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full report - UCT - Research Report 2011

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428<br />

Collection, Neu-Ulm/Burlafingen, Germany.16/06/<strong>2011</strong> to<br />

13/05/2012.<br />

Siopis, P. <strong>2011</strong>. Water, the [Delicate] Thread of Life.<br />

Curated by Marion Dickson. Standard Bank Gallery,<br />

Johannesburg. 29/07/<strong>2011</strong> to 1/10/ <strong>2011</strong>.<br />

Siopis, P. <strong>2011</strong>. Hantologie de Colonies. Curated by<br />

Normal. Espace Khiasma. Paris, France, 8/10/<strong>2011</strong> to<br />

18/11/<strong>2011</strong>.<br />

Siopis, P. <strong>2011</strong>. South African Art: Conrad Botes, Wim<br />

Botha, Sabelo Mlangeni, Nandipha Mntambo, Serge<br />

Alain Nitegeka, Berni Searle, and Penny Siopis. Curated<br />

by Helen Morgan. Turner Galleries, Perth, Australia.<br />

10/10/<strong>2011</strong> to 16/12/<strong>2011</strong>.<br />

Siopis, P. <strong>2011</strong>. Art Video. Curated by David Gryn. Art<br />

Basel Miami Beach, International Art Fair, Miami, USA.<br />

30/11/<strong>2011</strong> to 04/12/<strong>2011</strong>.<br />

Siopis, P. <strong>2011</strong>. What We Talk About When We Talk About<br />

Love. Curated by Federica Angelucci. Stevenson Gallery,<br />

Cape Town. 01/12/<strong>2011</strong> to 14/02/2012.<br />

Skotnes, P.A. <strong>2011</strong>. Landscape to literature. Curated by<br />

Pippa Skotnes. Michaelis Galleries, Hiddingh Campus,<br />

Cape Town 18/08/<strong>2011</strong> to 07/09/<strong>2011</strong>.<br />

Skotnes, P.A. <strong>2011</strong>. Horse. Curated by Ricky Burnett.<br />

Everard Read Gallery, Rosebank, Johannesburg, Gauteng<br />

08/09/<strong>2011</strong> to 30/10/<strong>2011</strong>.<br />

Younge, J.G.F. <strong>2011</strong>. Bêtes Off. Curated by Claude<br />

d’Anthenaise. Conciegerie de Paris, Palais de la Cit, Paris,<br />

France 17/11/<strong>2011</strong> to 11/03/2012.<br />

Younge, J.G.F. <strong>2011</strong>. Cuito Heroes. Nofound Photofair, 66<br />

Rue du Turenne, Paris, France 11/11/<strong>2011</strong> to 14/11/<strong>2011</strong>.<br />

Younge, J.G.F. <strong>2011</strong>. Horse. Curated by Ricky Burnett.<br />

Everard Read Gallery, Rosebank, Johannesburg, Gauteng<br />

08/09/<strong>2011</strong> to 30/10/<strong>2011</strong>.<br />

Younge, J.G.F. <strong>2011</strong>. Threshold. Curated by Virginia<br />

MacKenny. Michaelis Gallery, Michaelis School of Fine Art,<br />

University of Cape Town 24/09/<strong>2011</strong> to 19/10/<strong>2011</strong>.<br />

exhibition catalogues, catalogue essays and<br />

works of a popular nature<br />

MacKenny, V. <strong>2011</strong>. Bearded Ladies. In Malcolm Payne (ed.),<br />

Pogonology - Malcolm Payne: Paintings 2007-2010, pp.<br />

10-17. Cape Town: Axe Age Press in collaboration with Blank<br />

Projects, University of Cape Town. ISBN 978-0-7992-2474-0.<br />

Payne, P. (ed.), Pogonology - Malcolm Payne: Paintings<br />

2007-2010. Cape Town: Axe Age Press in collaboration<br />

with Blank Projects, University of Cape Town. ISBN 978-<br />

0-7992-2474-0.<br />

Salley, R <strong>2011</strong>. Xtreme Studio: Beyond Convention. In<br />

Xtreme Studio, ed. Salley, R & Ott, S. Chicago: Columbia<br />

College Chicago.<br />

Skotnes, P. <strong>2011</strong>. Landscape to literature: a scrapbook<br />

catalogue. To coincide with the Courage of ||kabbo and a<br />

century of Specimens conference. Cape Town: Centre for<br />

Curating the Archive, University of Cape Town. ISBN 978<br />

0 620 51062 2<br />

scHool of Dance<br />

diREctoR: g. m. sAmuEl<br />

school PRofilE<br />

Academic enquiry (analysis, documentation and<br />

publication) and creative scholarship (choreography,<br />

direction and performance) inform and constitute a<br />

significant and balanced part of the diverse outputs of<br />

our School. The participation of staff and students in a<br />

variety of dance projects at under- and postgraduate<br />

levels acknowledges the inherent intellectual play of<br />

postmodern - and posthuman - art practice, as referenced<br />

in a democratic, multicultural, [South] African society.<br />

Particular awareness of the role of arts and culture in the<br />

collective post-revolution national psyche - e.g. sociopolitical<br />

matters around integration - drives many of our<br />

community-focused collaborations.<br />

This year, our launch of the first ever South African<br />

international dance journal devoted to “creat[ing] a space<br />

for established as well as emerging dance academic<br />

voices in South Africa, Africa and the international<br />

community” (SADJ editorial policy statement) is notable<br />

for its historical significance. The biennial publication is<br />

named the South African Dance Journal.<br />

Other usual highlights of the year include performances,<br />

installations, lecture demonstrations, publications,<br />

symposia and seminars as well as engagement<br />

(collaborative productions and work exchanges) with the<br />

following organizations:<br />

Artscape, Black Noise, CAFDA Youth Dance Company,<br />

Cape Academy of the Performing Arts, Cape Celtic Dance<br />

Academy, Cape Junior Ballet, Cape Town City Ballet, Cape<br />

Town International Ballet Competition, Cape Town Jewish<br />

Seniors, Cecchetti Society of Southern Africa, Congress<br />

on <strong>Research</strong> into Dance (CORD), National Creative Arts,<br />

Creative Cape Town, Dance For All, Dance For All Youth<br />

Company, EOAN Group, E. Gwynn Dance Company:<br />

A&T State University of North Carolina, Flatfoot Dance<br />

<strong>UCT</strong> ReseaRCh RepoRT '11

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