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Michael Malone - Weebly

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pain," he told her. "Not even pleasure?" she asked and<br />

grinned. "You don't understand. Orgasm is death's<br />

doppelganger. Coming . And going. See?"<br />

"Sounds Swedish to me." He grimaced. "Is it<br />

Ingmar Bergman?"<br />

"Yeah. She says it to Humphrey Bogart in<br />

Casablanca. Ha, ha.<br />

What's the matter with this car?"<br />

"It's on orgasm's doorstep."<br />

Behind Blossom's faltering VW, the party in a<br />

caravan of cars crawled up High Street toward the<br />

lake. It passed the Bredforets' house, where Ruth<br />

Deeds lay awake, annoyed with herself for caring<br />

whether she was alone or not. Angrily she rustled her<br />

research notes on the harmful side effects of defoliants.<br />

The car passed the headmaster's house at Alexander<br />

Hamilton Academy, where Jonathan Fields was<br />

discovering that human communion could be fully as<br />

terrifying and as blissful as the divine, and where Walter<br />

Saar was discovering that in the awkward efforts of<br />

human communion there could be that same rush of<br />

divinity there was in music.

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