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A Japanese miscellany - University of Oregon

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302 <strong>Japanese</strong> Miscellany<br />

But I felt that I had been startled more than<br />

touched by that sudden suppression <strong>of</strong> the per-<br />

sonality, the Self, — because <strong>of</strong> the mystery<br />

thereby made manifest. In one moment, —<br />

under the vapor <strong>of</strong> a chemical, — voice, motion,<br />

will, thought, all pleasure and pain and memory,<br />

had ceased to be ; — the whole life <strong>of</strong> the budding<br />

senses, — the delicate machinery <strong>of</strong> the little<br />

brain, with its possible priceless inheritance from<br />

countless generations, — had been stilled and<br />

stopped as by the very touch <strong>of</strong> death. And<br />

there remained, to all outward seeming, only the<br />

form, the simulacrum, — a doll <strong>of</strong> plastic flesh,<br />

with the faint unconscious smile <strong>of</strong> an icon. . . .<br />

The faces <strong>of</strong> the little stone Buddhas, who<br />

dream by roadsides or above the graves, have<br />

the s<strong>of</strong>t charm <strong>of</strong> <strong>Japanese</strong> infancy. They resemble<br />

the faces <strong>of</strong> children asleep ; — and you<br />

must have seen <strong>Japanese</strong> children asleep to know<br />

the curious beauty <strong>of</strong> the immature features, —<br />

the vague sweetness <strong>of</strong> the lines <strong>of</strong> lids and lips.<br />

In the art <strong>of</strong> the Buddhist image-maker, the<br />

peace <strong>of</strong> the divine condition is suggested by<br />

the same shadowy smile that makes beautiful<br />

the slumber <strong>of</strong> the child.

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