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Impaginato 5.p65 - Universitat Rovira i Virgili

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EVIDENCE IN FAVOR OF THE PALAEOLITHIC CONTINUITY REFUGIUM THEORY (PCRT)<br />

In addition, we find that historically St. Nicholas himself has a semantic<br />

counterpart in the Pelznickel, an expression that could easily have been interpreted<br />

or justified, albeit erroneously, as either as «Furry Nicholas» or «Nicholas with a Fur<br />

Coat». The fierce Pelznickel goes by many other names, for example, in Austria the<br />

creature is known as the Krampus while in other parts of Germany two of the most<br />

popular names are Hans Trapp and Knecht Ruprecht (Miles [1912] 1976: 218-221,<br />

231-232; Müller and Müller 1999; Rodríguez 1997: 103-104 (Figure 4). 10<br />

Figure 4. St. Nikolaus Eve. Source: Weber-Kellermann (1978: 27).<br />

reasons. The press – which now reached a far wider audience with its cheaper production costs<br />

and consequently wider circulation – stressed the fact that Christmas Day was the celebration of<br />

the birth of Jesus. Birthdays had always been a day for giving presents and it was a natural step to<br />

celebrate Jesus’s birth by giving gifts on that day. [...] By the end of the century Christmas Day<br />

was firmly fixed – in England at least – as a children’s festival and the day on which presents were<br />

given» (Chris 1992: 87-88). Similarly, in the United States, the gift-bringing aspect of the celebration<br />

of St. Nicholas’ day (December 6 th ) was eventually reassigned to Christmas Eve.<br />

9 For a particularly cogent analysis of the «bellsnickles» and Christmas mumming as well as the<br />

connections between the «bellsnickles», Zwarte Piet and the Caribbean counterparts of this<br />

furry figure, cf. Siefker (1997: 7-39), particularly her Chapter 3, «His Clothes Were All Tarnished<br />

With Ashes and Soot». Also there is the reproduction of a curious painting with the heading:<br />

«The Black Pete figure that accompanied Saint Nicholas on his Christmas expeditions also<br />

accompanied women saints on their gift-giving rounds, as shown above. Black Pete’s role was<br />

to threaten misbehaving children and rattle his chain» (1997: 11). In short, Siefker suggests that<br />

Black Pete was an accepted companion for female saints, not just bishops like St. Nicholas.<br />

Unfortunately, no source is provided for the painting.<br />

10 For further discussion of these characters as well as excellent illustrations of them, cf. Weber-<br />

Kellermann (1978: 24-42).<br />

97

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