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Studies on Panini's grammar - DWC

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The methods and mannerisms of compositi<strong>on</strong> in Pät;tini' 5 A~tädhyäyi 67<br />

another and together form the words and the stream of spoken language.<br />

and this <strong>on</strong>e stream is again a strict unity. <strong>on</strong>e psychical act. in each of its<br />

utterances or sentences. And yet in this main current the accents of the<br />

successive syllables form an under~current with a certain independence of<br />

its own. And 50 this accent~current can subject itself to stylistic forms.<br />

and the spoken language becomes a phrase that is sung; and th is s<strong>on</strong>g.<br />

although still a unity in the strict sense of the word and therefore <strong>on</strong>e line.<br />

is at the same time the duality of text and melody. And in the same way<br />

as in polyph<strong>on</strong>ic music many melodies simultaneously form many lines.<br />

although the time in which all th is happens is <strong>on</strong>e dimensi<strong>on</strong>. 50 does the<br />

current of accent flow <strong>on</strong>ward within the wide current of spoken language.<br />

for. do not let us forget. the science of mechanics. however beautiful and<br />

sublime it may be in itself. does not represent the <strong>on</strong>ly shape that human<br />

thought can take. and it is more than time for the students of moral<br />

sciences to desist from a bigoted adorati<strong>on</strong> for physics.<br />

Pät;tini. therefore. was right in defining accent as a quality of the vowel<br />

(or syllable) and at the same time treating it as a linguistic fact with its<br />

own individuality.<br />

§ 92. T hei n t r 0 d u c tor y c har act e r 0 f t h e pass a 9 e<br />

6.1.1-157 and the dichotomical divisi<strong>on</strong> of adhy. 6---8.<br />

Adhy. 8 pä. 2-4 do not <strong>on</strong>ly teach the sentence~coalescence but for<br />

mnemotechnical reas<strong>on</strong>~ also i.a. the coalescence of a stem in pada~c<strong>on</strong>di~<br />

tiOll with its suffixes and the substituti<strong>on</strong>s and rejecti<strong>on</strong>s of c<strong>on</strong>s<strong>on</strong>ants<br />

which have to do with this subject. And it is this deviati<strong>on</strong> from the logical<br />

scheme owing to mnemotechnics which again forced Pät;tini to break the<br />

dichotomical divisi<strong>on</strong> of adhy. 6---7 by the introducti<strong>on</strong> 6. 1. 1-157. in<br />

which he treated of the vocalic sa'!1dhi and other subjects that are indepen~<br />

dent of su eh distincti<strong>on</strong>s as pada. bha. atiga and samäsa.<br />

And although a fuller analysis of the last three adhyäyas with reference<br />

to the distributi<strong>on</strong> of their rules is desirabIe. for the present the thesis may<br />

be accepted that the compositi<strong>on</strong> of the last three adhyäyas obeys the<br />

formula: (i=6. 1. 1-157). {(Aa=6. 1. 158-6. 2. fin .). (Ab=6. 3.<br />

1-7.4. fin)}; {(Ba=8. 1). (Bb=8. 2-4)}: See §§·73 sq.<br />

§ 93. W a c k e rna gel '5 j u d 9 men t<strong>on</strong> t h e c 0 m pos i t f 0 n<br />

o f t h e A ~ t ä d h y ä Y i.<br />

WackernageI. the <strong>grammar</strong>ian. in showing in 50 many places in his<br />

Altindische Grammatik his great detailed knowledge of the Hindu gram~<br />

matical scienee has d<strong>on</strong>e full justice to Pät;tini as a trustworthy and<br />

competent witness oflinguistic facts. But the A~tädhyäyi is more than a<br />

depository of facts; as a m<strong>on</strong>ument of ancient Hindu science it demands<br />

from us a historiography obeying the rules of historical piety and perspec~<br />

tive. In this respect WackernageI. although in a less offensive manner than<br />

Whitney. faUs short in his judgment <strong>on</strong> Pät;tini (Altind ~ Gramm. I p.

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