28.10.2013 Aufrufe

German Across the Curriculum:

German Across the Curriculum:

German Across the Curriculum:

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Inhalt - Content<br />

Die Stimme der Opfer: Zur Narrativik der Geschichten vor der TRC..........................................................5<br />

Kultur als Mundprogaganda in einem repressiven Staat. Zur mündlichen Dichtung in Südafrika während<br />

der Apar<strong>the</strong>id..............................................................................................................................................11<br />

Die Scham der Sklaven: .............................................................................................................................25<br />

die Rolle der Farbigen (‘Coloureds’) in der südafrikanischen Literatur (Bessie Head, Zoë Wicomb,<br />

Nadine Gordimer): Vom Widerstandskampf zur Nationbildung.......................................................25<br />

Frauen unter der Apar<strong>the</strong>id.........................................................................................................................39<br />

Kleines Ereignis .................................................................................................................................44<br />

Für M..................................................................................................................................................45<br />

Brentpark Umzug 1990 ......................................................................................................................46<br />

Lied an meinen Mann.........................................................................................................................47<br />

Ich bin die Frau...................................................................................................................................48<br />

Ich werde es dir sagen ........................................................................................................................49<br />

Ode an die Onanie ..............................................................................................................................51<br />

Sie schlugen den Felsen......................................................................................................................52<br />

Auf der Suche nach dem Dummen Hans und der Goldenen Gans .....................................................54<br />

Rewriting Women´s Bodies: Feminine Sexuality, Madness and Memory-Work in Bessie Head´s A<br />

Question of Power......................................................................................................................................59<br />

Childhood lost and regained: Njabulo Ndebele’s Fools and Rediscovery of <strong>the</strong> Ordinary ........................65<br />

Lewis Nkosi: Mating Birds. .......................................................................................................................69<br />

Bessie Head: Tales of Tenderness and Power ............................................................................................77<br />

Writing as <strong>the</strong>rapy. .....................................................................................................................................81<br />

Farida Karodia, A Shattering of Silence (Heinemann); Sheila Roberts, Coming in and o<strong>the</strong>r stories<br />

(Justified Press); Maja Kriel, Original Sin and o<strong>the</strong>r Stories (Carrefour) and Jane Rosenthal, Uncertain<br />

Consolations (Snail Press)......................................................................................................................81<br />

"Poetic Imagination: <strong>the</strong> best of both worlds. O<strong>the</strong>r Places by Sarah Ruden .............................................87<br />

Wading in <strong>the</strong> shallows ..............................................................................................................................89<br />

IN LOVE WITH A STRANGER AND OTHER STORIES..................................................................89<br />

Living a shameful past................................................................................................................................91<br />

MISCAST: Negotiating <strong>the</strong> Presence of <strong>the</strong> Bushmen...........................................................................91<br />

Measly pork................................................................................................................................................93<br />

THE YEAR OF THE TAPEWORM Chris van Wyk.............................................................................93<br />

Daughters and O<strong>the</strong>r Dutiful Women.........................................................................................................95<br />

Sheila Roberts (Justified Press 1995) .....................................................................................................95<br />

The ghost in <strong>the</strong> machine............................................................................................................................97<br />

THE FEMALE THERMOMETER: 18th Century Culture and <strong>the</strong> Invention of <strong>the</strong> Uncanny..............97<br />

Whose book is this, anyway? .....................................................................................................................99<br />

BLACK HAMLET by Wulf Sachs ........................................................................................................99<br />

African song .............................................................................................................................................101<br />

ANCESTORS by Chenjerai Hove........................................................................................................101<br />

Österreichische Literatur in der englischsprachigen und afrikaanssprachigen südafrikanischen Literatur<br />

..................................................................................................................................................................103<br />

Deconstructing Feminine Sexuality and Madness? Memory-Work and Fictionality in Bessie Head´s A<br />

Question of Power....................................................................................................................................105<br />

Geoffrey Haresnape: Mulberries in Autumn ............................................................................................115<br />

Quellen: ....................................................................................................................................................117

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