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Michael Malone - Weebly

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photographic triptych of Beanie, Lance, and Arthur.<br />

Each was fixed in black-and-white unease: the boys at<br />

thirteen in their Alexander Hamilton Academy blazers—<br />

Lance, tieless, his head cocked mischievously as a<br />

popgun at the photographer; Arthur, terrified into<br />

pomposity behind his middle-aged glasses; and Beanie,<br />

like a victim of lockjaw, searching for a person she<br />

doubted she'd find behind the camera. Scaper took his<br />

stethoscope from the pocket of a linen jacket that had<br />

probably once been white. Over Abernathy's protest he<br />

pressed the instrument to the lawyer's thin chest, then<br />

his back. "Just seeing how you're holding up, Winslow.<br />

Breathe in. Out. Again. Okay. Beanie's over at the<br />

Strummers' house, I don't know if you thought she'd left<br />

again or what. I didn't hear about that mess (you and<br />

her) until Arthur told me last night. Always thought<br />

Beanie had her feet on the ground.<br />

What do I know? Obviously nothing. Hold still." He<br />

grabbed up the thin wrist in his enormous paw and felt<br />

for the pulse. "She told me that poor jerk of a son of<br />

yours drove off without saying good-bye. Two broken<br />

bones in his hand!" He took Abernathy's blood

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