Goldschmidt, E P (1943): Mediaeval Texts and Their First Appearance in Print. Oxford: Oxford University Press • Goldsmith, Evelyn (1984): Research into Illustrations: An Approach and a Review. Cambridge: Cambridge University Press • Gombrich, Ernst H (1974): 'The Visual Image'. In David R Olson (Ed.): Media and Symbols: The Forms of Expression, Communication and Education. Chicago, IL: University of Chicago Press, pp. 255-8; first published in Scientific American 227 (September 1971): 82-96 • Gombrich, Ernst H (1977): Art and Illusion: A Study in the Psychology of Pictorial Representation. London: Phaidon • Gombrich, Ernst H (1982): The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. London: Phaidon • Goodman, Marcia (1990): 'Innocent Impostors: Gender, Genre and the Teaching of Writing', Visions and Revisions: Research for Writing Teachers 2 (1): 37-51 • Goodman, Nelson (1968): Languages of Art: An Approach to a Theory of Symbols. London: Oxford University Press • Grayson, Kent (1998): 'The Icons of Consumer Research: Using Signs to Represent Consumers' Reality'. In Stern op. cit., pp. 27-43. • Greenberg, J H (1966): Language Universals. The Hague: Mouton • Greimas, Algirdas ([1966] 1983): Structural Semantics. Lincoln, NB: University of Nebraska Press • Greimas, Algirdas (1987): On Meaning: Selected Writings in Semiotic Theory (trans. Paul J Perron & Frank H Collins). London: Frances Pinter • Grosz, Elizabeth (1993): 'Bodies and Knowledges: Feminism and the Crisis of Reason'. In Alcoff & Potter op. cit., pp. 187-215 • Gudykunst, William B & Young Yun Kim (1992): Readings on Communicating with Strangers: An Approach to Intercultural Communication. New York: McGraw-Hill
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