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EPONYMS: AN INSTANCE OF LINGUISTIC INTERCULTURALITY framework of the culture they come from. To readers from other culture who come across such eponyms, these words may mean next to nothing, in case they are not familiar with the respective literary heroes. Thus, a fagin (
FLORIANA POPESCU, DANIELA ŞORCARU replaced by a French one), Bozzi’s foramen by pata Mariotte (where the Italian name was replaced by another French one); nevertheless, there have been recorded instances where Italian names were given, in Romanian other eponymous versions to include English or German names of persons, as in the structures fallopian neuritis translated through paralizie Bell, and Galeati’s gland rendered by glandele Lieberkühn. Most of the eponyms pertaining to general English, even if not essentially stylistic devices, have nevertheless a certain degree of connotational charge; those belonging to jargons or professional terminologies are certainly lexical instruments. Eponyms: an instance of linguistic interculturality The widespread use of some eponyms, particularly those in the scientific, technical and technological languages, grants them a certain degree of internationality and allows them access among the other lexical units or formations which have acknowledged international recognition. And indeed they have, for simple eponyms have travelled from one language to another and so did specialist ones. Thus, an extremely reduced number of examples will be enumerated to account for the spreading of eponyms originating in a certain European country in at least two other languages (English and Romanian): dahlia - dalie (
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CULTURE, SUBCULTURE, COUNTERCULTURE
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GENERAL EDITORS: Michaela Praisler
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Doiniţa Milea On the Plurilinguist
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EDITORS’ NOTE The papers in the p
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PETRU IAMANDI National fandom reall
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PETRU IAMANDI NBC started broadcast
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PETRU IAMANDI those searching simpl
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MICHAELA PRAISLER, STELUŢA STAN ch
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MICHAELA PRAISLER, STELUŢA STAN ma
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MICHAELA PRAISLER, STELUŢA STAN mu
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KATHY ACKER’S PIERCING METHOD: DO
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RUXANDA BONTILĂ machine at the lev
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RUXANDA BONTILĂ head on every desk
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RUXANDA BONTILĂ language that was
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RUXANDA BONTILĂ pernicious charact
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LIDIA MIHAELA NECULA writing Englis
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LIDIA MIHAELA NECULA very beginning
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LIDIA MIHAELA NECULA a forceful veh
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(RE)CREATING CULTURAL IDENTITY - SA
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ANCA MIHAELA DOBRINESCU oscillate b
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ANCA MIHAELA DOBRINESCU commands of
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THE POWER OF PLACE: THE POLITICS OF
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REMUS BEJAN Representational space
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REMUS BEJAN step out of the backs o
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REMUS BEJAN Store and spread itself
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CROSSING BORDERS THROUGH MUSIC IN R
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TITUS POP in 1937, and Vina Apsara,
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TITUS POP book’s pages. Some are
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TITUS POP westward, he not only rev
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TITUS POP Conclusion To conclude, m
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GABRIELA IULIANA COLIPCĂ Yet, thes
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GABRIELA IULIANA COLIPCĂ open, pub
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GABRIELA IULIANA COLIPCĂ in the fi
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GABRIELA IULIANA COLIPCĂ perversel
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GABRIELA IULIANA COLIPCĂ despair a
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CULTURAL TYPES AND THEIR DISCOURSE
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MIHAELA CULEA fortune hunter, the r
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MIHAELA CULEA interference of women
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MIHAELA CULEA Europe on foot. Thus,
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MIHAELA CULEA her as if she were an
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ON THE PLURILINGUISTIC AND THE MULT
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DOINIŢA MILEA The transformation o
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DOINIŢA MILEA After a synthesis de
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DOINIŢA MILEA revolutionary Vilniu
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THE FRUSTRATION OF THE JEWISH SPIRI
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ALINA BEATRICE CHEŞCĂ of somewhat
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ALINA BEATRICE CHEŞCĂ down in it
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(PSEUDO-)MYTHS OF THE 20 TH CENTURY
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ANDREIA IRINA SUCIU enacting some p
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ANDREIA IRINA SUCIU in the religiou
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ANDREIA IRINA SUCIU exchange betwee
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ANDREIA IRINA SUCIU consequence is,
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ANDREIA IRINA SUCIU Englishman who
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ANDREIA IRINA SUCIU impatient to mo
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A MYTH-ANALYSIS OF POLITICAL AND NO
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ALINA CRIHANĂ, DANIELA ŞORCARU su
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Page 117 and 118: SIMONA ANTOFI critics may relate th
Page 119 and 120: SIMONA ANTOFI nici o pudoare, făr
Page 121 and 122: THE WOUNDEDNESS OF SYLVIA PLATH’S
Page 123 and 124: ELENA CIOBANU answers waiting to be
Page 125 and 126: ELENA CIOBANU reference of such met
Page 127 and 128: ELENA CIOBANU Merleau Ponty, M. 199
Page 129 and 130: NICOLETA IFRIM, ISABELA MERILĂ den
Page 131 and 132: NICOLETA IFRIM, ISABELA MERILĂ the
Page 133 and 134: DANIELA ŢUCHEL meaning listed: “
Page 135 and 136: DANIELA ŢUCHEL Theme with variatio
Page 137 and 138: DANIELA ŢUCHEL have.” In like ma
Page 139 and 140: MARIANA NEAGU 1.3 Purpose In this p
Page 141 and 142: MARIANA NEAGU stories have been pas
Page 143 and 144: MARIANA NEAGU we will see later in
Page 145 and 146: MARIANA NEAGU Radden (2006) argues
Page 147 and 148: MARIANA NEAGU Lent, Advent and wint
Page 149 and 150: MARIANA NEAGU (8) Vremea trecea! An
Page 151 and 152: MARIANA NEAGU that they are structu
Page 153 and 154: MARIANA NEAGU environment, geopolit
Page 155 and 156: MARIANA NEAGU Gentner, D., Imai, M.
Page 157 and 158: GLOBALIZATION AND ITS METAPHORS IUL
Page 159 and 160: IULIANA LUNGU “To change markets
Page 161 and 162: EPONYMS: AN INSTANCE OF LINGUISTIC
Page 163 and 164: FLORIANA POPESCU, DANIELA ŞORCARU
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Page 169 and 170: FLORIANA POPESCU, DANIELA ŞORCARU
Page 171 and 172: CAMELIA BEJAN petrify, scarify, sto
Page 173 and 174: CAMELIA BEJAN bewilderment, disappo
Page 175 and 176: CAMELIA BEJAN and it means ‘to wo
Page 177 and 178: CAMELIA BEJAN 2.2.2 Psychological n
Page 179 and 180: SMALL CULTURE AND VERNACULAR LANGUA
Page 181 and 182: ELENA CROITORU speech differing fro
Page 183 and 184: ELENA CROITORU - Na-vă de cheltuia
Page 185 and 186: ELENA CROITORU her! She very nearly
Page 187 and 188: TRANSLATING DRAMA: THE MAIN ISSUES
Page 189 and 190: IOAN - LUCIAN POPA the other, the t
Page 191 and 192: IOAN - LUCIAN POPA reception orient
Page 193 and 194: IOAN - LUCIAN POPA References: Aalt
Page 195 and 196: STELUŢA STAN, MICHAELA PRAISLER re
Page 197 and 198: STELUŢA STAN, MICHAELA PRAISLER de
Page 199 and 200: STELUŢA STAN, MICHAELA PRAISLER th
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Page 203 and 204: ANITA STASULANE, JANIS PRIEDE more
Page 205 and 206: ANITA STASULANE, JANIS PRIEDE Howev
Page 207 and 208: ANITA STASULANE, JANIS PRIEDE Rēri
Page 209 and 210: ANITA STASULANE, JANIS PRIEDE /keme
Page 211 and 212: WALLOON AND FLEMISH PARADIGMS OF TH
Page 213 and 214: CARMEN ANDREI, IOANA MOHOR-IVAN Lou
Page 215 and 216: CARMEN ANDREI, IOANA MOHOR-IVAN Bru
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CARMEN ANDREI, IOANA MOHOR-IVAN loc
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CARMEN ANDREI, IOANA MOHOR-IVAN cre
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FREDERIK STIERNSTEDT, LINUS ANDERSS
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THE ORIGINS OF ROMANIAN HIP-HOP: SO
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DANIELA ŞORCARU Their next album,
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DANIELA ŞORCARU with TV stations o
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DANIELA ŞORCARU first appears live
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DANIELA ŞORCARU violent”. The ly
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DANIELA ŞORCARU Although the album
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DANIELA ŞORCARU In 2007 they settl
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LIGIA PÎRVU opposed by many other
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LIGIA PÎRVU famous people of this
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GABRIELA DIMA Rembrandt’s Lucreti
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APPROACHES TO THE CULTURE OF THE ED
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SIMONA ALECU external pressures hav
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SIMONA ALECU This is the reason why
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THE ROLE AND PLACE OF ECOLOGICAL ET
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VIORICA - TORII CACIUC and the Univ
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VIORICA - TORII CACIUC inscribe env
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IULIANA BARNA In the present paper,
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IULIANA BARNA cigarettes will be ex
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IULIANA BARNA References: Stanciu,
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