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DICTIONARY OF MUSIC - El Atril

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336 HARTVIGSON HARTVIGSON<br />

generations. Johaxn Ernst (1726-1793) was<br />

a violinist and composer, who, after liolding<br />

several musical posts at Breslau and Rudolstadt,<br />

became capellnieister to tlie Duke of Ploen, and<br />

went witli him to Coi»enhagen. Here he was<br />

leader of tlie royal baud from 1768, and wrote<br />

much music, now completely forgotten, witli the<br />

exception of the song 'Kong Christian,' which<br />

first appeared in an opera ' Die Fisclier, ' and<br />

has since been adopted as tlie Danish National<br />

Hymn. He died in 1793. His second son,<br />

AuGU.ST WiLHELM, born 1775, held the post<br />

of organist to the Garrison Church in Copenhagen<br />

from 1800 to 1850, and was the father of<br />

JoHANN Peter Emilius, born May 14, 1805,<br />

who for many years held a high place among<br />

Danish composers. His opera ' ' Ravnen (The<br />

Raven), to words by H. C. Andersen, was produced<br />

Oct. 29, : 832. It was followed by ' Die<br />

goldnen Horner' in 1834, and 'Die Corsaren<br />

on April 23, ' '<br />

1835, and Liden Kirsten (' Little<br />

Cliristie'), on May 12, 1846. Besides these<br />

he wrote much for the theatre in tlie way of<br />

incidental music, etc., as well as choral works<br />

(among tliem a cantata on tlie death of Thorwaldsen,<br />

1848), songs, a symphony in G minor,<br />

dedicated to Spohr, and performed at Cassel in<br />

1838, and many piano pieces. See the Samnwl-<br />

Idnde of the Int. Miis. Ges. vol. ii. p. 455. He<br />

was made director of the Copenhagen Conservatoriura<br />

in 1840. He died March 10, 1900.<br />

His son,<br />

Emil, born Feb. 21, 1836, studied with his<br />

father and with N. W. Gaile, his brother-in-law,<br />

held between 1861 and 1873 various appointments<br />

as organist, but on account of weak health<br />

subsequently devoted liimself almost entirely<br />

to composition. In 1891 he succeeded Gade<br />

as director of the ilusical Society of Copenhagen.<br />

Among his works, which have obtained<br />

great success both in Denmark and Germany,<br />

may be mentioned the operas :— ' Die Erlenmad-<br />

chen' (1867), 'Die Ni.xe,' 'Die Korsikaner<br />

and ' ' Runenzauber (1896); a ballet ' Fjeldstuen<br />

'<br />

;<br />

' Nordische Volkstiinze ' (op. 18), three<br />

symphonies, in E flat, A minor, and D, an over-<br />

' ture Ein nordische Heerfahrt ' (op.<br />

25), a<br />

choral cantata 'Winter and Spring' (op. 13),<br />

concertos for violin and violoncello, a serenade<br />

for piano, clarinet, and violoncello (op. 24), and<br />

many songs. He died at Copenhagen, July 18,<br />

1898. M.<br />

HARTVIGSON, Frit.s, born May 31, 1841,<br />

at Grenaae, Jutland, Denmark, received in-<br />

struction in music and on the piano from his<br />

mother, and at Copenhagen from Gade, Gebauer,<br />

and Anton Ree. At the age of fourteen he<br />

played in concerts in Copenhagen, and made<br />

a tour through Norway in 1858, at Christiania<br />

being personally complimented by Kjerulf. By<br />

assistance from the Danish Government he<br />

studied at Berlin from 1859 to 1862 under Yon<br />

Billow, with whom he played there at a concert<br />

Liszt's A major Concerto and Hungarian Fantasia,<br />

arranged for two pianos. He next played Rubinstein's<br />

third Concerto at the Gewandhaus Concerts<br />

in 1861, and Schumann's Concerto at Copenhagen<br />

under Gade in 1863. On the death of<br />

his father in the Prusso-Danish war, he came to<br />

England and played with great success Mendelssohn's<br />

' Serenade and Allegro giojoso ' at the<br />

Philharmonic, June 27, 1864. From that time<br />

until the present ih. Hartvigson has lived in<br />

England, with the exception of two years between<br />

1873 and 1875, when he resided at St. Petersburg.<br />

He played at the JIusical Union, and<br />

introduced there Scliumann's Trio in F, April<br />

24, 1866. He introduced Liszt's music at the<br />

Philharmonic, where he played that composer's<br />

first Concerto on June 10, 1872, At the Crystal<br />

Palace he introduced Schubert's Fantasia, op.<br />

15 (arranged by Liszt for piano and orchestra),<br />

and<br />

on Oct. 6, 1866 : also Rubinstein's fourth Concerto,<br />

Nov. 16, 1872 ;<br />

Bronsart's Concerto,<br />

Sept. 30, 1876. He was officially appointed<br />

Pianist to Queen Alexandra (when Princess of<br />

Wales) in 1873, and Professor of Music at the<br />

Normal College for the Blind at Norwood in<br />

1875. In 1879, and for several years afterwards,<br />

Mr. Hartvigson was prevented from appearing in<br />

public owing to an injury to his left arm. He<br />

happily recovered its use, and appeared at W.<br />

Bache's concert, Feb. 21, 1887, playing Liszt's<br />

'Mazeppa' and 'Hungaria, ' arranged by the<br />

composer for two pianos. He also played at the<br />

London Symphony Concerts on Jan. 10, 1888<br />

(and subsequently at a Rieliter concert) Liszt's<br />

' Todtentanz, ' which he had introduced to the<br />

English public in 1878 under Billow's direction.<br />

Mr. Hartvigson has played abroad, at Copenhagen<br />

in 1872 and 1889, at Munich (under Biilow), in<br />

aid of the Bayreuth Building Fund, August 24,<br />

1872, and in concerts at St. Petersburg, Moscow,<br />

and in Finland. In 1888 he was appointed<br />

Professor at the Royal Academy of Music, and<br />

in 1894 an honorary member of the institution.<br />

In 1895 he was an examiner for the associateship<br />

of the Royal College of Music, and in the same<br />

year the King of Denmark made him a knight<br />

of the order of the Dannebrog. In 1905 he was<br />

appointed professor at the Royal College of Music.<br />

His brother, Anton, born Oct. 16, 1845, at<br />

Aarhus, Jylland, received instruction in music<br />

from his mother, Tausig, and Edmund Neupert.<br />

He first played in concerts at Copenhagen,<br />

and came to England in 1873, where he finally<br />

settled in 1882, when he was appointed a<br />

Professor at the Normal College. With the<br />

exception of his yearly recitals he rarely played<br />

in public. In 1893 he settted at Copenhagen<br />

as a teacher of his instrument. He has made<br />

a speciality there of giving yearly courses of<br />

lectures in which he analyses the principal<br />

pianoforte compositions of the great masters,<br />

besides performing them in their entirety. In<br />

1900 the King of Denmark conferred on him

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