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Michael Malone - Weebly

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devil, as his southern relatives had called them; for each<br />

of those bold official scrawls might have, long ago,<br />

ordered the loss of an ancestor of theirs, or the burning<br />

of a town square. Hayes had collected them in his youth<br />

not merely because fame intrigued him, but in order to<br />

be perverse: "What makes you like to fly in everybody's<br />

face that way?" his family had asked him with sad and<br />

puzzled reproach. He'd answered, "I thought you'd be<br />

tickled to see all those Yankees dead and hung up<br />

before your eyes," and then he'd grinned at them with<br />

the superiority of his first year at college, which was one<br />

more year than any of them had had.<br />

Later his collection had turned to criminals—a<br />

natural progression, his relatives would have said. To be<br />

made history, to be defined by one act, an act that<br />

might have taken no more than the minute needed to<br />

murder—that was fame, too. And besides, the<br />

existential act of crime, the willingness to choose the act<br />

and then perform it, fascinated Hayes with what he<br />

suspected was envy. Those who could concentrate rage<br />

or greed or madness (as a painter might concentrate<br />

skill) had the advantage of that distillation over those

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