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DICTIONARY OF MUSIC - El Atril

DICTIONARY OF MUSIC - El Atril

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1805— HAYDN -1809 363<br />

acquainted with many details. Haydn also<br />

received other visitors who cannot have failed to<br />

give him pleasure ; such were Cherubini, the<br />

Abbe Vogler, the Weber family, Baillot, Mme.<br />

Bigot the pianist, Pleyel, Bierey, Gausbacher,<br />

Hummel, Nisle, Tomaschek, Keichardt, Irtlaud ;<br />

his faithful friends Mmes. Auruhammer, Kurzbeck,<br />

andSpielmann, the Princess Esterhazy with<br />

her sou Paul—who all came to render homage<br />

to the old man. ilozart's widow did not forget<br />

her husband's best friend, and her son Wolfgang,<br />

then fourteen, begged his blessing at his first<br />

public concert, in the Theatre ' an der Wien,' on<br />

April 8, 1805, for which he had composed a<br />

cantata, in honour of Haydn's seventy-third<br />

birthday.<br />

After a long seclusion Haydn appeared in<br />

public for the last time at a remarkable performance<br />

of the ' Creation ' at the University on<br />

March 27, 1808. He was carried in his armchair<br />

to a place among the first ladies of the<br />

laud, and received with the warmest demonstrations<br />

of welcome. Salieri conducted. At<br />

the words 'And there "was light,' Haydn was<br />

quite overcome, and pointing upwards exclaimed,<br />

'It came from thence.' As the performance<br />

went on his agitation became extreme, and it<br />

was thought better to take him home after the<br />

first part. As he was carried out people of<br />

the highest rank thronged to take leave of him,<br />

and Beethoven fervently kissed his hand and<br />

forehead. At the door he paused, and turning<br />

round lifted up his hands as if in the act of<br />

blessing.<br />

In 1797 Prince Nicolaus had augmented his<br />

salary by 300 florins, and in 1806 added another<br />

600—making his whole emolument 2300 florins<br />

(£200)—besides paying his doctor's bills. This<br />

increase in income w'as a great satisfaction to<br />

Haydn, as he had long earnestly desired to help<br />

his many poor relations during his life, and to<br />

leave them something after his death.<br />

To one who loved his country so deeply, it was<br />

a sore trial to see Vienna twice occupied by the<br />

enemy— in 1805 and 1809. The second timethe<br />

city was bombarded, and the tirst shot fell not far<br />

from his residence. In his inlirm condition this<br />

alarmed him greatly, but he called out to his<br />

servants, 'Children, don't be frightened ;<br />

can happen to you wliile Haydn is by. ' The<br />

noharm<br />

last<br />

visit he received on his death-bed (the city being<br />

then in the occupation of the French) was from<br />

a French officer, who sang ' In native ^\'orth '<br />

with a depth of expression doubtless inspired by<br />

the occasion. Haj-dn was much moved, and<br />

embraced him warmly at parting. On May 26,<br />

1809, he called his servants round him for the<br />

last time, and having been carried to the piano<br />

solemnly jilayed the Emperor's Hymn three<br />

times ovev. Five days afterwards, at one<br />

o'clock in the morning of the 31st, he expired.<br />

On .lune 1 5 Mozart's Requiem was performed<br />

'in his honour at the Schottenkirche. Amongst<br />

the mourners were many French officers of high<br />

rank ; and the guard of honour round the catafalque<br />

was composed of French soldiers, and a<br />

detachment of the Biirgerwehr. He was buried<br />

in the Hundsthurm churchyard, outside the<br />

lines, close to the suburb in which he lived,<br />

but his remains were exhumed by conmiand of<br />

Prince Esterhazy, and solemnly re-interred in the<br />

upper parish church at Eisenstadt on Nov. 7,<br />

1820. A simjile stone with a Latin inscription<br />

is inserted in the wall over the vault—to inform<br />

the p)asser-by that a great man rests below.<br />

It is a well-known fact that when the coffin<br />

was opened for identification before the removal,<br />

the skull was missing ; it had been stolen two<br />

days after the funeral. The one which was<br />

afterwards sent to the Prince anonymously as<br />

Haydn's, was buried with the other remains ;<br />

but the real one was retained, and is at present<br />

in the possession of the Gesellschaft der Musikfreunde<br />

at ^'ienna. The grave at Vienna remained<br />

absolutely undistinguished for five years<br />

after Haydn's death, till 1814, when his pupil<br />

Neukonmi erected a stone bearing the following<br />

inscription, which contains a five-part Canou<br />

for solution.<br />

HAYDN<br />

NATUS MDCCXXXII<br />

OBIIT MDCCOIX<br />

C.A.N. AENICM. QUINQUE. VOO.<br />

n. D. n.<br />

Discip. Eius Neukoiu Vindob. Redux.<br />

Mncccxiv.<br />

This stone was rene^v-ed by Graf von Stockhanmier<br />

in 1842. A monument to Haydn was<br />

unveiled May 31, 1887.<br />

As soon as Haydn's death was known, funeral<br />

services were held in all the principal cities of<br />

Europe. In Paris was performed a sacred cantata<br />

for three voices ^ and orchestra (Breitkopf &<br />

Hartel) composed by Cherubini on a false report<br />

of his death in 1805. It was also given elsewhere.<br />

During his latter years Haydn was made an<br />

honorary member of many institutions— the<br />

Academy of Arts and Sciences, Stockholm<br />

(1798); the Philharmonic Society at Laybach<br />

(1800) ; the Academy of Arts, Amsterdam<br />

(1801) ; the Institut (1S02), the 'Conservatoire<br />

de ' Musique (1S05), and the ' Societe academiquedes<br />

enfans d'Apollon' of Paris (1807). He<br />

also received gold medals from the musicians who<br />

performed the ' Creation ' at the opera in Paris,<br />

Dec. 24, ISOO, and from the Institut (1802) ;<br />

the 'Zwiilft'ache Burgermedaille,' Vienna(1803)<br />

from the professors o f the ' Concert des Amateurs<br />

I No. 13;! in Cherubini's ow-ii C;it.iloiJue.

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