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Multisala cinematografica a Firenze ESEMPIO DI REALIZZAZIONE project realization Studio Claudio Nardi Architetto progettista Arch. Claudio Nardi Studio Claudio Nardi Architetto collaboratori Arch. Beatrice Pierallini Sannini Project srl project manager Arch. Guido Giacomo Bondielli progetto tecnico Ing. Ennio Grassi G.S. Engineering srl fornitura sottostruttura e posa in opera Edilmontaggi srl foto Pietro Savorelli progetto Multisala Cinematografica committente Società Silea Sud srl località Campi Bisenzio (Firenze) parametri dell’intervento superficie di rivestimento con elementi in cotto mq 1.500 cronologia 2002 217
Abaco Colori colour abbaco Colori Naturali .1 Arrotato Cotto estruso con superficie rustica, ottenuta attraverso la lavorazione del materiale crudo con spazzole d’acciaio. Il tono di colore più intenso è dovuto all’asportazione superficiale dei sali attraverso l’arrotatura. .2 Litos Terra estrusa e semplicemente cotta senza interventi o trattamenti superficiali. Finitura striata ottenuta attraverso la naturale colorazione dei sali portati in superficie prima della cottura nella fase dell’essiccazione. Colori con sali di superficie .3 .4 Sali Cotto estruso con superficie rustica. La colorazione si ottiene con sali al manganese, per reazione chimica in fase di cottura. Il procedimento consiste nell’applicazione di sali applicati con disco meccanico nella fase successiva all’essiccamento del prodotto. Colori in pasta .5 Litos Tabacco Cotto estruso con superficie Litos in pasta marrone. La colorazione è ottenuta attraverso la miscelazione di una composizione di ossidi, ferro 303 T e biossido di manganese nell’impasto dell’argilla, per permettere una penetrazione uniformemente distribuita. Questo sistema non altera le caratteristiche fisico-meccaniche del cotto. .6 Litos Champagne Cotto estruso con superficie Litos in pasta gialla. La colorazione è ottenuta attraverso la miscelazione dell’ossido di titanio nell’impasto dell’argilla, per permettere una penetrazione uniformemente distribuita. Questo sistema non altera le caratteristiche fisico-meccaniche del cotto. .1 arrotato .2 litos .3 arrotato tabacco .4 arrotato champagne .5 litos tabacco .6 litos champagne Natural colours .1 Arrotato: Extruded terracotta with rustic surface, obtained through working the element’s surface with steel brushes prior to firing. The more intense colour of this tile is due to the removal of surface salts during the brushing process. .2 Litos: Extruded terracotta fired without any working processes on its surface. Slightly striped finish obtained through the natural coloration of the salts moving towards the surface during the drying process, prior to firing. Surface coloured elements .3 .4 Salts: Extruded terracotta with rustic surface “arrotato”. The coloration is being obtained during firing through a chemical reaction of manganese salts, which have been applied to the elements with a mechanical disc after the drying process. Full body elements .5 Litos Tobacco: Terracotta elements with “litos” surface, extruded with brown clay. The coloration is obtained by mixing a composition of oxides, iron 303T and manganese dioxide into the clay, which allows a uniform colour penetration and distribution. All physical and mechanical characteristics remain unaltered. .6 Litos Champagne: Terracotta elements with “litos” surface, extruded with yellow clay. The coloration is obtained by mixing titanium oxides into the clay, which allows a uniform colour penetration and distribution. All physical and mechanical characteristics remain unaltered. Natural colours Arrotato: Extruded terracotta with rustic surface, obtained through working the element’s surface with steel brushes prior to firing. The more intense colour of this tile is due to the removal of surface salts during the brushing process. Litos: Extruded terracotta fired without any working processes on its surface. Slightly striped finish obtained through the natural coloration of the salts moving towards the surface during the drying process, prior to firing. Surface coloured elements Salts: Extruded terracotta with rustic surface “arrotato”. The coloration is being obtained during firing through a chemical reaction of manganese salts, which have been applied to the elements with a mechanical disc after the drying process. Full body elements Litos Tobacco: Terracotta elements with “litos” surface, extruded with brown clay. The coloration is obtained by mixing a composition of oxides, iron 303T and manganese dioxide into the clay, which allows a uniform colour penetration and distribution. All physical and mechanical characteristics remain unaltered. Litos Champagne: Terracotta elements with “litos” surface, extruded with yellow clay. The coloration is obtained by mixing titanium oxides into the clay, which allows a uniform colour penetration and distribution. All physical and mechanical characteristics remain unaltered. Natural colours Arrotato: Extruded terracotta with rustic surface, obtained through working the element’s surface with steel brushes prior to firing. The more intense colour of this tile is due to the removal of surface salts during the brushing process. Litos: Extruded terracotta fired without any working processes on its surface. Slightly striped finish obtained through the natural coloration of the salts moving towards the surface during the drying process, prior to firing. Surface coloured elements Salts: Extruded terracotta with rustic surface “arrotato”. The coloration is being obtained during firing through a chemical reaction of manganese salts, which have been applied to the elements with a mechanical disc after the drying process. Full body elements Litos Tobacco: Terracotta elements with “litos” surface, extruded with brown clay. The coloration is obtained by mixing a composition of oxides, iron 303T and manganese dioxide into the clay, which allows a uniform colour penetration and distribution. All physical and mechanical characteristics remain unaltered. Litos Champagne: Terracotta elements with “litos” surface, extruded with yellow clay. The coloration is obtained by mixing titanium oxides into the clay, which allows a uniform colour penetration and distribution. All physical and mechanical characteristics remain unaltered. 219
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SANNINI i m p r u n e t a dal 1910
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cotto imprunetino and new architect
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Showroom B.P. Studio, Firenze. Prog
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Cupola di Santa Maria del Fiore, Fi
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Vittorio Savi A questo superamento
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ushed cotto gebürsteter cotto cott
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gently brushed and honed sanft ange
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honed cotto mattgeschliffener cotto
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natural extruded natur stranggezoge
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polished cotto halbglänzend geschl
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stranggezogen mit handgermachter Op
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eady-to-use cotto cotto endbehandel
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CottoFlash Litos TECHNICAL CHARACTE
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CottoFlash FORMATI arrotato 30x30 s
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MANUTEZIONE ORDINARIA Mantenere Cot
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Cotto fatto a mano classico TECHNIC
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Argille cromatiche TECHNICAL CHARAC
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ianco luna verde acqua marina rosa
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103
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107
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111
Page 59 and 60: formati speciali, complementi e lis
Page 61 and 62: Formati speciali e complementi FORM
Page 63 and 64: arrotato brushed cotto gebürsteter
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Page 67 and 68: mosaics mosaike mosaïques With the
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Page 73 and 74: Decori FORMATI ø 80 ø 31,5 Michel
Page 75 and 76: 147 progetto arch. Aldo Rossi
Page 77 and 78: Terrecotte artistiche FORMATI h.91
Page 79 and 80: Lavorazione manuale delle terrecott
Page 81 and 82: Il Giubileo cristiano trae la sua i
Page 83 and 84: Vasi linea boutique FORMATI h.13 ø
Page 85 and 86: paving elements and accessories cot
Page 87 and 88: Externa TECHNICAL CHARACTERISTICS T
Page 89 and 90: 175
Page 91 and 92: urban furnishing stadtmöbel équip
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Page 95 and 96: 187
Page 97 and 98: Manuale di posa e di manutenzione T
Page 99 and 100: grooves using specially made nylon
Page 101 and 102: Rivestimenti orizzontali tecnologic
Page 103 and 104: curtain walls vorgehangene fassaden
Page 105 and 106: Leeum, Samsung Museum of Art a Seou
Page 107 and 108: Showroom B.P. Studio a Firenze FASE
Page 109: Edificio per uffici a Oderzo (Tv) E
Page 113 and 114: Les nouvelles caves Moretti sur pla
Page 115 and 116: Finestra in Cotto-Alluminio cotto s
Page 117 and 118: Pavimentazione in cotto per interni
Page 119 and 120: dei diversi pezzi prodotti artigian
Page 121 and 122: eccessi di cemento a mezzo di una s
Page 123 and 124: Trattamento del pavimento Quando il
Page 125 and 126: air circulate in the room even duri
Page 127 and 128: inevitabilmente in superficie efflo
Page 129 and 130: formare il supporto di presa a cont
Page 131 and 132: Barberino Designer Outlet a Berberi
Page 133 and 134: layers in order to achieve stable a
Page 135 and 136: 1. Giunti paralleli 7x30 cm. 4. Giu
Page 137 and 138: credits Direzione artistica Prof. A
Page 139: Sannini Impruneta Spa via Provincia
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