full report - UCT - Research Report 2011

434
Mahali, A. 2011. “Piecing together a girlhood”: using the
‘girlfriend aesthetic as a practical methodology in the
making and performance of Katuntu (and you too). In
K. Igweonu (ed.), Trends in Twenty First Century African
Theatre and Performance, pp. 419-441. Amsterdam:
Editions Rodopi Bv. ISBN 9789042033863.
Ravengai, S. 2011. The dilemma of the African body as a
site of performance in the context of western training. In
K. Igweonu (ed.), Trends in Twenty First Century African
Theatre and Performance, pp. 35-59. Amsterdam: Editions
Rodopi Bv. ISBN 9789042033863.
Ravengai, S. 2011. Zimbabwe’s Studio 263: Navigating
between entertainment and health messaging. In D. Kerr
(ed.), African Theatre: Media and Performance, pp. 69-79.
UK: James Currey Publishers. ISBN 9781847010384.
articles in peer-reviewed Journals
Fleishman, M.J. 2011. Cargo: Dwelling in the archive of slavery
in the Cape. Journal for Artistic Research (JAR), 1(1): 1.
Fleishman, M.J. 2011. Cargo: Staging Slavery at the Cape.
Contemporary Theatre Review, 21(1): 8-19.
Ravengai, S. 2011. Unhappily, we are afraid of it: modernism
as deracination on the Rhodesian/Zimbabwean stage.
South African Theatre Journal, 25(2): 101-118.
cREAtivE woRKs
productions
Fleishman, M. 2011. “The Children and the Bees”, Written
& Directed, Theatre, Professional Actors Magnet Theatre,
Cape Town, Cape Town Holocaust Centre (18/07/2011 -
24/07/2011)
Fleishman, M. 2011. “Die Kragbox”, Directing, Theatre,
Professional Actors, Magnet Theatre, Cape Town,
(29/11/2011 - 01/12/2011)
Hyland, G. 2011. “Romeo and Juliet”, Directing & Set
Design, Theatre, Student Actors, Little Theatre, Cape Town
Hyland, G. 2011. “House of Bernarda Alba: A Dance Document”,
Directing & Set Design, Dance Theatre, Professional Dancers
& Actors, Hiddingh Hall, Cape Town, GIPCA, (28/07/2011 -
30/07/2011), La Rosa Spanish Dance Theatre
Hyland, G. 2011. “The Lesson”, Directing & Set & Costume
Design, Theatre, Student Actors, Cambridge College of
Weston, USA UNESCO Chair in Theatre and Culture
of Civilisations of the International Theatre Institute; and The
Cambridge College of Weston, (18/08/2011 - 21/08/2011)
Kabwe, M. 2011. “Paper Flowers”, Directing, Theatre,
Student Actor, Playroom, UCT Hiddingh Campus,
(27/05/2011 - 04/05/2011)
Kabwe, M. 2011. “Migritude’s Echo”, Devising, Theatre,
Professional & Student Actors, Little Theatre, Cape Town,
Out The Box Festival of Puppetry & Visual Performance,
(10/09/2011 - 10/09/2011)
Matchett, S. 2011. “Paper Flowers”, Directing, Theatre,
Student Actors, Playroom, UCT Hiddingh Campus,
(27/05/2011 - 04/05/2011)
Matchett, S. 2011. “n Tas Vol Drome”, Directing, Theatre,
Community youth performers & student actors, Kampterein,
McGregor Village, McGregor Tourism (16/12/2011 -
17/12/2011), Mothertongue Project
Pather, J. 2011. “Afropolis: Urban Fragments”, choreographed
and directed, Rautenstrauch-Joest-Museum, Cologne,
Germany (01/03/2011-13/03/2011)
Pather, J. 2011. “I should have asked but didn’t”,
choreographed and directed, Wits Theatre, Johannesburg
(06/09/2011-09/09/2011)
Singer, J. 2011. “House of Bernarda Alba”, Directing, Theatre,
Student Actors, Arena Theatre, Cape Town, (16/03/2011 -
26/03/2011)
Weare, C. 2011. “The Real Inspector Hound”, Directing,
Theatre, Professional Actors, Little Theatre, Cape Town,
(28/062011 - 23/07/2011), The Mechanicals.
Weare, C. 2011. “Happily Ever Laughter”, Directing,
Theatre, Professional Actors, Theatre on the Bay, Cape
Town, (16/09/2011 - 26/11/2011), Alan Committie.
curated and convened events
Pather, J. 2011. Emerging Modernities, Hiddingh Hall and
other spaces around Cape Town.
Pather, J. 2011. Republic, art and authority, Cape Town
City Hall.
Pather, J. 2011. The Beautiful Project, art, beauty, ugliness
and the African continent, Hiddingh Hall, Little Theatre
Complex and Cape Town City Hall.
Pather, J. 2011. Film and Dance, innovative art on the rise,
Hiddingh Hall and Ster Kinekor, Cavendish Square.
UCT ReseaRCh RepoRT '11