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culture, subculture and counterculture - Facultatea de Litere

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RECREATING THE SPECTATOR’S/ VIEWER’S SPACE<br />

THROUGH CULTURAL ACTS<br />

Instead of Conclusions<br />

The paper has aimed at rebuilding the spectator’s / viewer’s space in<br />

drama <strong>and</strong> painting as cultural acts recreated on the basis of personal experience,<br />

<strong>and</strong> at making the rea<strong>de</strong>r much more sensitive to <strong>culture</strong> as “the best which has<br />

been thought <strong>and</strong> said in the world” (Arnold 1993).<br />

References:<br />

Arnold, M. 1993. Culture <strong>and</strong> Anarchy <strong>and</strong> Other Writings, ed. S. Collini,<br />

Cambridge University Press.<br />

Bassnett, S. 1980. Introduction to Theatre Semiotics, Theatre Quarterly, 10.38.<br />

Brook, P. 1990. The Empty Space, Penguin Books<br />

Dima, G. 2007. ‘Loan Words <strong>and</strong> Cultural Globalization.(Some Case Studies in<br />

Romanian Theatrical Text- Types),’ in International Colloquium “The<br />

Intellectual Discourse Within the Crossroads of History”, Galati:<br />

Editura Europlus<br />

Harrison, Ch. 2005. ‘Seeing,’ in Block 1, Form <strong>and</strong> Reading, London: The Open<br />

University<br />

Puglisi, C. 2000. Caravaggio, London: Phaidon Press<br />

*** 2005. Illustration Book, London: The Open University<br />

261

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