Untitled - lorch + seidel contemporary
Untitled - lorch + seidel contemporary
Untitled - lorch + seidel contemporary
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26.09.2012<br />
www.berlin-artparasites.com<br />
PRESSESPIEGEL 2012<br />
AFTER PREVIEW BERLIN ART FAIR: THE POSTPARTUM DE<br />
Berlin Art Parasites online<br />
Art people: Interview with Preview artist Johanna Silbermann<br />
AFTER PREVIEW BERLIN ART FAIR: THE POSTPARTUM<br />
Unfortunately Preview Berlin Art Fair is now over. We met with Johanna Silbermann who describes<br />
the benefits and how it feels to exhibit at Preview!<br />
From penis-nosed artists to decapitated chickens, Preview Berlin Art Fair was quite a spectacle.<br />
But what exactly happens after? What if you were an artist showing your work at such an event<br />
and basking in the glory of your accomplishment, is there an “after” for this happily every after/<br />
post-art-fair-extravaganza? We talked with one such artist, Johanna Silbermann about her work<br />
and what Preview Berlin Art Fair has meant for her artistic career and the importance of staying<br />
connected in the Berlin art scene. For Johanna, the ability to exhibit to a larger audience, while<br />
also being a „guest“ yourself at the art fair, constantly discovering new things, is invaluable.<br />
BAPS: What is the main inspiration for your work?<br />
JS: I would say the main inspiration for my work is the town where I live and also the experiences<br />
I have had with music, film, literature etc... I cycle a lot and I grew up here, so I like to discover<br />
hidden places and new experiences. I’m also sensitive to any changes here. I think we are all<br />
influenced by advertisements, graffiti slogans, or how people behave in public places. The seasons<br />
of the year, for example, influence the color I use. Light can change how the whole body works.<br />
BAPS: Have any of your past life experiences come out in your paintings?<br />
JS: Its funny that you ask me if past life experiences come out in my paintings. In the beginning of<br />
the year when I started the painting „Koko“ with the budgies, suddenly I remembered that we had<br />
a big cage full of them in the first year of my basic school. I totally forgot this.<br />
BAPS: Why did you choose paint as your medium? Do you ever work with anything else like prints<br />
or sculpture?<br />
JS: My Father is a house painter. So I grew up in an apartment full of work equipment; that’s why I<br />
fell in love quite early with paint. When I do research for my work, I take a lot of photographs, but<br />
I never started to work seriously with this medium.<br />
BAPS: What was your own personal experience like as an artist participating in Preview Berlin Art<br />
Fair?<br />
JS: My experience was not that different than if I was a guest; I was walking around with my<br />
friends and we explored the artworks. Also, it takes time to see the results from the show.<br />
BAPS: What was the most beneficial aspect of Preview for you?<br />
JS: I think the most beneficial aspect of Preview was to meet all that people at the opening. Sometimes<br />
it is useful if you lost a contact to be back in touch again and also that the work is shown to<br />
such a big audience.<br />
BAPS: What influence do you think Preview has for the artist community in Berlin? How does it<br />
compare with other art fairs?<br />
JS: I can’t speak for the artist community of Berlin, I just can speak for myself. For me it is almost<br />
a “close-up” of new trends in the art scene and art market. You can go there and find out what you<br />
like and what you don’t like. You can make new contacts or use it as a stage to show the art world<br />
you are still there. These art fairs can be kind of a platform for exchange. Also among each other - I<br />
think this is really important because without any exchange the art scene can’t develop.