DICTIONARY OF MUSIC - El Atril

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228 Table op Fiftees Keys with their Notation—continued. HypatOn. MesOn. SvyEMMENflN. DlZZEUGMENflN. HyPERDOLAEOW. U M W H y 8 R h 3 H K H Z A 5|< C K A > E \ X
Table of Fifteen Keys "with their Notation—coniinucd. 22!> HY^AT^^^^ MeslIn. SynemmenAn. Diezf.ikjmemOn. Hypkr-bot.a'kOn. 3 9 N>J - 8 ENHARMONIC. H b E h- E. Ptolemy's Modes.—In the scheme of the mathematician Claudius Ptolemaeus (ii. 140-160 a.d) the fifteen keys were again reduced to seven modes, and a new nomenclature according to position ((card Biaiv as opposed to the old nomenclature Kara Biva/xiii 'according to function ') was introduced, by which notes took their names from their mere pilace in any particular mode ; e.g.— O * Y n M ^1 F b. 3 n Kara deat c p M I o r u c u n < V N z Tn*YnMAHr ic Fl>-cnN
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GROVE'S "^'^^^^^^ DICTIONARY OF MUS
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E, Aldrich, Esq., ' New E. Hebom-Al
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LIST OF CONTRIBUTOKS .... Rev. Cano
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DICTIONARY OF MUSIC AND MUSICIANS F
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FACKELTANZ FALCON Ricordi. Faccio h
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FANCIES FANFAKE attacks iijion tlic
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FANTASIESTUCK FAEANDOLE for the Vir
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FARINELLI FAKINELLl second viait to
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FARINELLI FAEMER 11 supplied Sir J.
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FARNABY FAIiKEXC 13 Ayres, 1675, to
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FAURE of Fasch's scholars, who, as
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FAUX-BOUKDON FAUX-BOURDON 17 taken
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FAYRFAX been of Bayford in Hertford
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FEO FERRABOSCO 21 performance. Jan.
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FERRABOSCO FEREABOSCO 23 and famous
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FERRARI FERRI 1637, and HUl, three
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FESTING FESTIVALS, MUSICAL 27 simpl
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FESTIVALS, MUSICAL FESTIVALS, MUSIC
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FifcxiS FEVIN 31 a Philosophie de l
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FIDDLE FIDELIO 33 maiiu. A j'ear in
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FIELITZ FIGURE 35 1832. From thence
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FIGURE FIGURED BASS 37 same, partly
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FILTSCH FINALE 39 a iiosition as te
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FINCK FINCK 41 'Circa annum 1480 et
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FINGER-BOAED FINGEUING 43 'The Anat
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FINGERING FINGERING 45 all existing
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FINGERING FINGEEING ascending, seco
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FINGERING FINGEEING 49 fore there a
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FINGERING FINGERING 51 Harmonics. S
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FINGERING FINGEPJNG 53 sliding from
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FINTA GIARDIXIEEA, LA FIOEITURE 55
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FISCHER FISCHER 57 Helden Miisik, i
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FITZWILLIAM COLLECTION, THE FLAGEOL
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FLAUTO MAGICO FLOEENCK 61 Eb for E
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FLORENCE FLORIMO 63 the result of t
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FLOWER FLUE-WORK 65 other hand, his
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FLUTE FLUTE 67 a chromatic scale. T
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FLYING DUTCHMAN FORSTER 69 of the '
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FOOTE FORD 71 as ' a favourite air
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FORM FORM 73 G-i time, but possesse
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FORM FORM 75 iiant, thereby indicat
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FORM FORM 77 systematic development
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FOEM FORM 79 subjects ; whereas the
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FORM FORM n complementary key of th
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FORM FORM ties in the affinities of
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FORM FORM 85 the first movement ; f
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FOEM FORM tying down composers by a
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FOESTEE FOETE 8'..; by Ornithoparcu
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FOUGHT FOUNDLING HOSPITAL 91 compos
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FRAMERY FRANC [13 good intonation a
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FRANCHETTI FRANCK 95 and 1745 she t
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C]i;SAE FEAXCK
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98 FRANCK FEANCK the quintet for pi
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100 FRANCK FRANCO the theatre of Mo
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102 FRANCO FKANCO Perfect ; but, wh
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104 FRANZ FRANZ his letters on Scot
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FRANZ FRASI 105 time, shidying Bacl
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FEEGE FRESCOBALDI 107 large example
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FREZZOLINI FEICHOT lOS oC the notes
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FEIEDLANDER FROBERGER 111 and was w
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FUCHS PUENTES 113 song of the same
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FUGUE FUGUE 115 the fugue on its pr
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FUGUE FUGUE 117 (i) Handel, 'Hallel
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FUGUE FUGUE 119 -Hfrr^^^^^-^w- Sub.
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FUGUE FUGUE 121 to shape themselves
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Subject. ^^r FUGUE FULDA 123 ^^- To
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FUX FZ 125 (Jeanne Roger, Amsterdam
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GABRIELLE GABRIELLI 127 often so bo
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GADE GADSBY 129 on the approval of
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GAGLIANO GAGLIANO 131 (1508), and I
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GAGLIANO GAILHAED 133 ' other compo
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GALIMATHIAS GALITZIN 1.35 any Europ
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GALLI GALLIA 137 on the whole. He r
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GALLUS GALUPPI 139 scholastic post.
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GAMBA, VIOLA DA GAMUT 141 intolerab
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GARCIA GARCIA 143 the Conservatoire
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GAEDONI GARLANDIA 145 "published se
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GASSMANN GATES 147 E. T. Smith, whe
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GAULTIER GAUNTLETT I4y plusieurs di
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GAVOTTE GAYARRE 151 a performer. Hi
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GEBEL GEISLER 153 and in 1729 becam
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GEMINIANI GEKEE 155 Cousser's death
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mieulx ne vient, ' 'A GENOVEVA GERB
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GEEICKE GERMAN 159 century (see Bec
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ETELKA GERSTER
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162 GESELLSCHAFT DEE MUSIKFREUNDE '
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164 GHAZEL GHEO institution in its
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166 GIBBONS GIBBONS British Museum
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168 GIBBONS GIGUE Lord, grant grace
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170 GIMEL GIMEL positions. Having l
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172 GIORGI GIOVANNINI be the greate
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174 GIUGLINI GLADSTONE GIUGLINI, An
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176 GLAZOUNOV GLAZOUNOV with Elenov
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178 GLEE GLEN gives a name. It is s
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180 GLINKA GLINKA His mental growth
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GLINKA GLINKA 181 other hand did al
Page 201 and 202: GLOVER GLUCK 183 the Holy Scripture
Page 203: CHRISTOPH WILLIBALD, RITTER VOX GLU
Page 206 and 207: 186 GLUCK GLUCK school accused him
Page 208 and 209: 188 GNECCO GOD SAVE THE KING Aleasa
Page 210 and 211: 190 GOD SAVE THE KING GOD SAVE THE
Page 212 and 213: 192 GODAED GODDAED with the first i
Page 214 and 215: 194 GODOWSKY GOETZ autumn in the Gr
Page 216 and 217: 196 GOLDBERG GOLDMAEK GOLDBERG, Jos
Page 219 and 220: GOLD.AIAKK GOLDSCHMIDT 197 subject
Page 221 and 222: GOLLMICK GOMBERT 199 a composer. He
Page 223 and 224: GOODBAN GOOVAERTS 201 (possihl_y th
Page 225 and 226: GOSS GOSSEC 1^03 writer of popular
Page 227 and 228: GOTTSCHALK GOUDIMEL 205 William Tuc
Page 229 and 230: GOUDIMEL GOUDIMEL 207 de Besanijon.
Page 231: CHARLES FRANCOIS GOUNOD
Page 234 and 235: 210 GOUNOD GOUNOD of '.MireiUe' (Th
Page 236 and 237: 212 GOW GEABU musical world as perf
Page 238 and 239: 214 GRAFTON GRAND returned to Hambu
Page 240 and 241: 216 GRANDIOSO GRASSHOPPER tions of
Page 242 and 243: 218 GRAUN GRAUN 'delightful beyond
Page 244 and 245: 220 GRAVE GREAT ORGAN and fugues. O
Page 246 and 247: 222 GREATOREX GRECO containing the
Page 248 and 249: 224 GREEK MUSIC GREEK MUSIC instrum
Page 250 and 251: 226 Table of Fifteen Keys with thei
Page 254 and 255: 230 GREEK MUSIC GREEK MUSIC Kara Sv
Page 256 and 257: 232 GREENE GREENE jnost esteemed or
Page 258 and 259: 234 GEEGOIR GREGORIAN MUSIC Nexo Le
Page 260 and 261: 236 GREGORIAN TONES GREITER and wer
Page 262 and 263: 238 GENTRY GENTRY under the harsh t
Page 265 and 266: GRETRY GKETRY 239 containing two ai
Page 267 and 268: GRIEG GRIEG 241 not a good represen
Page 269: EDVAED HAGERUP GRIEG
Page 272 and 273: 244 GRISAR GEISI rooms successfully
Page 275 and 276: than Grisi's success ; GRISI GROSSO
Page 277: GEORGE GROVE
Page 280 and 281: 248 GROVE GROVE symphonies of Beeth
Page 282 and 283: 250 GEOVE GEUA scheme, carried out
Page 284 and 285: 252 GUADAGNINI GUARDUCCI he acquire
Page 286 and 287: 254 GUDEHUS GUERRERO made instrumen
Page 288 and 289: 256 GUIDETTI GUIDO D'AREZZO uncerta
Page 290 and 291: 258 GUIGNON more than half a centur
Page 292 and 293: 260 GUITAR GUITAR inwards after the
Page 294 and 295: 262 GUNN - GUKLITT merit, made her
Page 296 and 297: 264 GYMNASTICS GYMNASTICS was firml
Page 298 and 299: 266 GYMNASTICS GYBOWKTZ his system
Page 300 and 301: TJ (pronounced Ha) is the German na
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270 HADDON HALL HAESSLER England. A
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272 HAINL HALE first composed as a
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274 HALEVY HAL^VY and on March 4, l
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HALF-CLOSE HALLE 275 nent secretary
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HALLING >i \.:\[£rMK of standing d
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HAMMERSCHMIDT HANDEL 279 ' 5. Music
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HANDEL HANDEL 281 operas and sacred
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HANDEL HANDEL 283 with worthy appre
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HANDEL HANDEL 285 which Handel hear
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HANDEL HANDEL 287 Unhappily the MS.
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HANDEL HANDEL, COMMEMORATION 289 po
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HANDEL-GESELLSCHAFT HAXDEL-GESELLSC
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HANDL HANDLO 293 and during its ear
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" law HAXS HEILIXG HARE 295 certs o
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HARMONIC UNION, THE HARMONICA 297 i
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HARMONICS HARMONICS 299 ments as se
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HARMONIE HAEMONIOUS BLACKSMITH 301
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HAEMOXIU.M HARMOXIUM 303 (Paris, 1S
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HAEMONY HAEMONY 305 subdued by a th
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HARMONY HARMONY 307 be said to be a
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m 3^' ^-^^- HARMONY HARMONY 309 l^-
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HARMONY HARMONY 311 the appreciatio
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HARMONY HARMONY 313 most complete,
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HARMONY HARMONY 315 ia found common
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HAEMONY HARMONY 317 the analogue of
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HAEMONY HARMONY 319 by substituting
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HARMONY HARMONY, ANALYSIS OF 321 (c
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HARMOXY, ANALYSIS OF HAPatOXY, ANAL
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HAEP HARP 3i!5 probably of a low an
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HARP HARP-LUTE 327 so ingenious tha
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HARPSICHORD HARPSICHORD 32!) that t
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HAEPSICHOKD HARPSICHORD 331 seat of
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HAERIS HARRISON 333 T\'here, before
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HART HARTMANN 335 prevailed. John T
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HARWOOD HASLINGER 337 the title of
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HASSE HASSE 339 much sought after i
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HASTREITEK HAUK 341 Besides the wor
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HAUPTMANN HAUSMANN 343 independence
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HAWKINS HAWKINS 345 elected an asso
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HAYDN HAYDN 347 which M-a3 afterwar
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FRANZ JOSEPH HAYDN
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350 1740- HAYDN -1750 incredible pi
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352 1756— HAYDN — 1766 lessons
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354 1769- HAYDN —1780 Lidl (1769-
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356 1785— HAYDN — 1790 The work
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358 1791- HAYDN —1792 On hia retu
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360 1795 HAYDN 1795 country, first
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362 1799- HAYDN -1806 engraved (180
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364 HAYDN HAYDN (1803), the Conserv
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366 HAYDN HAYDN generation same.' b
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368 HAYDN HAYDN ' Cambini) ; Sonate
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370 HAYDN IN LONDON HAYES 37. No. 9
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372 HAYNES HEBENSTEEIT copied tlie
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374 HEERMANN HEIL DIE IM SIEGERKRAN
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376 HELLENDAAL HELLINCK HELLENDAAL,
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378 HELMHOLTZ HELMHOLTZ organ and p
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380 HENLEY HENRY VIII alone. He had
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382 HENSCHEL HENSELT The complete l
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384 HERBERT HERBST to the Piarists
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386 hI:eold HEEOLD uninviting. Thus
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suffering for some time ; and HEREI
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HERZ, MEIN HERZ HESDIN 389 United S
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HEXACHOED HEXACHOED 391 the propert
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HIAWATHA HICKFORD'S ROOM 393 of the
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HICKFOBD^S ROOM HICKFORD'S EOOM 395
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HIDDEN FIFTHS HIDDEN FIFTHS SO'; i^
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HIDDEN FIFTHS HILES 39S) The follow
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HILL HILLEMACHER 401 Majesty's Thea
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HILLER HILLER 403 were held at Colo
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HILTON HIME 405 the Choristers. As
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HIXTOX HIPKINS 407 Westminster, Dec
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HISTORIES OF MUSIC HISTORIES OF MUS
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HISTORIES OF MUSIC HISTOEIES OF MUS
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HOBBS HOCHZEIT DES CAMACHO, DIE 413
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HOFFMANN HOFFMANN 4U though enjoyin
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HOFMANN HOGARTH 417 This work consi
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HOLDEN HOLLANDER 419 a Collection o
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HOLLINS HOLMES 421 was his principa
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HOLMES HOLYOKE 423 Tly. Life of Moz
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HOMILIUS HOOK 425 The air is marked
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HOPKINSON HORN 427 August 27, 1900.
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HORN HORN 429 approximates more tha
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HORX HOEX 431 hand the hell alone i
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HORN HORN 433 The aame, in a somewh
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HORSLEY HORSLEY 435 liave given t]i
Page 475 and 476:
HOWELL HUBER 437 and others in rari
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HUDGEBUT HUEFFER 439 the invention
Page 479 and 480:
HUME HUMFREY 441 In March 1872 he w
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HUMMEL HUMMEL 443 Hummel resigned h
Page 483 and 484:
81. Soaata in FS minor. Piano. 82.
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HURDY GURDY HURLSTONE 447 One or ot
Page 487 and 488:
HUYGENS HUYGENS 449 iad seven or ei
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HYDRAULUS HYDRAULUS 451 accompanied
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HYMN HYMN 453 such cases both came
Page 493 and 494:
HYMN HYMN 455 us, Lord ' ; hut here
Page 495 and 496:
Church hymnody ; HYMN HYMNS ANCIENT
Page 497 and 498:
TAMBIC. An Iamb or Iambus is a metr
Page 499 and 500:
IMPERFECT IMPERFECT 461 to become c
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INCIDENTAL MUSIC INCLEDON 463 them.
Page 503 and 504:
INCORPORATED SOCIETY INDY 465 In Ja
Page 505 and 506:
INFLEXION INFLEXION 467 such matter
Page 507 and 508:
INGLOTT m QUESTA TOMBA OSCURA 469 I
Page 509 and 510:
INSTRtTilENT INSTEUMEXT 471 that on
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INSTRUMENT INSTRU^tENTATION 473 [Ja
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INSTEUMENTATION INSTKUMENTATION 475
Page 515 and 516:
INSTRUMENTATION INSTRUMENTATION 477
Page 517 and 518:
INSTRUMENTATION INSTRUMENTATION But
Page 519 and 520:
INSTRUMENTATION 481 Beelioz. iflfeS
Page 521 and 522:
Piccolo and 2 Flutes. SO.'Oes. & Cl
Page 523 and 524:
INTERMEZZO INTERMEZZO 485 ' portant
Page 525 and 526:
INTERRUPTED CADENCE INTERVAL 487 Bo
Page 527 and 528:
INTRUDUCTION INTRODUCTION 489 lias
Page 529 and 530:
INVENTION INVERSION 491 churches, a
Page 531 and 532:
INVERTIBLE COUNTERPOINT INVERTIBLE
Page 533 and 534:
INVEETIBLE COL'XTEKPOINT IXVEKTIBLE
Page 535 and 536:
INVEETIBLE COUNTERPOINT INVERTIBLE
Page 537 and 538:
Page 539 and 540:
Page 541 and 542:
INVERTIBLE COUNTEEPOINT INVERTIBLE
Page 543 and 544:
INVITATORIUM IONIAN MODE 505 to exe
Page 545 and 546:
IPPOLITOV-IVANOV IRISH MUSIC 507 ce
Page 547 and 548:
IRISH MUSIC IRISH MUSIC 508 semiton
Page 549 and 550:
IRISH MUSIC ISAAC 511 of Christ Chu
Page 551 and 552:
ISABELLA ISOUARD 513 scene of the L
Page 553 and 554:
ISTESSO TEMPO IVE 515 'Thou senteat
Page 555 and 556:
TACHES, Galuco, or Jacomo Brumel, f
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JACK JACK 519 Kicercari di Jaques B
Page 559 and 560:
JACKSON JACOB 521 parts,' 'Six Madr
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JACQUARD JADIN 523 stitute the larg
Page 563 and 564:
JAMES JANKO 525 energy and interest
Page 565 and 566:
JANSA JAPANESE MUSIC 527 amateur of
Page 567 and 568:
JAY JENKINS 529 sheet, is ' Mr. Jan
Page 569 and 570:
JERUSALEM JEWETT 531 in Masfa' (Jep
Page 571 and 572:
JIG JOACHIM 533 10. Motetti de la S
Page 575 and 576:
JOACHIM QUARTET JOACHIM QUARTET 535
Page 577 and 578:
JOHN THE BAPTIST, ST. JOHNSON 537 J
Page 579 and 580:
JOHNSON JOHNSTON 539 for the Latin
Page 581 and 582:
JOMMELLI JOMMELLI 541 opera ' Eumen
Page 583 and 584:
JONCIERES JONES 543 out in Brussels
Page 585 and 586:
JOEDAN JOSEFFY 545 same county, whi
Page 587 and 588:
JOSQUIN JOSQUIN 547 La, sol, fa, re
Page 589 and 590:
JOTA JUDAS MACCAB.EUS 549 tabula ar
Page 591 and 592:
JULLIEX JULLIEN 551 Scribe, music b
Page 593 and 594:
JULLIEN JUON 553 it out on the most
Page 595 and 596:
JUST INTONATION JUST INTONATION 555
Page 597 and 598:
KAHRER-KAPPOLDI KALKBRENNER 557 voi
Page 599 and 600:
KARAJAN KASTNER 559 as no work of h
Page 601 and 602:
KEELEY KEISER 561 Choke Collection
Page 603:
CLAK.V I.OIISE KELL
Page 606 and 607:
564 KELLY KELWAY Arne (1778-79),—
Page 608 and 609:
566 KEXXEDY KENT BUGLE made his fir
Page 610 and 611:
568 KETTEN KEY Holland, with Ferdin
Page 612 and 613:
570 KEY KEY also is obvious in keys
Page 614 and 615:
572 KEY KEY the seven tiers of his
Page 616 and 617:
5V4 KIENZL KIESEWETTER pianoforte,
Page 618 and 619:
576 KING KING'S BAND OF MUSIC KING,
Page 620 and 621:
578 KIRBYE KIRCHEN CANTATEN already
Page 622 and 623:
580 KIROHNER KIRNBERGER execution.
Page 624 and 625:
582 KIT KJEEULF Spaiiisches Lieders
Page 626 and 627:
584 KLAFSKY KLEBEE engaged in 1874
Page 628 and 629:
586 KLEMM KLENOVSKY He deserves hon
Page 630:
588 KLUGHARDT KNECHT Another son of
Page 634 and 635:
590 KNELLER HALL KNIGHT the Crimean
Page 636 and 637:
592 KNYVETT KOCHEL these works have
Page 638 and 639:
594 KONIGIN VON SABA, DIE KOLLMANN
Page 640 and 641:
596 KOTO KEAFT Cantata ' Don Jnan.'
Page 642 and 643:
598 KRAUSS KEEBS Rubinstein's ' Kin
Page 644 and 645:
600 KEEISLER KEETSCHMER the ' Non p
Page 646 and 647:
602 KREUTZER KREUTZER SONATA The mu
Page 648 and 649:
604 KRIEGER KROMMER viola da gamha
Page 650 and 651:
606 KUBELIK KUBELIK born in Melbour
Page 652 and 653:
608 KUHNAU KUFFERATH of preluding,
Page 654 and 655:
610 KUHNAU KULLAK reiterated joke o
Page 656 and 657:
612 KUNTZSCH KYEIE his opera ' Das
Page 658 and 659:
614 KYRIE KYEIE borrowed from the K
Page 660 and 661:
616 LABLACHE LABLACHE however, the
Page 662 and 663:
618 LACHNER LACOMBE when he retired
Page 664 and 665:
620 LA FAGE LAFONT to have had its
Page 666 and 667:
622 LAHOUSSAYE LALANDE Jesu Christe
Page 668 and 669:
624 LALLA ROOKH LALO volumes, conta
Page 670 and 671:
626 LAMENTATIONS LAMENTATIONS Hiere
Page 672 and 673:
628 LAMOND LAMOUEEUX Palestrina, an
Page 674 and 675:
630 LAMPUGXANI LANDI afterwards to
Page 676 and 677:
632 LANG LANGE and more prominent a
Page 678 and 679:
634 LANGSAM LANIEKE acted as its di
Page 680 and 681:
636 LARGE LAROCHE the theatre in To
Page 682 and 683:
638 LASSEX LASSUS success as Renato
Page 685 and 686:
LASSUS LASSUS 639 Nicolas 1 in the
Page 687 and 688:
LASSUS LASSUS 641 From this time La
Page 689 and 690:
LASSUS LASSUS 643 and Excellencies
Page 691 and 692:
LASSUS LASSUS 645 converted them in
Page 693 and 694:
i 3^ m ,tal m^^- LASSUS LASSUS 647
Page 695 and 696:
LAST ROSE OF SUMMER LATILLA 649'
Page 697 and 698:
Haydn. J. Salve B«demptor, C. —S
Page 699 and 700:
LAUDS LAUTERBACH 653 the year 1336,
Page 701 and 702:
LAWES LAWES 655 father, tlie coiise
Page 703 and 704:
LAYOLLE LAZZARINI 657 LAYOLLE, Fran
Page 705 and 706:
LEBERT LEBRUN 659 of Tone, etc. [In
Page 707 and 708:
LECLAIR LECOCQ 661 already an old m
Page 709 and 710:
LEE LEEDS MUSICAL FESTIVAL 663 Cove
Page 711 and 712:
LEGATO LEGATO 665 another performer
Page 713:
LILLI LEHMAXN
Page 716 and 717:
668 LEIPZIG LEIPZIG while the worth
Page 718 and 719:
670 LEIT-MOTIF LEIT-MOTIF It seems
Page 720 and 721:
672 LE JEUNE LE JEUNE appointment w
Page 722 and 723:
674 LEMMENS LENEPVEU preceptor in m
Page 724 and 725:
676 LEO LEO vols., i.-iii. Cassel,
Page 726 and 727:
678 LEO LEO is less severe iu manne
Page 728 and 729:
680 LEONCAVALLO LEONI played accomp
Page 730 and 731:
682 LESLIE LESSON LESLIE, Henry Dav
Page 732 and 733:
684 LESUEUR LESUEUR forward to the
Page 734 and 735:
686 LEVEEIDGE LEVEY ' Romeo.' He sa
Page 736 and 737:
688 L'HOMME AKMJh; L'HOMME ABME As
Page 738 and 739:
690 LIAPOUiS'OV LIBRARIES AND COLLE
Page 740 and 741:
692 LIBRARIES AND COLLECTIONS OF MU
Page 742 and 743:
694 LIBRAEIES AND COLLECTIONS OF MU
Page 744 and 745:
Page 746 and 747:
Page 748 and 749:
700 LIBEARIES AND COLLECTIONS OF MU
Page 750 and 751:
Page 752 and 753:
Page 754 and 755:
Page 756 and 757:
Page 758 and 759:
Page 760 and 761:
Page 762 and 763:
Page 764 and 765:
Page 766 and 767:
Page 768 and 769:
720 LIBRETTO LIBRETTO An excellent
Page 770 and 771:
722 LICENSE LICENSE lyrical honours
Page 772 and 773:
724 LICHNOWSKY LIE-NISSEN peers, in
Page 774 and 775:
726 LIED-FOEM LIED-FOEM generally a
Page 776 and 777:
728 LIEDEBKREIS LIEDERTAFEL first b
Page 778 and 779:
730 LILLE LILLIBUELERO Mstorischen
Page 780 and 781:
732 LILT LINCKE The evidence quoted
Page 782 and 783:
734 LIND LIND r61e in ' Euryauthe,
Page 785 and 786:
LIND LIND 735 confidence,—while s
Page 787 and 788:
LINDNER LINLEY 737 Dragonetti (see
Page 789 and 790:
LINLEY LIPINSKI 739 for a few years
Page 791:
FRANZ LISZT
Page 794 and 795:
742 LISZT . LISZT which a small but
Page 796 and 797:
744 LISZT LISZT the incideutg of hi
Page 798 and 799:
746 LISZT LISZT July 31, 1886. His
Page 800 and 801:
748 LISZT LISZT 136. Chopin's Prael
Page 802 and 803:
750 LISZT LISZT light on Schubert's
Page 804 and 805:
752 LITANY LITANY almost every popu
Page 806 and 807:
754 LITOLFF LIVERPOOL MUSICAL FESTI
Page 808 and 809:
756 LO, HE COMES LO, HE COMES was a
Page 810 and 811:
758 LOBKOWITZ LOCATELLI and with no
Page 812 and 813:
760 LOCKE LOCKE with the melody. In
Page 814 and 815:
762 LODER LODER theory, it necessar
Page 816 and 817:
764 LOESCHHOEN LOEWE sonatas for tw
Page 818 and 819:
766 LOGIER LOGROSCINO was appointed
Page 820 and 821:
768 LOMAKIN LONG wrote a violin par
Page 822 and 823:
770 LORD OF THE ISLES LORTZING chor
Page 824 and 825:
772 LOTTI LOUIS FERDINAND between t
Page 826 and 827:
774 LOURE LOVER close of which is a
Page 828 and 829:
776 LUCAS LUCCA member of the opera
Page 831 and 832:
LUCCA LUCIO SILLA 777 'The Huguenot
Page 833 and 834:
LUISA MILLER LULLY 1783, says that
Page 835 and 836:
LULLY LULLY 781 danseuses whom he i
Page 837 and 838:
LUNN LUPOT 783 the title of Reminis
Page 839 and 840:
LUTE LUTE 785 to be one. Strangely
Page 841 and 842:
LUTE LUTHER 787 the oldest instrume
Page 843 and 844:
LUTHER LUTHKRAN 789 together -with
Page 845 and 846:
LVOV LYDIAN MODE 791 for one, two,
Page 847 and 848:
LYRE LYRIC 793 1682 with other issu
Page 849 and 850:
ADDENDA ET COKEIGENDA FOE VOL. I LI
Page 851 and 852:
BEETHOVEN AND HIS FORERUNNERS By DA
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DICTIONARY OF MUSIC - El Atril

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