German Across the Curriculum:
German Across the Curriculum:
German Across the Curriculum:
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Inhalt - Content<br />
Die Stimme der Opfer: Zur Narrativik der Geschichten vor der TRC..........................................................5<br />
Kultur als Mundprogaganda in einem repressiven Staat. Zur mündlichen Dichtung in Südafrika während<br />
der Apar<strong>the</strong>id..............................................................................................................................................11<br />
Die Scham der Sklaven: .............................................................................................................................25<br />
die Rolle der Farbigen (‘Coloureds’) in der südafrikanischen Literatur (Bessie Head, Zoë Wicomb,<br />
Nadine Gordimer): Vom Widerstandskampf zur Nationbildung.......................................................25<br />
Frauen unter der Apar<strong>the</strong>id.........................................................................................................................39<br />
Kleines Ereignis .................................................................................................................................44<br />
Für M..................................................................................................................................................45<br />
Brentpark Umzug 1990 ......................................................................................................................46<br />
Lied an meinen Mann.........................................................................................................................47<br />
Ich bin die Frau...................................................................................................................................48<br />
Ich werde es dir sagen ........................................................................................................................49<br />
Ode an die Onanie ..............................................................................................................................51<br />
Sie schlugen den Felsen......................................................................................................................52<br />
Auf der Suche nach dem Dummen Hans und der Goldenen Gans .....................................................54<br />
Rewriting Women´s Bodies: Feminine Sexuality, Madness and Memory-Work in Bessie Head´s A<br />
Question of Power......................................................................................................................................59<br />
Childhood lost and regained: Njabulo Ndebele’s Fools and Rediscovery of <strong>the</strong> Ordinary ........................65<br />
Lewis Nkosi: Mating Birds. .......................................................................................................................69<br />
Bessie Head: Tales of Tenderness and Power ............................................................................................77<br />
Writing as <strong>the</strong>rapy. .....................................................................................................................................81<br />
Farida Karodia, A Shattering of Silence (Heinemann); Sheila Roberts, Coming in and o<strong>the</strong>r stories<br />
(Justified Press); Maja Kriel, Original Sin and o<strong>the</strong>r Stories (Carrefour) and Jane Rosenthal, Uncertain<br />
Consolations (Snail Press)......................................................................................................................81<br />
"Poetic Imagination: <strong>the</strong> best of both worlds. O<strong>the</strong>r Places by Sarah Ruden .............................................87<br />
Wading in <strong>the</strong> shallows ..............................................................................................................................89<br />
IN LOVE WITH A STRANGER AND OTHER STORIES..................................................................89<br />
Living a shameful past................................................................................................................................91<br />
MISCAST: Negotiating <strong>the</strong> Presence of <strong>the</strong> Bushmen...........................................................................91<br />
Measly pork................................................................................................................................................93<br />
THE YEAR OF THE TAPEWORM Chris van Wyk.............................................................................93<br />
Daughters and O<strong>the</strong>r Dutiful Women.........................................................................................................95<br />
Sheila Roberts (Justified Press 1995) .....................................................................................................95<br />
The ghost in <strong>the</strong> machine............................................................................................................................97<br />
THE FEMALE THERMOMETER: 18th Century Culture and <strong>the</strong> Invention of <strong>the</strong> Uncanny..............97<br />
Whose book is this, anyway? .....................................................................................................................99<br />
BLACK HAMLET by Wulf Sachs ........................................................................................................99<br />
African song .............................................................................................................................................101<br />
ANCESTORS by Chenjerai Hove........................................................................................................101<br />
Österreichische Literatur in der englischsprachigen und afrikaanssprachigen südafrikanischen Literatur<br />
..................................................................................................................................................................103<br />
Deconstructing Feminine Sexuality and Madness? Memory-Work and Fictionality in Bessie Head´s A<br />
Question of Power....................................................................................................................................105<br />
Geoffrey Haresnape: Mulberries in Autumn ............................................................................................115<br />
Quellen: ....................................................................................................................................................117