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The Journal of the World Council for Gifted and Talented Children

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This article argues that competitions can serve a<br />

dual purpose: identification <strong>of</strong> creative <strong>and</strong><br />

innovative abilities <strong>and</strong> talents, as well as a<br />

provision <strong>for</strong> <strong>the</strong>ir development (Riley & Karnes,<br />

1998/99). As Campbell et al. (2001) state, “One<br />

can create an arena where individuals are<br />

allowed to per<strong>for</strong>m some task or set <strong>of</strong> tasks<br />

with those being selected as eligible whose level<br />

<strong>of</strong> per<strong>for</strong>mance is judged superior, by whatever<br />

definition or criteria” (p. 524). It is not surprising<br />

that competitions have been a cornerstone <strong>of</strong><br />

gifted education, putting talents to <strong>the</strong> test by<br />

<strong>The</strong> <strong>World</strong> <strong>Council</strong> <strong>for</strong> <strong>Gifted</strong> <strong>and</strong> <strong>Talented</strong> <strong>Children</strong><br />

enabling gifted students to showcase <strong>the</strong>ir<br />

abilities <strong>and</strong> receive acknowledgement <strong>and</strong><br />

recognition <strong>for</strong> <strong>the</strong>ir talents. However,<br />

competitions have been noted as “a training<br />

ground <strong>for</strong> excellence” (Riley & Karnes, 2007, p.<br />

146), but also as “breeding grounds <strong>for</strong><br />

problems with equity” (p. 151). This article<br />

explores <strong>the</strong> issues <strong>of</strong> excellence <strong>and</strong> equity in<br />

competing <strong>for</strong> creativity <strong>and</strong> innovation, but<br />

addresses <strong>the</strong>se through practical guidelines <strong>for</strong><br />

<strong>the</strong> facilitation <strong>of</strong> competitions in schools or <strong>for</strong><br />

individuals or teams <strong>of</strong> students.<br />

Why should competitions be used to showcase innovation <strong>and</strong> creativity?<br />

As Riley <strong>and</strong> Karnes (2009) explain, education <strong>and</strong> competitions are inextricably linked in at<br />

least three ways. Firstly, children naturally compete, <strong>and</strong> <strong>the</strong>re<strong>for</strong>e, educators have utilised<br />

competitions to motivate, encourage, <strong>and</strong> spark learning. As early as <strong>the</strong> late 1 st century BC, a<br />

Roman teacher, Marcus Verrius Flaccus, is credited with introducing competition as a pedagogical<br />

tool by awarding antiquarian books as prizes (Riley & Karnes, 2009). More current <strong>the</strong>ory indicates<br />

that competitions can spark short-term <strong>and</strong> long-term motivation (Cropper, 1998). Riley <strong>and</strong> Karnes<br />

(1999a) concluded that competitions can serve as a motivational spark plug. Secondly, in <strong>the</strong> ‘adult<br />

world’ <strong>the</strong>re is an expectation <strong>of</strong> competitiveness <strong>and</strong> many societies teach <strong>the</strong>ir children to<br />

compete. For example, this is evidenced in countries such as Singapore, Engl<strong>and</strong>, <strong>and</strong> Japan,<br />

whereby <strong>the</strong> national education system encourages competition in examinations <strong>for</strong> scholarships to<br />

university. Finally, competitions are designed as a way <strong>of</strong> developing talent <strong>for</strong> <strong>the</strong> work<strong>for</strong>ce,<br />

complimenting educational initiatives in securing <strong>and</strong> developing a nation’s economic health. In<br />

today’s world, businesses are seeking creative, innovative thinkers, as technological advances <strong>and</strong><br />

consumer needs become increasingly dem<strong>and</strong>ing <strong>and</strong> swiftly changing.<br />

Competitions have long-served as inducements <strong>for</strong> scientific <strong>and</strong> technological innovations,<br />

<strong>for</strong> as a Fortune magazine article explains, “<strong>The</strong> idea is to tempt geniuses to come up with<br />

breakthrough solutions to thorny problems” (O’Reilly, 2003, p. 54). Did you know, <strong>for</strong> example, that<br />

canning evolved when Napoleon promised cash prizes to anyone who could work out how to<br />

preserve food <strong>for</strong> his military troops? Lucky Lindy’s 1919 non-stop flight across <strong>the</strong> Atlantic was<br />

lured by <strong>the</strong> Orteig Prize <strong>and</strong> parking meters developed in 1933 as a result <strong>of</strong> <strong>the</strong> opportunity <strong>for</strong> a<br />

cash prize. Riley <strong>and</strong> Karnes (2005) state that <strong>the</strong> goal <strong>of</strong> <strong>the</strong>se real-world competitions is not<br />

dissimilar to those developed <strong>for</strong> young people by <strong>the</strong>ir teachers, businesses, scientists, engineers,<br />

technologists, <strong>and</strong> o<strong>the</strong>r interested community members: to solve problems in creative ways.<br />

<strong>The</strong>se three connections between education <strong>and</strong> competitions are but a few <strong>of</strong> <strong>the</strong> reasons<br />

<strong>for</strong> involving students in competition. <strong>The</strong>re are o<strong>the</strong>r more compelling educational reasons <strong>for</strong> using<br />

competitions to showcase creativity <strong>and</strong> innovation, namely <strong>the</strong> potential benefits <strong>for</strong> participants.<br />

However, it must be stated at <strong>the</strong> outset that many <strong>of</strong> <strong>the</strong> benefits <strong>of</strong> competitions are speculative,<br />

ra<strong>the</strong>r than based on strong empirical data. <strong>The</strong>re is a scarcity <strong>of</strong> research related to <strong>the</strong><br />

effectiveness <strong>of</strong> competitions in meeting <strong>the</strong> unique social, emotional, <strong>and</strong> intellectual needs <strong>of</strong><br />

gifted <strong>and</strong> talented students (Campbell et al., 2001; Rogers, 2002; & Olszewski-Kubilius, 2003).<br />

Riley <strong>and</strong> Karnes (1999b) assert that <strong>the</strong> benefits <strong>of</strong> competitions closely match <strong>the</strong><br />

characteristics <strong>of</strong> creative students. <strong>The</strong>se characteristics include independence, confidence,<br />

energy, risk-taking, divergent thinking, adventurousness, <strong>and</strong> enjoyment <strong>of</strong> playing with ideas.<br />

Competitions, it is argued, can sharpen <strong>the</strong>se skills, <strong>and</strong> importantly, through being given <strong>the</strong><br />

opportunity to showcase <strong>the</strong>ir abilities, provide a chance <strong>for</strong> students to develop self-awareness.<br />

Riley <strong>and</strong> Karnes (1999b) provide some evidence to support <strong>the</strong> notion that being recognised as<br />

creative, through competition involvement, alerts students to abilities <strong>and</strong> qualities <strong>of</strong> difference, <strong>of</strong><br />

which <strong>the</strong>y may not have been previously aware. <strong>The</strong>y conclude that this newfound self-awareness<br />

raises self-esteem <strong>and</strong> self-underst<strong>and</strong>ing.<br />

Competitions also provide opportunities <strong>for</strong> students to fur<strong>the</strong>r develop <strong>and</strong> enhance <strong>the</strong>ir<br />

content knowledge, process skills, <strong>and</strong> product design <strong>and</strong> dissemination (Riley & Karnes, 2009), all<br />

<strong>of</strong> which are essential in creativity development. Creativity, as a process, must be grounded in sound<br />

64 <strong>Gifted</strong> <strong>and</strong> <strong>Talented</strong> International – 26(1), August, 2011; <strong>and</strong> 26(2), December, 2011.

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