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GROVE'S "^'^^^^^^ DICTIONARY OF MUS
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E, Aldrich, Esq., ' New E. Hebom-Al
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LIST OF CONTRIBUTOKS .... Rev. Cano
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DICTIONARY OF MUSIC AND MUSICIANS F
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FACKELTANZ FALCON Ricordi. Faccio h
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FANCIES FANFAKE attacks iijion tlic
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FANTASIESTUCK FAEANDOLE for the Vir
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FARINELLI FAKINELLl second viait to
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FARINELLI FAEMER 11 supplied Sir J.
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FARNABY FAIiKEXC 13 Ayres, 1675, to
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FAURE of Fasch's scholars, who, as
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FAUX-BOUKDON FAUX-BOURDON 17 taken
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FAYRFAX been of Bayford in Hertford
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FEO FERRABOSCO 21 performance. Jan.
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FERRABOSCO FEREABOSCO 23 and famous
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FERRARI FERRI 1637, and HUl, three
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FESTING FESTIVALS, MUSICAL 27 simpl
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FESTIVALS, MUSICAL FESTIVALS, MUSIC
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FifcxiS FEVIN 31 a Philosophie de l
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FIDDLE FIDELIO 33 maiiu. A j'ear in
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FIELITZ FIGURE 35 1832. From thence
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FIGURE FIGURED BASS 37 same, partly
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FILTSCH FINALE 39 a iiosition as te
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FINCK FINCK 41 'Circa annum 1480 et
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FINGER-BOAED FINGEUING 43 'The Anat
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FINGERING FINGERING 45 all existing
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FINGERING FINGEEING ascending, seco
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FINGERING FINGEEING 49 fore there a
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FINGERING FINGERING 51 Harmonics. S
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FINGERING FINGEPJNG 53 sliding from
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FINTA GIARDIXIEEA, LA FIOEITURE 55
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FISCHER FISCHER 57 Helden Miisik, i
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FITZWILLIAM COLLECTION, THE FLAGEOL
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FLAUTO MAGICO FLOEENCK 61 Eb for E
- Page 71 and 72: FLORENCE FLORIMO 63 the result of t
- Page 73 and 74: FLOWER FLUE-WORK 65 other hand, his
- Page 75 and 76: FLUTE FLUTE 67 a chromatic scale. T
- Page 77 and 78: FLYING DUTCHMAN FORSTER 69 of the '
- Page 79 and 80: FOOTE FORD 71 as ' a favourite air
- Page 81 and 82: FORM FORM 73 G-i time, but possesse
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- Page 87 and 88: FOEM FORM 79 subjects ; whereas the
- Page 89 and 90: FORM FORM n complementary key of th
- Page 91 and 92: FORM FORM ties in the affinities of
- Page 93 and 94: FORM FORM 85 the first movement ; f
- Page 95 and 96: FOEM FORM tying down composers by a
- Page 97 and 98: FOESTEE FOETE 8'..; by Ornithoparcu
- Page 99 and 100: FOUGHT FOUNDLING HOSPITAL 91 compos
- Page 101 and 102: FRAMERY FRANC [13 good intonation a
- Page 103 and 104: FRANCHETTI FRANCK 95 and 1745 she t
- Page 105: C]i;SAE FEAXCK
- Page 108 and 109: 98 FRANCK FEANCK the quintet for pi
- Page 110 and 111: 100 FRANCK FRANCO the theatre of Mo
- Page 112 and 113: 102 FRANCO FKANCO Perfect ; but, wh
- Page 114 and 115: 104 FRANZ FRANZ his letters on Scot
- Page 117 and 118: FRANZ FRASI 105 time, shidying Bacl
- Page 119 and 120: FEEGE FRESCOBALDI 107 large example
- Page 121: FREZZOLINI FEICHOT lOS oC the notes
- Page 125 and 126: FUCHS PUENTES 113 song of the same
- Page 127 and 128: FUGUE FUGUE 115 the fugue on its pr
- Page 129 and 130: FUGUE FUGUE 117 (i) Handel, 'Hallel
- Page 131 and 132: FUGUE FUGUE 119 -Hfrr^^^^^-^w- Sub.
- Page 133 and 134: FUGUE FUGUE 121 to shape themselves
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- Page 137 and 138: FUX FZ 125 (Jeanne Roger, Amsterdam
- Page 139 and 140: GABRIELLE GABRIELLI 127 often so bo
- Page 141 and 142: GADE GADSBY 129 on the approval of
- Page 143 and 144: GAGLIANO GAGLIANO 131 (1508), and I
- Page 145 and 146: GAGLIANO GAILHAED 133 ' other compo
- Page 147 and 148: GALIMATHIAS GALITZIN 1.35 any Europ
- Page 149 and 150: GALLI GALLIA 137 on the whole. He r
- Page 151 and 152: GALLUS GALUPPI 139 scholastic post.
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- Page 155 and 156: GARCIA GARCIA 143 the Conservatoire
- Page 157 and 158: GAEDONI GARLANDIA 145 "published se
- Page 159 and 160: GASSMANN GATES 147 E. T. Smith, whe
- Page 161 and 162: GAULTIER GAUNTLETT I4y plusieurs di
- Page 163 and 164: GAVOTTE GAYARRE 151 a performer. Hi
- Page 165 and 166: GEBEL GEISLER 153 and in 1729 becam
- Page 167 and 168: GEMINIANI GEKEE 155 Cousser's death
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- Page 171 and 172: GEEICKE GERMAN 159 century (see Bec
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ETELKA GERSTER
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162 GESELLSCHAFT DEE MUSIKFREUNDE '
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164 GHAZEL GHEO institution in its
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166 GIBBONS GIBBONS British Museum
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168 GIBBONS GIGUE Lord, grant grace
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170 GIMEL GIMEL positions. Having l
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172 GIORGI GIOVANNINI be the greate
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174 GIUGLINI GLADSTONE GIUGLINI, An
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176 GLAZOUNOV GLAZOUNOV with Elenov
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178 GLEE GLEN gives a name. It is s
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180 GLINKA GLINKA His mental growth
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GLINKA GLINKA 181 other hand did al
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GLOVER GLUCK 183 the Holy Scripture
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CHRISTOPH WILLIBALD, RITTER VOX GLU
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186 GLUCK GLUCK school accused him
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188 GNECCO GOD SAVE THE KING Aleasa
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190 GOD SAVE THE KING GOD SAVE THE
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192 GODAED GODDAED with the first i
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194 GODOWSKY GOETZ autumn in the Gr
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196 GOLDBERG GOLDMAEK GOLDBERG, Jos
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GOLD.AIAKK GOLDSCHMIDT 197 subject
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GOLLMICK GOMBERT 199 a composer. He
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GOODBAN GOOVAERTS 201 (possihl_y th
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GOSS GOSSEC 1^03 writer of popular
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GOTTSCHALK GOUDIMEL 205 William Tuc
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GOUDIMEL GOUDIMEL 207 de Besanijon.
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CHARLES FRANCOIS GOUNOD
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210 GOUNOD GOUNOD of '.MireiUe' (Th
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212 GOW GEABU musical world as perf
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214 GRAFTON GRAND returned to Hambu
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216 GRANDIOSO GRASSHOPPER tions of
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218 GRAUN GRAUN 'delightful beyond
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220 GRAVE GREAT ORGAN and fugues. O
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222 GREATOREX GRECO containing the
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224 GREEK MUSIC GREEK MUSIC instrum
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226 Table of Fifteen Keys with thei
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228 Table op Fiftees Keys with thei
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230 GREEK MUSIC GREEK MUSIC Kara Sv
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232 GREENE GREENE jnost esteemed or
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234 GEEGOIR GREGORIAN MUSIC Nexo Le
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236 GREGORIAN TONES GREITER and wer
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238 GENTRY GENTRY under the harsh t
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GRETRY GKETRY 239 containing two ai
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GRIEG GRIEG 241 not a good represen
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EDVAED HAGERUP GRIEG
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244 GRISAR GEISI rooms successfully
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than Grisi's success ; GRISI GROSSO
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GEORGE GROVE
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248 GROVE GROVE symphonies of Beeth
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250 GEOVE GEUA scheme, carried out
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252 GUADAGNINI GUARDUCCI he acquire
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254 GUDEHUS GUERRERO made instrumen
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256 GUIDETTI GUIDO D'AREZZO uncerta
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258 GUIGNON more than half a centur
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260 GUITAR GUITAR inwards after the
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262 GUNN - GUKLITT merit, made her
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264 GYMNASTICS GYMNASTICS was firml
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266 GYMNASTICS GYBOWKTZ his system
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TJ (pronounced Ha) is the German na
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270 HADDON HALL HAESSLER England. A
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272 HAINL HALE first composed as a
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274 HALEVY HAL^VY and on March 4, l
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HALF-CLOSE HALLE 275 nent secretary
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HALLING >i \.:\[£rMK of standing d
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HAMMERSCHMIDT HANDEL 279 ' 5. Music
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HANDEL HANDEL 281 operas and sacred
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HANDEL HANDEL 283 with worthy appre
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HANDEL HANDEL 285 which Handel hear
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HANDEL HANDEL 287 Unhappily the MS.
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HANDEL HANDEL, COMMEMORATION 289 po
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HANDEL-GESELLSCHAFT HAXDEL-GESELLSC
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HANDL HANDLO 293 and during its ear
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" law HAXS HEILIXG HARE 295 certs o
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HARMONIC UNION, THE HARMONICA 297 i
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HARMONICS HARMONICS 299 ments as se
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HARMONIE HAEMONIOUS BLACKSMITH 301
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HAEMOXIU.M HARMOXIUM 303 (Paris, 1S
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HAEMONY HAEMONY 305 subdued by a th
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HARMONY HARMONY 307 be said to be a
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m 3^' ^-^^- HARMONY HARMONY 309 l^-
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HARMONY HARMONY 311 the appreciatio
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HARMONY HARMONY 313 most complete,
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HARMONY HARMONY 315 ia found common
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HAEMONY HARMONY 317 the analogue of
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HAEMONY HARMONY 319 by substituting
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HARMONY HARMONY, ANALYSIS OF 321 (c
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HARMOXY, ANALYSIS OF HAPatOXY, ANAL
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HAEP HARP 3i!5 probably of a low an
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HARP HARP-LUTE 327 so ingenious tha
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HARPSICHORD HARPSICHORD 32!) that t
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HAEPSICHOKD HARPSICHORD 331 seat of
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HAERIS HARRISON 333 T\'here, before
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HART HARTMANN 335 prevailed. John T
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HARWOOD HASLINGER 337 the title of
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HASSE HASSE 339 much sought after i
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HASTREITEK HAUK 341 Besides the wor
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HAUPTMANN HAUSMANN 343 independence
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HAWKINS HAWKINS 345 elected an asso
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HAYDN HAYDN 347 which M-a3 afterwar
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FRANZ JOSEPH HAYDN
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350 1740- HAYDN -1750 incredible pi
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352 1756— HAYDN — 1766 lessons
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354 1769- HAYDN —1780 Lidl (1769-
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356 1785— HAYDN — 1790 The work
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358 1791- HAYDN —1792 On hia retu
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360 1795 HAYDN 1795 country, first
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362 1799- HAYDN -1806 engraved (180
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364 HAYDN HAYDN (1803), the Conserv
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366 HAYDN HAYDN generation same.' b
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368 HAYDN HAYDN ' Cambini) ; Sonate
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370 HAYDN IN LONDON HAYES 37. No. 9
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372 HAYNES HEBENSTEEIT copied tlie
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374 HEERMANN HEIL DIE IM SIEGERKRAN
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376 HELLENDAAL HELLINCK HELLENDAAL,
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378 HELMHOLTZ HELMHOLTZ organ and p
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380 HENLEY HENRY VIII alone. He had
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382 HENSCHEL HENSELT The complete l
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384 HERBERT HERBST to the Piarists
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386 hI:eold HEEOLD uninviting. Thus
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suffering for some time ; and HEREI
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HERZ, MEIN HERZ HESDIN 389 United S
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HEXACHOED HEXACHOED 391 the propert
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HIAWATHA HICKFORD'S ROOM 393 of the
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HICKFOBD^S ROOM HICKFORD'S EOOM 395
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HIDDEN FIFTHS HIDDEN FIFTHS SO'; i^
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HIDDEN FIFTHS HILES 39S) The follow
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HILL HILLEMACHER 401 Majesty's Thea
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HILLER HILLER 403 were held at Colo
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HILTON HIME 405 the Choristers. As
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HIXTOX HIPKINS 407 Westminster, Dec
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HISTORIES OF MUSIC HISTORIES OF MUS
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HISTORIES OF MUSIC HISTOEIES OF MUS
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HOBBS HOCHZEIT DES CAMACHO, DIE 413
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HOFFMANN HOFFMANN 4U though enjoyin
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HOFMANN HOGARTH 417 This work consi
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HOLDEN HOLLANDER 419 a Collection o
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HOLLINS HOLMES 421 was his principa
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HOLMES HOLYOKE 423 Tly. Life of Moz
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HOMILIUS HOOK 425 The air is marked
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HOPKINSON HORN 427 August 27, 1900.
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HORN HORN 429 approximates more tha
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HORX HOEX 431 hand the hell alone i
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HORN HORN 433 The aame, in a somewh
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HORSLEY HORSLEY 435 liave given t]i
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HOWELL HUBER 437 and others in rari
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HUDGEBUT HUEFFER 439 the invention
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HUME HUMFREY 441 In March 1872 he w
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HUMMEL HUMMEL 443 Hummel resigned h
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81. Soaata in FS minor. Piano. 82.
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HURDY GURDY HURLSTONE 447 One or ot
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HUYGENS HUYGENS 449 iad seven or ei
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HYDRAULUS HYDRAULUS 451 accompanied
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HYMN HYMN 453 such cases both came
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HYMN HYMN 455 us, Lord ' ; hut here
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Church hymnody ; HYMN HYMNS ANCIENT
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TAMBIC. An Iamb or Iambus is a metr
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IMPERFECT IMPERFECT 461 to become c
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INCIDENTAL MUSIC INCLEDON 463 them.
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INCORPORATED SOCIETY INDY 465 In Ja
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INFLEXION INFLEXION 467 such matter
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INGLOTT m QUESTA TOMBA OSCURA 469 I
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INSTRtTilENT INSTEUMEXT 471 that on
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INSTRUMENT INSTRU^tENTATION 473 [Ja
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INSTEUMENTATION INSTKUMENTATION 475
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INSTRUMENTATION INSTRUMENTATION 477
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INSTRUMENTATION INSTRUMENTATION But
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INSTRUMENTATION 481 Beelioz. iflfeS
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Piccolo and 2 Flutes. SO.'Oes. & Cl
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INTERMEZZO INTERMEZZO 485 ' portant
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INTERRUPTED CADENCE INTERVAL 487 Bo
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INTRUDUCTION INTRODUCTION 489 lias
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INVENTION INVERSION 491 churches, a
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INVERTIBLE COUNTERPOINT INVERTIBLE
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INVEETIBLE COL'XTEKPOINT IXVEKTIBLE
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INVEETIBLE COUNTERPOINT INVERTIBLE
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INVERTIBLE COUNTERPOINT INVERTIBLE
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INVERTIBLE COUNTERPOINT INVERTIBLE
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INVERTIBLE COUNTEEPOINT INVERTIBLE
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INVITATORIUM IONIAN MODE 505 to exe
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IPPOLITOV-IVANOV IRISH MUSIC 507 ce
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IRISH MUSIC IRISH MUSIC 508 semiton
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IRISH MUSIC ISAAC 511 of Christ Chu
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ISABELLA ISOUARD 513 scene of the L
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ISTESSO TEMPO IVE 515 'Thou senteat
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TACHES, Galuco, or Jacomo Brumel, f
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JACK JACK 519 Kicercari di Jaques B
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JACKSON JACOB 521 parts,' 'Six Madr
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JACQUARD JADIN 523 stitute the larg
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JAMES JANKO 525 energy and interest
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JANSA JAPANESE MUSIC 527 amateur of
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JAY JENKINS 529 sheet, is ' Mr. Jan
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JERUSALEM JEWETT 531 in Masfa' (Jep
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JIG JOACHIM 533 10. Motetti de la S
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JOACHIM QUARTET JOACHIM QUARTET 535
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JOHN THE BAPTIST, ST. JOHNSON 537 J
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JOHNSON JOHNSTON 539 for the Latin
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JOMMELLI JOMMELLI 541 opera ' Eumen
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JONCIERES JONES 543 out in Brussels
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JOEDAN JOSEFFY 545 same county, whi
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JOSQUIN JOSQUIN 547 La, sol, fa, re
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JOTA JUDAS MACCAB.EUS 549 tabula ar
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JULLIEX JULLIEN 551 Scribe, music b
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JULLIEN JUON 553 it out on the most
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JUST INTONATION JUST INTONATION 555
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KAHRER-KAPPOLDI KALKBRENNER 557 voi
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KARAJAN KASTNER 559 as no work of h
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KEELEY KEISER 561 Choke Collection
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CLAK.V I.OIISE KELL
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564 KELLY KELWAY Arne (1778-79),—
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566 KEXXEDY KENT BUGLE made his fir
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568 KETTEN KEY Holland, with Ferdin
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570 KEY KEY also is obvious in keys
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572 KEY KEY the seven tiers of his
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5V4 KIENZL KIESEWETTER pianoforte,
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576 KING KING'S BAND OF MUSIC KING,
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578 KIRBYE KIRCHEN CANTATEN already
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580 KIROHNER KIRNBERGER execution.
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582 KIT KJEEULF Spaiiisches Lieders
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584 KLAFSKY KLEBEE engaged in 1874
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586 KLEMM KLENOVSKY He deserves hon
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588 KLUGHARDT KNECHT Another son of
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590 KNELLER HALL KNIGHT the Crimean
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592 KNYVETT KOCHEL these works have
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594 KONIGIN VON SABA, DIE KOLLMANN
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596 KOTO KEAFT Cantata ' Don Jnan.'
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598 KRAUSS KEEBS Rubinstein's ' Kin
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600 KEEISLER KEETSCHMER the ' Non p
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602 KREUTZER KREUTZER SONATA The mu
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604 KRIEGER KROMMER viola da gamha
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606 KUBELIK KUBELIK born in Melbour
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608 KUHNAU KUFFERATH of preluding,
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610 KUHNAU KULLAK reiterated joke o
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612 KUNTZSCH KYEIE his opera ' Das
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614 KYRIE KYEIE borrowed from the K
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616 LABLACHE LABLACHE however, the
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618 LACHNER LACOMBE when he retired
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620 LA FAGE LAFONT to have had its
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622 LAHOUSSAYE LALANDE Jesu Christe
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624 LALLA ROOKH LALO volumes, conta
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626 LAMENTATIONS LAMENTATIONS Hiere
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628 LAMOND LAMOUEEUX Palestrina, an
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630 LAMPUGXANI LANDI afterwards to
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632 LANG LANGE and more prominent a
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634 LANGSAM LANIEKE acted as its di
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636 LARGE LAROCHE the theatre in To
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638 LASSEX LASSUS success as Renato
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LASSUS LASSUS 639 Nicolas 1 in the
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LASSUS LASSUS 641 From this time La
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LASSUS LASSUS 643 and Excellencies
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LASSUS LASSUS 645 converted them in
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i 3^ m ,tal m^^- LASSUS LASSUS 647
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LAST ROSE OF SUMMER LATILLA 649'
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Haydn. J. Salve B«demptor, C. —S
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LAUDS LAUTERBACH 653 the year 1336,
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LAWES LAWES 655 father, tlie coiise
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LAYOLLE LAZZARINI 657 LAYOLLE, Fran
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LEBERT LEBRUN 659 of Tone, etc. [In
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LECLAIR LECOCQ 661 already an old m
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LEE LEEDS MUSICAL FESTIVAL 663 Cove
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LEGATO LEGATO 665 another performer
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LILLI LEHMAXN
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668 LEIPZIG LEIPZIG while the worth
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670 LEIT-MOTIF LEIT-MOTIF It seems
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672 LE JEUNE LE JEUNE appointment w
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674 LEMMENS LENEPVEU preceptor in m
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676 LEO LEO vols., i.-iii. Cassel,
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678 LEO LEO is less severe iu manne
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680 LEONCAVALLO LEONI played accomp
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682 LESLIE LESSON LESLIE, Henry Dav
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684 LESUEUR LESUEUR forward to the
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686 LEVEEIDGE LEVEY ' Romeo.' He sa
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688 L'HOMME AKMJh; L'HOMME ABME As
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690 LIAPOUiS'OV LIBRARIES AND COLLE
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692 LIBRARIES AND COLLECTIONS OF MU
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694 LIBRAEIES AND COLLECTIONS OF MU
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696 LIBRARIES AND COLLECTIONS OF MU
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698 LIBRARIES AND COLLECTIONS OF MU
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700 LIBEARIES AND COLLECTIONS OF MU
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702 LIBRARIES AND COLLECTIONS OF MU
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704 LIBRARIES AND COLLECTIONS OF MU
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706 LIBRARIES AND COLLECTIONS OF MU
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708 LIBRARIES AND COLLECTIONS OF MU
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710 LIBRARIES AND COLLECTIONS OF MU
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712 LIBRARIES AND COLLECTIONS OF MU
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714 LIBRARIES AND COLLECTIONS OF MU
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718 LIBRARIES AND COLLECTIONS OF MU
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718 LIBRARIES AND COLLECTIONS OF MU
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720 LIBRETTO LIBRETTO An excellent
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722 LICENSE LICENSE lyrical honours
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724 LICHNOWSKY LIE-NISSEN peers, in
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726 LIED-FOEM LIED-FOEM generally a
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728 LIEDEBKREIS LIEDERTAFEL first b
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730 LILLE LILLIBUELERO Mstorischen
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732 LILT LINCKE The evidence quoted
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734 LIND LIND r61e in ' Euryauthe,
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LIND LIND 735 confidence,—while s
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LINDNER LINLEY 737 Dragonetti (see
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LINLEY LIPINSKI 739 for a few years
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FRANZ LISZT
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742 LISZT . LISZT which a small but
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744 LISZT LISZT the incideutg of hi
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746 LISZT LISZT July 31, 1886. His
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748 LISZT LISZT 136. Chopin's Prael
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750 LISZT LISZT light on Schubert's
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752 LITANY LITANY almost every popu
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754 LITOLFF LIVERPOOL MUSICAL FESTI
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756 LO, HE COMES LO, HE COMES was a
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758 LOBKOWITZ LOCATELLI and with no
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760 LOCKE LOCKE with the melody. In
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762 LODER LODER theory, it necessar
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764 LOESCHHOEN LOEWE sonatas for tw
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766 LOGIER LOGROSCINO was appointed
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768 LOMAKIN LONG wrote a violin par
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770 LORD OF THE ISLES LORTZING chor
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772 LOTTI LOUIS FERDINAND between t
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774 LOURE LOVER close of which is a
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776 LUCAS LUCCA member of the opera
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LUCCA LUCIO SILLA 777 'The Huguenot
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LUISA MILLER LULLY 1783, says that
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LULLY LULLY 781 danseuses whom he i
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LUNN LUPOT 783 the title of Reminis
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LUTE LUTE 785 to be one. Strangely
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LUTE LUTHER 787 the oldest instrume
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LUTHER LUTHKRAN 789 together -with
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LVOV LYDIAN MODE 791 for one, two,
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LYRE LYRIC 793 1682 with other issu
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ADDENDA ET COKEIGENDA FOE VOL. I LI
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BEETHOVEN AND HIS FORERUNNERS By DA