Impaginato 5.p65 - Universitat Rovira i Virgili

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104 Roslyn M. Frank As the procession goes round from house to house, the Schimmelreiter enters first, followed by Christpuppe who makes the children repeat some verse of Scripture or a hymn; if they know it well, he rewards them with gingerbreads from his wallet; if not, he beats them with a bundle filled with ashes. Then both he and the Schimmelreiter dance and pass on. Only then are the Feien allowed to enter; they jump about and frighten the children (Miles [1912] 1976: 230- 231 (Figures 16, 17, 18). Indeed, the ritual of smearing ashes on the faces of those encountered, as well as the fact that ashes form an integral part of the make-up of the performers themselves, are recurrent features of the performances. As such, the use of ashes may have been a fundamental component of the «goodluck» healing ceremonies themselves. There are many examples of the old European belief in the «good luck» conferred by ashes, blackening one’s face with them and black creatures in general (Alford 1930: 277 ff; Barandiaran 1973, II: 375; Creighton 1950: 20-21; Frank 2005). Figure 16. St. Nikolaus with his companions in Berchtesgaden, Bavaria 1958. Photo Wolf Lüking. Reproduced in Weber-Kellermann (1978: 33).
EVIDENCE IN FAVOR OF THE PALAEOLITHIC CONTINUITY REFUGIUM THEORY (PCRT) Figure 17. St. Nikolaus with his companions in Bavaria 1958. Photo Wolf Lüking. Reproduced in Weber-Kellermann (1978: 29). Figure 18. Oscar Gräf (1861-1902). Perchtenlaufen Festival in Salzburg 1892. Reproduced in Weber-Kellermann (1978: 21). 14 105 14 For more on the Krampus and Perchten runs, cf. the YouTube videos at http://video.google.com/ videosearch?hl=en&q=Krampus%20runs&um=1&ie=UTF-8&sa=N&tab=wv# and for a recent video clip from Pongau, Saltzburg, showing the variety of masks employed and the remarkable similarity between the Krampus performers and the Sardinian Mamuthones, cf. http://www.aeiou.at/aeiou.film.o/o189a, the wide variety of videos at http:// www.brauchtumspflegeverein-anras.com/content/view/25/50/, as well as these pictorial representations of the Krampus: http://www.galavant.com/krampus/. The regional variation of the costumes and masks is noteworthy, while performers dressed in straw with blackened faces also are commonplace, e. g., the St. Nikolaus day characters called Perschtln in the Austrian Tirol.
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INSULA Quaderno di cultura sarda Nu
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4 INSULA, Quaderno di cultura sarda
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6 Antonello V. Greco 1.1. La docume
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10 detta ‘Sa Frissa’, cioè ‘
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14 Antonello V. Greco Le lucerne al
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20 ANNEX: LES TRES CARTES Constanti
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22 Constantino Vidal Salmeron
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LE LINGUE IN SARDEGNA ATTRAVERSO GL
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PER UNA FONETICA STORICA DELLE VARI
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Page 80 and 81: 80 b) Vocalisme Reducció vocàlica
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Page 86 and 87: 86 Andreu Bosch i Rodoreda Pinocchi
Page 88 and 89: 88 REFERÈNCIES BIBLIOGRÀFIQUES An
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Page 100 and 101: 100 Figure 9. A very large Krampus.
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Page 110 and 111: 110 Almost every year from 1931 to
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Page 116 and 117: 116 Germanic-speaking zones we find
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Page 132 and 133: 132 Roslyn M. Frank Gómez-Legos, O
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Page 138 and 139: 138 3. ARCHIVI E BIBLIOTECHE Quando
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Page 142 and 143: 142 Num. 4 (dicembre 2008) Joan ARM
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Impaginato 5.p65 - Universitat Rovira i Virgili

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