Musique et poésie des Juifs en Italie à la Renaissance Music and ...
Musique et poésie des Juifs en Italie à la Renaissance Music and ...
Musique et poésie des Juifs en Italie à la Renaissance Music and ...
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The excess of wine was to b<strong>la</strong>me,For the loss of reason(The king,) losing all measure,L<strong>et</strong> his will be known.To please his sarím (ministers)nabalim wearurim (those wicked non-Jews)He wished to have his gebirta (<strong>la</strong>dy)appear before them, as naked as a che<strong>la</strong>bta (female dog)Il gran vino fu cagionedi non star in ragioneusì for di propositopublicar suo depositoPer cont<strong>en</strong>tar quei sarím (consiglieri)nabalim wearurim (non-ebrei cattivi)far comparir <strong>la</strong> gebirta (signora)nuta come una che<strong>la</strong>bta (cagna)From the Meguil<strong>la</strong> d’Esther12. But the que<strong>en</strong> Vashti refused to come at the king’scomm<strong>and</strong>m<strong>en</strong>t by his chamber<strong>la</strong>ins: therefore was theking very wroth, <strong>and</strong> his anger burned in him.13. Th<strong>en</strong> the king said to the wise m<strong>en</strong>, which knew th<strong>et</strong>imes (for so was the king’s manner toward all that knew<strong>la</strong>w <strong>and</strong> judgm<strong>en</strong>t;14. And the next unto him was Carsh<strong>en</strong>a, Sh<strong>et</strong>har, Admatha,Tarshish, Meres, Mars<strong>en</strong>a, <strong>and</strong> Memucan, the sev<strong>en</strong>princes of Persia <strong>and</strong> Media, which saw the king’s face,<strong>and</strong> which sat the first in the kingdom):15. What shall we do unto the que<strong>en</strong> Vashti according to<strong>la</strong>w, because she hath not performed the comm<strong>and</strong>m<strong>en</strong>tof the king Ahasuerus by the chamber<strong>la</strong>ins?12 Ma <strong>la</strong> regina Vasti rifiutò di v<strong>en</strong>ire, contro l`ordineche il re aveva dato per mezzo degli eunuchi; il re ne fuassai irritato e <strong>la</strong> collera si accese d<strong>en</strong>tro di lui.13 Allora il re interrogò i sapi<strong>en</strong>ti, conoscitori dei tempi.- Poiché gli affari del re si trattavano così, al<strong>la</strong> pres<strong>en</strong>zadi quanti conoscevano <strong>la</strong> legge e il diritto,14 e i più vicini a lui erano Cars<strong>en</strong>à, S<strong>et</strong>àr, Admàta, Tarsìs,Mères, Mars<strong>en</strong>à e Memucàn, s<strong>et</strong>te capi del<strong>la</strong> Persia edel<strong>la</strong> Media che erano suoi consiglieri e sedevano aiprimi posti nel regno.15 Dom<strong>and</strong>ò dunque: «Secondo <strong>la</strong> legge, che cosa sideve fare al<strong>la</strong> regina Vasti che non ha eseguito l`ordinedatole dal re Assuero per mezzo degli eunuchi?»Pesach / Fuggi FuggiA selection of pieces for the Pesach supper celebration. First, a portion of the Haggadah, the guide for the ceremonywhich commemorates Moses’ escape from Egypt. This is followed by two versions of the song ‘Khad Gadya’(One Goat) traditionally sung at the <strong>en</strong>d of the Pesach supper. The song has its origins in a Yiddish song from the16th c<strong>en</strong>tury. Here it is sung in trans<strong>la</strong>tion: first in a in the dialect of Ferrara, th<strong>en</strong> in Hebrew.43
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