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Studies on Panini's grammar - DWC

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The methods and mannerisms of compositi<strong>on</strong> in Pä~ini' s A~tädhyäyi 51<br />

Then, we may menti<strong>on</strong> the author's inclinati<strong>on</strong> to announce in the last<br />

sütra of a päda, more or less directly, the subject of the following päda<br />

(cf. 8, 2, 108, sa1[lhitäyäm, and 6, 1, 223 [anta~] samäsasya [udätta~].<br />

the positive rule to which 6 pä. 2 gives the excepti<strong>on</strong>s. Likewise we meet<br />

here and there with the opposite form of arrangement, when the au thor<br />

at the beginning of a päda gives a few additi<strong>on</strong>s to the foregoing päda<br />

(e.g. 3, 3, 1-2 and 3, 4, 1-8) 1). In all these cases <strong>on</strong>e might think of<br />

oratorical devices for giving emphasis or rousing interest.<br />

As a fourth subsidiary form of compositi<strong>on</strong> may be reck<strong>on</strong>ed the'inserti<strong>on</strong><br />

by emergency', in which case the author places, indifferent where,<br />

<strong>on</strong>e or two sütras which for some reas<strong>on</strong> or other could not be placed<br />

in the c<strong>on</strong>tex! required by logic; e.g. the definiti<strong>on</strong> of karma-dhäraya is<br />

given in 1, 2, 42 instead of 2, 1, 49 (or af ter 2, I, 23) , to avoid the<br />

difficulties which would arise from su. 1, 4, 1.<br />

§ 72. T hel 0 9 i c a I d i v i s i<strong>on</strong> s h 0 win gat end ene y<br />

t 0 war d sdi c hot 0 m y.<br />

A fact of peculiar interest in Pä~ini' s compositi<strong>on</strong> is the tendency towards<br />

dichotomy in . the main divisi<strong>on</strong>s of his work. As th is dichotomy repeats<br />

itself three times, the internal arrangement of the A~tädhyäyi can be<br />

symbolised by the formula: IAa, lAb, !Ba, !Bb, IIAa, IIAb, IIBa, IIBb.<br />

The analytica I .tabIe of § 73 makes this arrangement dear, whilst the<br />

following secti<strong>on</strong>s c<strong>on</strong> ta in its full discussi<strong>on</strong>.<br />

Not e. A b b r e v i a t i<strong>on</strong> sus e din t het a bIe 0 f § 73. -<br />

Acc. = accent, an. = analysis, art. = articulati<strong>on</strong>, cj. = c<strong>on</strong>jugati<strong>on</strong>,<br />

cp. = compositi<strong>on</strong> of words, de. = dedensi<strong>on</strong>, dr. = derivati<strong>on</strong>, i. =<br />

introducti<strong>on</strong>, id. = indedinable, mo. = morphology, ph. = ph<strong>on</strong>ology,<br />

tg. = technical-grammatical development.<br />

§ 73. C<strong>on</strong> cis e a n a I y tic a I tab I e 0 f t h e A ~ t ä d h y ä Y i.<br />

DiViS· 1 adhy. I SUb j.! Summary of the A~tädhyäyi.<br />

I 1- 5 Theory of the ultimate comp<strong>on</strong>ents of<br />

language, or the analytical part of <strong>grammar</strong>.<br />

IA 1-2 The fundamental noti<strong>on</strong>s of grammatical<br />

science.<br />

IAa 1 The noti<strong>on</strong>s bearing <strong>on</strong> ph<strong>on</strong>ology, worddassificati<strong>on</strong>,<br />

technical-grammatical development<br />

and the theory of functi<strong>on</strong> and<br />

form.<br />

I<br />

1) See § 35.<br />

I

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