culture, subculture and counterculture - Facultatea de Litere

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ROMANIAN SOCIETY FOR ENGLISH AND AMERICAN STUDIES a branch of ESSE (EUROPEAN SOCIETY FOR THE STUDY OF ENGLISH) CULTURE, SUBCULTURE, COUNTERCULTURE International Conference Galaţi 02 - 03 November 2007 EDITURA EUROPLUS GALAŢI 2008
GENERAL EDITORS: Michaela Praisler – “Dunărea de Jos” University of Galaţi, Romania Gabriela Iuliana Colipcă – “Dunărea de Jos” University of Galaţi, Romania CONSULTANT EDITORS: Linus Andersson – Södertörn University College, Sweden Isabela Merilă – “Dunărea de Jos” University of Galaţi, Romania Ioana Mohor-Ivan – “Dunărea de Jos” University of Galaţi, Romania Floriana Popescu – “Dunărea de Jos” University of Galaţi, Romania Janis Priede – University of Latvia, Latvia Anita Stasulane – Daugavpils University, Latvia Frederik Stiernstedt – Södertörn University College, Sweden Daniela Şorcaru – “Dunărea de Jos” University of Galaţi, Romania Editura EUROPLUS Galaţi: Str. Tecuci, nr. 235 Tel-Fax: 0236-326.115 E-mail: office@europlusgalati.ro Web: http://www.europlus-sm.ro Copyright © 2008 – Toate drepturile acestei ediţii sunt rezervate Editurii EUROPLUS Galaţi ISBN: 978-973-7845-95-5 * The contributors are solely responsible for the scientific accuracy of their articles.
Page 1: CULTURE, SUBCULTURE, COUNTERCULTURE
Page 5 and 6: Doiniţa Milea On the Plurilinguist
Page 8: EDITORS’ NOTE The papers in the p
Page 11 and 12: PETRU IAMANDI National fandom reall
Page 13 and 14: PETRU IAMANDI NBC started broadcast
Page 15 and 16: PETRU IAMANDI those searching simpl
Page 17 and 18: MICHAELA PRAISLER, STELUŢA STAN ch
Page 19 and 20: MICHAELA PRAISLER, STELUŢA STAN ma
Page 21 and 22: MICHAELA PRAISLER, STELUŢA STAN mu
Page 23 and 24: KATHY ACKER’S PIERCING METHOD: DO
Page 25 and 26: RUXANDA BONTILĂ machine at the lev
Page 27 and 28: RUXANDA BONTILĂ head on every desk
Page 29 and 30: RUXANDA BONTILĂ language that was
Page 31 and 32: RUXANDA BONTILĂ pernicious charact
Page 33 and 34: LIDIA MIHAELA NECULA writing Englis
Page 35 and 36: LIDIA MIHAELA NECULA very beginning
Page 37 and 38: LIDIA MIHAELA NECULA a forceful veh
Page 39 and 40: (RE)CREATING CULTURAL IDENTITY - SA
Page 41 and 42: ANCA MIHAELA DOBRINESCU oscillate b
Page 43 and 44: ANCA MIHAELA DOBRINESCU commands of
Page 45 and 46: THE POWER OF PLACE: THE POLITICS OF
Page 47 and 48: REMUS BEJAN Representational space
Page 49 and 50: REMUS BEJAN step out of the backs o
Page 51 and 52: REMUS BEJAN Store and spread itself
Page 53 and 54:
CROSSING BORDERS THROUGH MUSIC IN R
Page 55 and 56:
TITUS POP in 1937, and Vina Apsara,
Page 57 and 58:
TITUS POP book’s pages. Some are
Page 59 and 60:
TITUS POP westward, he not only rev
Page 61 and 62:
TITUS POP Conclusion To conclude, m
Page 63 and 64:
GABRIELA IULIANA COLIPCĂ Yet, thes
Page 65 and 66:
GABRIELA IULIANA COLIPCĂ open, pub
Page 67 and 68:
GABRIELA IULIANA COLIPCĂ in the fi
Page 69 and 70:
GABRIELA IULIANA COLIPCĂ perversel
Page 71 and 72:
GABRIELA IULIANA COLIPCĂ despair a
Page 73 and 74:
CULTURAL TYPES AND THEIR DISCOURSE
Page 75 and 76:
MIHAELA CULEA fortune hunter, the r
Page 77 and 78:
MIHAELA CULEA interference of women
Page 79 and 80:
MIHAELA CULEA Europe on foot. Thus,
Page 81 and 82:
MIHAELA CULEA her as if she were an
Page 83 and 84:
ON THE PLURILINGUISTIC AND THE MULT
Page 85 and 86:
DOINIŢA MILEA The transformation o
Page 87 and 88:
DOINIŢA MILEA After a synthesis de
Page 89 and 90:
DOINIŢA MILEA revolutionary Vilniu
Page 91 and 92:
THE FRUSTRATION OF THE JEWISH SPIRI
Page 93 and 94:
ALINA BEATRICE CHEŞCĂ of somewhat
Page 95 and 96:
ALINA BEATRICE CHEŞCĂ down in it
Page 97 and 98:
(PSEUDO-)MYTHS OF THE 20 TH CENTURY
Page 99 and 100:
ANDREIA IRINA SUCIU enacting some p
Page 101 and 102:
ANDREIA IRINA SUCIU in the religiou
Page 103 and 104:
ANDREIA IRINA SUCIU exchange betwee
Page 105 and 106:
ANDREIA IRINA SUCIU consequence is,
Page 107 and 108:
ANDREIA IRINA SUCIU Englishman who
Page 109 and 110:
ANDREIA IRINA SUCIU impatient to mo
Page 111 and 112:
A MYTH-ANALYSIS OF POLITICAL AND NO
Page 113 and 114:
ALINA CRIHANĂ, DANIELA ŞORCARU su
Page 115 and 116:
ALINA CRIHANĂ, DANIELA ŞORCARU th
Page 117 and 118:
SIMONA ANTOFI critics may relate th
Page 119 and 120:
SIMONA ANTOFI nici o pudoare, făr
Page 121 and 122:
THE WOUNDEDNESS OF SYLVIA PLATH’S
Page 123 and 124:
ELENA CIOBANU answers waiting to be
Page 125 and 126:
ELENA CIOBANU reference of such met
Page 127 and 128:
ELENA CIOBANU Merleau Ponty, M. 199
Page 129 and 130:
NICOLETA IFRIM, ISABELA MERILĂ den
Page 131 and 132:
NICOLETA IFRIM, ISABELA MERILĂ the
Page 133 and 134:
DANIELA ŢUCHEL meaning listed: “
Page 135 and 136:
DANIELA ŢUCHEL Theme with variatio
Page 137 and 138:
DANIELA ŢUCHEL have.” In like ma
Page 139 and 140:
MARIANA NEAGU 1.3 Purpose In this p
Page 141 and 142:
MARIANA NEAGU stories have been pas
Page 143 and 144:
MARIANA NEAGU we will see later in
Page 145 and 146:
MARIANA NEAGU Radden (2006) argues
Page 147 and 148:
MARIANA NEAGU Lent, Advent and wint
Page 149 and 150:
MARIANA NEAGU (8) Vremea trecea! An
Page 151 and 152:
MARIANA NEAGU that they are structu
Page 153 and 154:
MARIANA NEAGU environment, geopolit
Page 155 and 156:
MARIANA NEAGU Gentner, D., Imai, M.
Page 157 and 158:
GLOBALIZATION AND ITS METAPHORS IUL
Page 159 and 160:
IULIANA LUNGU “To change markets
Page 161 and 162:
EPONYMS: AN INSTANCE OF LINGUISTIC
Page 163 and 164:
FLORIANA POPESCU, DANIELA ŞORCARU
Page 165 and 166:
Page 167 and 168:
Page 169 and 170:
Page 171 and 172:
CAMELIA BEJAN petrify, scarify, sto
Page 173 and 174:
CAMELIA BEJAN bewilderment, disappo
Page 175 and 176:
CAMELIA BEJAN and it means ‘to wo
Page 177 and 178:
CAMELIA BEJAN 2.2.2 Psychological n
Page 179 and 180:
SMALL CULTURE AND VERNACULAR LANGUA
Page 181 and 182:
ELENA CROITORU speech differing fro
Page 183 and 184:
ELENA CROITORU - Na-vă de cheltuia
Page 185 and 186:
ELENA CROITORU her! She very nearly
Page 187 and 188:
TRANSLATING DRAMA: THE MAIN ISSUES
Page 189 and 190:
IOAN - LUCIAN POPA the other, the t
Page 191 and 192:
IOAN - LUCIAN POPA reception orient
Page 193 and 194:
IOAN - LUCIAN POPA References: Aalt
Page 195 and 196:
STELUŢA STAN, MICHAELA PRAISLER re
Page 197 and 198:
STELUŢA STAN, MICHAELA PRAISLER de
Page 199 and 200:
STELUŢA STAN, MICHAELA PRAISLER th
Page 201 and 202:
STELUŢA STAN, MICHAELA PRAISLER 4
Page 203 and 204:
ANITA STASULANE, JANIS PRIEDE more
Page 205 and 206:
ANITA STASULANE, JANIS PRIEDE Howev
Page 207 and 208:
ANITA STASULANE, JANIS PRIEDE Rēri
Page 209 and 210:
ANITA STASULANE, JANIS PRIEDE /keme
Page 211 and 212:
WALLOON AND FLEMISH PARADIGMS OF TH
Page 213 and 214:
CARMEN ANDREI, IOANA MOHOR-IVAN Lou
Page 215 and 216:
CARMEN ANDREI, IOANA MOHOR-IVAN Bru
Page 217 and 218:
CARMEN ANDREI, IOANA MOHOR-IVAN loc
Page 219 and 220:
CARMEN ANDREI, IOANA MOHOR-IVAN cre
Page 221 and 222:
FREDERIK STIERNSTEDT, LINUS ANDERSS
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THE ORIGINS OF ROMANIAN HIP-HOP: SO
Page 245 and 246:
DANIELA ŞORCARU Their next album,
Page 247 and 248:
DANIELA ŞORCARU with TV stations o
Page 249 and 250:
DANIELA ŞORCARU first appears live
Page 251 and 252:
DANIELA ŞORCARU violent”. The ly
Page 253 and 254:
DANIELA ŞORCARU Although the album
Page 255 and 256:
DANIELA ŞORCARU In 2007 they settl
Page 257 and 258:
LIGIA PÎRVU opposed by many other
Page 259 and 260:
LIGIA PÎRVU famous people of this
Page 261 and 262:
GABRIELA DIMA Rembrandt’s Lucreti
Page 263 and 264:
APPROACHES TO THE CULTURE OF THE ED
Page 265 and 266:
SIMONA ALECU external pressures hav
Page 267 and 268:
SIMONA ALECU This is the reason why
Page 269 and 270:
THE ROLE AND PLACE OF ECOLOGICAL ET
Page 271 and 272:
VIORICA - TORII CACIUC and the Univ
Page 273 and 274:
VIORICA - TORII CACIUC inscribe env
Page 275 and 276:
IULIANA BARNA In the present paper,
Page 277 and 278:
IULIANA BARNA cigarettes will be ex
Page 279:
IULIANA BARNA References: Stanciu,
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