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Untitled - lorch + seidel contemporary

Untitled - lorch + seidel contemporary

Untitled - lorch + seidel contemporary

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14.09.2012<br />

www.philippkoch.wordpress.com<br />

PRESSESPIEGEL 2012<br />

ARTWEEK SONATA NO. 1 DE<br />

Philipp Koch Blog online<br />

Auszug I Excerpt<br />

[...] Ahhh – Art Fairs. What is to say about them? in their nature they are big,<br />

crowded, very mixed in quality of the shown works and art-market driven.<br />

Hard to say how business went down, the opening surely was crowded and the<br />

intriguing chattering of the art-crowd like a thunderstorm. I would have preferred<br />

some classical music. Although the Gallerys are international, the main focus lies<br />

on Berlin-based institutions, showing a lot of painting, very colourfull oftenly,<br />

more figurative than abstract and somehow “berlinerish”, although i cannot<br />

explain really what that means (maybe: in progress, somehow unfinished, not to<br />

the absolute point). Two trends that were visible though are those of the medium<br />

Collage, which were present at quite a few boothes, and drawings with pencil,<br />

oftenly in large format and overloaded with imagery, sadly the topoi of the<br />

works were mostly near a total ennui (naked women, sex, architecture\city). A<br />

medium i personally like, but not in that way. In the end the Preview is definitely<br />

worth a look, but it is not fantastic in respect of quality and actually a little bit<br />

disappointing really – Berlin can do better.<br />

Allegro con fuoco<br />

Preview Aftershowparty @ Prince Charles<br />

Seriously, I did not even had the slightest clue, this club exists. Berlin has too<br />

many of them. After lining up in the queue in a backyard, you finally enter the<br />

place and infinite boredom hits you on the head. Alright, i never was a big fan<br />

of partys, especially if they are connected to fairs or other business events. Surely<br />

there is the upside of making contacts with people you otherwise rarely see,<br />

which is a plus, but the strange mixture of arty people, associated friends, gallerists<br />

in fancy suits in their late fifties and overworked assistants hunting for a<br />

quick inebriation mixed with the electro on the dancefloor and heavy flirting with<br />

that beautifull chick from the next booth you saw allday long, it is exhausting to<br />

watch and really too common somehow. Something else you notice very fast is<br />

the strange relation between the art-scene and party. It is, at least there, on this<br />

after party, inhibited. As Art business is showbusiness in a way, people behave<br />

like being watched a lot (and watch a lot). Because I had to leave early I do not<br />

know for certain, but i hope for the sake of joy and liberation that the crowd got<br />

drunk enough to forget themselves at least a little.[...]

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