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DICTIONARY OF MUSIC - El Atril

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LASSUS LASSUS 643<br />

and Excellencies and the Duchess Anna attended<br />

by Jladame Dorothea returned home greatly<br />

pleased with the sweet and delightful mass they<br />

had heard,' and to follow all the occurrences of<br />

fourteen consecutive daj's of Orlando's life, still<br />

we must refer the curious reader to the pages of<br />

Jlassimo Trojano, and can only stop to mention<br />

that, towards the end of the time, he was the<br />

life and soul of an impromptu play suggested by<br />

the Duke, in which he not only acted one of the<br />

principal parts, but introduced various pieces<br />

of music on the stage with the aid of a band of<br />

picked singers.<br />

In the same year we have tw^o most important<br />

publications: (1) ' Selectissimae Cantiones a 6<br />

et pluribus ' and<br />

(2) the same a 5 et 4. The<br />

firstbook opens with amassivework infourmovements,<br />

'Jesu nostra redemptio, ' in the grand<br />

gloomy style of the old masters, followed by<br />

shorter and simpler pieces, such as the prayer<br />

in the garden of Gethsemane, with a melodious<br />

jirelude on the words ' In monte Oliveti oravit<br />

ad patrem,' followed by a simple strain of devotional<br />

music carrying the hearer quietly and<br />

expressively, but not dramatically, through the<br />

Saviour's agony and resignation. The volume<br />

is not confined to religious music. There are<br />

some pieces with secular words, such as an ode<br />

to Albert 'Quo properas facunde nepos Atlantis,'<br />

but there are also some capital drinking-songs,<br />

and the ' Jam lucis orto sidere, ' with its second<br />

part ' Qui ponit aquam in Falerno,' is a fine<br />

specimen of a part-song for two choirs singing<br />

alternately, a kind of nmsic mucli in vogue at<br />

the time, the introduction of which is said to<br />

be due to Adrian Willaert,<br />

The other volume is confined to music a 5 and<br />

a 4, and is proportionately simple. Commer has<br />

printed eight or nine of the sacred numbers in<br />

score and they are not difficult either to understand<br />

or to appreciate. Among the secular pieces<br />

there is a comic setting of the psalm ' Super<br />

flumina Babylonis,' each letter and syllable<br />

being sung separately as in a spelling lesson :<br />

L

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