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According to Jane Drakard, these letters were formulaic with a precise<br />

structure. The first part began with an account of the divine origins of the<br />

Pagaruyung rulers at the time of Creation; the second described the geographic<br />

reach, the quality, and the manner of the transmission of the royal<br />

message; the third provided the signs of the God-given powers of the rulers;<br />

and the final section contained the threat of supernatural sanction against<br />

those who failed to heed the royal commands. In an analysis of the letters,<br />

Drakard explains the significance of the language of space. In one surat cap<br />

(seal-bearing letters), the large royal seal of Pagaruyung is surrounded by the<br />

nine smaller seals of Aceh, Pariaman, Indrapura, Sungai Paguh, Palembang,<br />

Jambi, Siak, Rokan, and Banten, entities (except for Sungai Paguh) on both<br />

the east and west coasts of Sumatra. The conception, then, is of a core represented<br />

by Pagaruyung, encircled by nine kingdoms serving as gateways (bab)<br />

leading into the Minangkabau alam. 83 The depiction is precisely that which<br />

characterized the political layout of the Sriwijaya/Malayu polity.<br />

Acknowledging Pagaruyung’s surat cap was an important demonstration<br />

of identification with Minangkabau. In every letter sent from the Pagaruyung<br />

rulers, the language of greatness of the surat cap is centered on the description<br />

of regalia. Drakard argues that the efficacy of such description lay in a general<br />

familiarity with oral traditions that associated each item of the regalia with<br />

supernatural powers. 84 In the ceremonial apology that precedes the famous<br />

Minangkabau Kaba Cindua Mato, the reciter asks forgiveness of the two<br />

semidivine protagonists of the tale and disclaims responsibility for repeating<br />

“other people’s stories.” 85 Implicit in this practice is the belief in the power<br />

of the word, particularly when associated with spiritually potent individuals.<br />

Through these extraordinary powers claimed by the Pagaruyung rulers,<br />

peace would be restored, justice re-established, and protection provided for<br />

all their subjects. The justice promised would emanate from God through his<br />

disciples represented on earth by the descendants of Iskandar Zul-Karnain,<br />

which included the Pagaruyung rulers. 86 At a time when there was great disruption<br />

and movements of people in the region because of new economic and<br />

political pressures, Pagaruyung’s message had tremendous appeal.<br />

But the themes and motifs do not simply reflect Pagaruyung’s sacred powers;<br />

they also reassert a claim to traditions of sacred descent from Bukit Siguntang.<br />

87 In the 1612 version of the Sejarah Melayu favored by Melaka, Johor,<br />

and other Malay courts on the Malay Peninsula, the eldest of the princes from<br />

Bukit Siguntang is taken by the Minangkabau of Andalas (an ancient name for<br />

Sumatra) and given the title Sang Sapurba. The second prince becomes ruler<br />

of Tanjung Pura, and the youngest is made king of Palembang with the title of<br />

Sri Tri Buana. The youngest travels to the islands and eventually settles on the<br />

Malay Peninsula to become the founder of the Melaka dynasty. The story then<br />

Ethnicization of the Minangkabau 99

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