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The work presents itself as irregular as a beehive, inspired by nature.<br />
Suspended in the air, it is composed of little white flowers and transparent balls<br />
made of resin that are coupled to each other and articulate the form contained<br />
in the space.<br />
NURIA FUSTER<br />
Does SMELL have a form? ///////////////////////////////////<br />
A smell is MATERIAL nand as such has FORM ///////////////////<br />
A form that provokes more forms, an EXPERIENCE ///////////////<br />
A fact, an event has form, is REAL /////////////////////////////<br />
Smell is given off, travels and modifies a SPACE ///////////////////<br />
Smell is a natural tool ///////////////////////////////////////<br />
Ubi alium, ibi Roma is based on the image of a flower. Think of a flower and<br />
immerse yourself in that memory.<br />
A flower makes us associate smell with colour.<br />
Ubi alium, ibi Roma evokes the strong and attractive construction of an expanse<br />
of flowers. The smell they give off.<br />
When I conceive a piece I create an aroma that I pursue.<br />
JANNIS KOUNELLIS<br />
All of Jannis Kounellis’s works have a great substance of odorant themes,<br />
olfactory chemical compounds that most of the materials he works with give<br />
off: fabrics, coal, wood and plants, among others. This piece is no exception. Its<br />
floral character metaphorically enriches this duality between material and smell<br />
and emphasizes this quality even more, if possible.<br />
—Pablo Taché<br />
Mark Hagen<br />
The burlap that is used smells woody and earthy, and the acrylic paint has no scent<br />
now but when it is wet smells a little sour chemical smell that is not unpleasant.<br />
RICHARD ALDRICH<br />
Behind every memory there is a smell, and behind every form a memory.<br />
Smell is memory’s paintbrush, which takes us from the invisible to the visible,<br />
from the before to the after.<br />
—Agustín Cerezales<br />
VÍctor Pimstein<br />
In contrast to the pallid images which we generally call “memory” , there<br />
are privileged moments in which a perfume, an essence, overwhelms us by<br />
surprise, dragging us violently from the place and the time we occupy to<br />
transport us to a hidden place, to a forgotten time. The experience shakes us<br />
with the intensity of a storm, and brandishes in the air in front of and inside<br />
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