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full report - UCT - Research Report 2011

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Bosch, T. <strong>2011</strong>. Talk radio, democracy and citizenship<br />

in (South) Africa. In H. Wasserman (ed.), Popular Media,<br />

Democracy and Development in Africa, pp. 75-87. New<br />

York: Routledge. ISBN 9780-415-577946.<br />

Botha, M.P. and Swinnen, J. 2010. Opkomst van de<br />

representatie van lesbiennes en gays in de Zuid-Afrikaanse<br />

filmkunst: 1956-2003. In Anders Zichtbaar: Zingeving en<br />

Humanisering in de Beeldcultuur, pp. 172-207. Brussels:<br />

Vubpress en Fotozuid Comm. ISBN 9789054875741.<br />

Botha, M.P. <strong>2011</strong>. South Africa. In I.H. Smith (ed.),<br />

International Film Guide <strong>2011</strong>: The Definitive Annual<br />

Review of World Cinema, pp. 229-231. 47 th edition.<br />

Brighton: International Film Guide. ISBN 9781908215000.<br />

Rijsdijk, I. <strong>2011</strong>. The Belvedere and the Bunkhouse: Space<br />

and Place in Days of Heaven. In T.D. Tucker and S. Kendall<br />

(eds), Terrence Malick: Film and Philosophy, pp. 126-147.<br />

New York: Continuum. ISBN 9781441150035.<br />

Salazar, Ph.-J. <strong>2011</strong>. “شاعرية المصالحة في جنوب افريقيا<br />

/ “Agnôrisis politque. Poétique de la reconciliation en<br />

Afrique du Sud” (text in Arabic and in French). In A.<br />

Benmakhlouf (ed.), La Reconnaissance, pp. 69-93 (Arabic<br />

text), pp. 85-100 (French text). Casablanca: Le Fennec.<br />

ISBN 9789954415955<br />

Salazar, Ph.-J. <strong>2011</strong>. Critique rhétorique: contre-pratiques<br />

de l’Etat. In Ph.-J. Salazar, P. Michel and C. Mihali (eds),<br />

Figures de l’État et Institutionnalisation du pouvoir, pp.<br />

174-190. Cluj: Idea Editura. ISBN 9789737913951.<br />

Salazar, Ph.-J. <strong>2011</strong>. Picasso’s Music. In Ph.-J. Salazar<br />

(ed.), Under the Baobab. Essays to Honour Stuart<br />

Saunders on his Eightieth Birthday, pp. 61-68. Cape Town:<br />

AfricaRhetoric Publishing. ISSN 22202188<br />

Saleh, I. <strong>2011</strong>. A co-opted media can provoke chaos rather<br />

than freedom. In G. Berger (ed.), Media in Africa: Twenty<br />

Years After the Windhoek Declaration on Press Freedom,<br />

pp. 148-49. Windhoek Media Institute of Southern Africa<br />

(MISA). ISBN 9780868104744.<br />

Saleh, I. <strong>2011</strong>. The challenges of media education in<br />

coercive societies: a case study of Middle East and North<br />

Africa (MENA). In C.-K. Cheung (ed.), <strong>Research</strong> in Media<br />

Education, pp. 63-82. New York: Nova Science Publishers.<br />

ISBN 9781612096438.<br />

Walton, M and Donner, J. <strong>2011</strong>. Read-Write-Erase: Mobilemediated<br />

publics in South Africa’s 2009 elections. In J.<br />

Katz (ed.), Mobile Communication: Dimensions of Social<br />

Policy, pp. 117-132. New Brunswick, NJ: Transaction<br />

Publishers. ISBN 9781412814683.<br />

FaCULTY oF hUMaNITIes<br />

articles in peer-reviewed Journals<br />

Alloggio, S. <strong>2011</strong>. The melancholy of the forgotten: a<br />

Lyotardian affection. African Yearbook of Rhetoric, 2(1):<br />

63-72.<br />

Bloor, G. <strong>2011</strong>. Debut paper. The liberation legacy: literalist<br />

and normative torchbearers battle for the post-society<br />

economy. African Yearbook of Rhetoric, 2(1): 109-116.<br />

Bosch, T. <strong>2011</strong>. African Feminist Media Studies: A view from<br />

the global South. Feminist Media Studies, 11(1): 27-33.<br />

Bosch, T. <strong>2011</strong>. Young women and ‘technologies of the self’:<br />

Social networking and sexualities. Agenda, 25(4): 75-86.<br />

Botha, M.P. <strong>2011</strong>. Post-apartheid cinema: a thematic<br />

and aesthetic exploration of selected short and feature<br />

films. Ilha do desterro: A Journal of English Language,<br />

Literatures in English and Cultural Studies, 61: 225-267.<br />

Botha, M.P. <strong>2011</strong>. Women on the margin of South African<br />

society: themes in the cinema of Darrell James Roodt.<br />

Kinema, A Journal for Film and Audiovisual Media, 35<br />

(Spring): 29-40.<br />

Evans, M. <strong>2011</strong>. Rainbow worriers: South African<br />

Afropessimism online. Critical Arts: A Journal of South<br />

North Cultural and Media Studies, 25(3): 397-422.<br />

Glenn, I.E. <strong>2011</strong>. Betraying and delivering: Filming<br />

Disgrace. Ilha do desterro: A Journal of English Language,<br />

Literatures in English and Cultural Studies, 61: 269-282.<br />

Haupt, A. and Ovesen, H. <strong>2011</strong>. Vindicating capital:<br />

heroes and villains in A Lion’s Trail. Ilha do desterro: A<br />

Journal of English Language, Literatures in English and<br />

Cultural Studies, 61: 73-107.<br />

Marx, L.G. 2010. At the end of the Rainbow: Jerusalema<br />

and the South African gangster film. Safundi : journal of<br />

South African and American studies, 11(3): 261-278.<br />

Marx, L.G. <strong>2011</strong>. Freeze-frame: The death and life of a<br />

photograph in Mitko Panov’s With Raised Hands. Short<br />

Film Studies, 2(1): 17-20.<br />

Marx, L.G. <strong>2011</strong>. Mum, Dad and the Apocalypse: John<br />

Lawlor’s Sunday. Short Film Studies, 1(2): 299-302.<br />

Marx, L.G. <strong>2011</strong>. The last King of Scotland and the<br />

Politics of Adaptation. Black Camera: An international Film<br />

Journal, 3(1): 54-74.<br />

Ndlovu, M.W. and Smith, R. <strong>2011</strong>. Kwaito, hip-hop and<br />

television in South Africa: a case study of the Yizo Yizo 3<br />

series and soundtrack. Revista Interin, 11(1): 1-18.<br />

423

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