Untitled - lorch + seidel contemporary
Untitled - lorch + seidel contemporary
Untitled - lorch + seidel contemporary
Sie wollen auch ein ePaper? Erhöhen Sie die Reichweite Ihrer Titel.
YUMPU macht aus Druck-PDFs automatisch weboptimierte ePaper, die Google liebt.
14.09.2012<br />
www.philippkoch.wordpress.com<br />
PRESSESPIEGEL 2012<br />
ARTWEEK SONATA NO. 1 DE<br />
Philipp Koch Blog online<br />
Auszug I Excerpt<br />
[...] Ahhh – Art Fairs. What is to say about them? in their nature they are big,<br />
crowded, very mixed in quality of the shown works and art-market driven.<br />
Hard to say how business went down, the opening surely was crowded and the<br />
intriguing chattering of the art-crowd like a thunderstorm. I would have preferred<br />
some classical music. Although the Gallerys are international, the main focus lies<br />
on Berlin-based institutions, showing a lot of painting, very colourfull oftenly,<br />
more figurative than abstract and somehow “berlinerish”, although i cannot<br />
explain really what that means (maybe: in progress, somehow unfinished, not to<br />
the absolute point). Two trends that were visible though are those of the medium<br />
Collage, which were present at quite a few boothes, and drawings with pencil,<br />
oftenly in large format and overloaded with imagery, sadly the topoi of the<br />
works were mostly near a total ennui (naked women, sex, architecture\city). A<br />
medium i personally like, but not in that way. In the end the Preview is definitely<br />
worth a look, but it is not fantastic in respect of quality and actually a little bit<br />
disappointing really – Berlin can do better.<br />
Allegro con fuoco<br />
Preview Aftershowparty @ Prince Charles<br />
Seriously, I did not even had the slightest clue, this club exists. Berlin has too<br />
many of them. After lining up in the queue in a backyard, you finally enter the<br />
place and infinite boredom hits you on the head. Alright, i never was a big fan<br />
of partys, especially if they are connected to fairs or other business events. Surely<br />
there is the upside of making contacts with people you otherwise rarely see,<br />
which is a plus, but the strange mixture of arty people, associated friends, gallerists<br />
in fancy suits in their late fifties and overworked assistants hunting for a<br />
quick inebriation mixed with the electro on the dancefloor and heavy flirting with<br />
that beautifull chick from the next booth you saw allday long, it is exhausting to<br />
watch and really too common somehow. Something else you notice very fast is<br />
the strange relation between the art-scene and party. It is, at least there, on this<br />
after party, inhibited. As Art business is showbusiness in a way, people behave<br />
like being watched a lot (and watch a lot). Because I had to leave early I do not<br />
know for certain, but i hope for the sake of joy and liberation that the crowd got<br />
drunk enough to forget themselves at least a little.[...]