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000 Allen FMT (i-xxii) - The Presbyterian Leader

000 Allen FMT (i-xxii) - The Presbyterian Leader

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180 Proper 17 [22]/Year B<br />

<strong>The</strong> incident in today’s text takes place in the spring, a season that listeners<br />

associate with fertility. <strong>The</strong> woman is dark skinned (Song 1:5) and<br />

is apparently at her house. Her beloved comes to her with such intense<br />

desire that he leaps over mountains like a gazelle or a young stag—powerful,<br />

swift, agile animals. Outside her window he invites her into an intensification<br />

of experience by calling to her (2:8–10a).<br />

<strong>The</strong> invitation uses evocative imagery that suggests generativity,<br />

growth, and security. <strong>The</strong> dormancy of winter is past. <strong>The</strong> rainy season is<br />

over—a season providing the water resources necessary for growth in a<br />

semiarid land but complicating transportation and sometimes creating<br />

danger (e.g., flash flooding). Singing is associated with sweet moments in<br />

life (though the same word in Hebrew, zamir, could be rendered “pruning”<br />

and thus could suggest that these moments are preparing for intimacy<br />

in the same way that pruning prepares plants for greater foliation).<br />

<strong>The</strong> turtledove appears in spring and, in ancient literature, sometimes<br />

represents endearment. <strong>The</strong> blooming of the fig tree and the vineyards<br />

reinforces an atmosphere of fruitfulness (2:10b–13). <strong>The</strong> associations<br />

evoked by this text suggest dimensions of the tone and meaning of the sexual<br />

experience.<br />

People encounter sexuality in North America today in multiple ways:<br />

as a commodity for sale or voyeurism, a dirty little secret, nothing more<br />

than hormones, raw physicality, explosive, the content of fantasies, a<br />

means to conceive, an occasion for tension; as perversion, addiction,<br />

temptation; as part of controversy regarding exercise of free speech; as<br />

source of frustration, disappointment, occasion for the practice of premarital<br />

purity, source of confusion with respect to one’s own identity (e.g.,<br />

gay, lesbian, bisexual, transgendered, asexual, and questioning); as well as<br />

source of confusion regarding how to respond to others whose sexuality<br />

is different from one’s own. <strong>The</strong> appearance of the Song of Songs in the<br />

lectionary gives the preacher an excellent entrée into a sermon that helps<br />

the congregation think theologically about such matters.<br />

<strong>The</strong> New Testament does not refer explicitly to the Song of Songs.<br />

Deuteronomy 4:1–2, 6–9* (Paired)<br />

Many scholars think that an early version of Deuteronomy was part of<br />

Josiah’s reform in the sixth century BCE (2 Kings 22:1–23:27; 2 Chr.<br />

34:1–35:37) but that the Deuteronomic tradition was later redacted to<br />

account for the exile and times afterward (e.g., Deut. 4:26–29; 28:49–57,

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