Rudolf Steiner's Vision for the Future - Anthroposophical Society in ...
Rudolf Steiner's Vision for the Future - Anthroposophical Society in ...
Rudolf Steiner's Vision for the Future - Anthroposophical Society in ...
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The Search <strong>for</strong> Humanity <strong>in</strong> Contemporary Art<br />
by David Adams<br />
This is a slightly shortened <strong>for</strong>m of <strong>the</strong> report written <strong>for</strong> <strong>the</strong> Art<br />
Section’s own newsletter.<br />
Context<br />
The conference took place <strong>in</strong> <strong>the</strong> “Basilica Industria” <strong>in</strong><br />
<strong>the</strong> small but bustl<strong>in</strong>g town of Hudson, NY. The “Basilica”<br />
location itself was not an academic classroom or an art gallery<br />
but a huge, semi-converted factory/warehouse with hopelessly<br />
high ceil<strong>in</strong>gs, exposed girders and <strong>in</strong>frastructure, tall<br />
w<strong>in</strong>dows, cracked concrete floors, and signs of decades of<br />
heavy use.<br />
Our meet<strong>in</strong>g space <strong>in</strong> <strong>the</strong> North Hall featured on one<br />
side a large <strong>in</strong>stallation of angularly stacked wood pieces and<br />
20 • be<strong>in</strong>g human<br />
The Search <strong>for</strong> Humanity <strong>in</strong><br />
Contemporary Art<br />
A conference of <strong>the</strong><br />
Arts Section of <strong>the</strong><br />
School <strong>for</strong> Spiritual Science <strong>in</strong><br />
North America,<br />
August 13-15, 2010, <strong>in</strong> Hudson, NY<br />
“Sw<strong>in</strong>g<strong>in</strong>g Pa<strong>in</strong>t<strong>in</strong>gs” titled “Gestures of Gratitude” by Laura Summer<br />
2010; watercolor, pastel, charcoal, and paper on canvas<br />
cloth by Mart<strong>in</strong> Summer (The Ascent) crowned with a<br />
sequence of seven small pa<strong>in</strong>ted wood objects and four pa<strong>in</strong>t<strong>in</strong>gs<br />
by Laura Summer (Saturn Sun Moon Earth), on <strong>the</strong><br />
o<strong>the</strong>r side a sequence of hang<strong>in</strong>g pa<strong>in</strong>ted cloth banners titled<br />
Gestures of Gratitude by Laura, and n<strong>in</strong>e pa<strong>in</strong>t<strong>in</strong>gs by six local<br />
artists hang<strong>in</strong>g <strong>in</strong> irregular places on <strong>the</strong> walls. A variety of<br />
hang<strong>in</strong>g cloths, banners, and curta<strong>in</strong>s were cont<strong>in</strong>uously manipulated<br />
and repositioned to adapt to <strong>the</strong> circumstances of<br />
almost every event. The tiered seat<strong>in</strong>g featured a wide variety<br />
of types of chairs <strong>in</strong> numerous 20th century styles (perhaps<br />
appropriate <strong>for</strong> a multicultural, multi-stylistic, <strong>in</strong>terdiscipl<strong>in</strong>ary<br />
outlook like postmodernism). In <strong>the</strong> adjo<strong>in</strong><strong>in</strong>g “Large