Studies on Panini's grammar - DWC
Studies on Panini's grammar - DWC
Studies on Panini's grammar - DWC
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The methods and mannerisms of compositi<strong>on</strong> in Pä~ini' s Al?tädhyäyi 65<br />
yet overlooking the difficulties caused by Pä~ini's mnemotechnical devices<br />
and his definiti<strong>on</strong> of the term pada. we can say in general th at adhyayas<br />
6-7 explain the coalescence of the wood~comp<strong>on</strong>ents into words. and<br />
adhy. 8 the further development of the sentence.<br />
Similarly the dichotomical divisi<strong>on</strong> of adhy. 8 into 8. 1 and 8. 2-4 is<br />
clear. the first päda treating of the sentence~accent. and the three last<br />
padas (with excepti<strong>on</strong> of some präsatigika~sütras) of the articulative~<br />
ph<strong>on</strong>ological changes of the words as parts of the sentence.<br />
The problem which now remains. is how to prove the dichotomical<br />
divisi<strong>on</strong> of 6-7. This case is not easily solved. owing to the author's<br />
tendency to attach greater importance to mnemotechnics than to logical<br />
c<strong>on</strong>sistence.<br />
§ 90. Th e f i vet hem a tic a I sec t i<strong>on</strong> sof a d h y. 6 a n d 7.<br />
Putting aside for a while the questi<strong>on</strong> wheth~r there is any dichotomy<br />
we can prima facie distinguish five secti<strong>on</strong>s:<br />
a. Adhy. 6. 1. 1-157. general ph<strong>on</strong>ological rules.<br />
p. Adhy. 6. 1. 158-222. accent of uncompounded words.<br />
y. Adhy. 6. 1. 223-6. 2. fin., accent of compounds 1).<br />
~. Adhy. 6. 3. 1 ~fin .. morphology of the first member of a compound;<br />
a few präsafl.gika~sïitras . (97 sq .. 110) refer to the sec<strong>on</strong>d member; sU.<br />
111-113 are inserted for the sake of mnemotechnic ec<strong>on</strong>omy (the anuv~tti<br />
of dirghal;t being made use of); the sutras 131-137 form likewise an<br />
inserti<strong>on</strong> and probably an interpolati<strong>on</strong>.<br />
E. Adhy. 6. 4. 1-7. 4. fin. has for adhikära~sUtra sü. 6. 4, 1 afl.gasya,<br />
whereas a subsecti<strong>on</strong> (6. 4. 129~fin.) has moreover the adhikära bhasya.<br />
The first thing that strikes us is that secti<strong>on</strong> y forms a c<strong>on</strong>catenative link<br />
between p and ~. s,o th at we can combine p + y as theory of accent or<br />
y + ~ as theory of compounds. su. 6. 1. 158 'anudättaf!l padam ekavarjam'<br />
serving as adhikära for the secti<strong>on</strong>s p + y. and su. 6. 1. 223 samäsasya as<br />
such for y + ~. In the sec<strong>on</strong>d place it is worth while noticing that the<br />
adhikäras afl.gasya and bhasy.a stand iJ! correlati<strong>on</strong> with padasya of 8. 1. 16<br />
provided that pada is taken here in the sense of a noun~stem under certain<br />
c<strong>on</strong>diti<strong>on</strong>s. (cf. the pada~bha~secti<strong>on</strong>. SP. 1. 4. 14 sqq.). However. since<br />
this correlati<strong>on</strong> is <strong>on</strong>ly sec<strong>on</strong>dary because of padasya in the first place<br />
denoting the complete word as part of asentence. the questi<strong>on</strong> of examina~<br />
ti<strong>on</strong> has <strong>on</strong>ly to do with the grouping of the secti<strong>on</strong>s a-Eo IE P~ini. when<br />
c<strong>on</strong>struing his plan of compositi<strong>on</strong>. has been influenced by the supposed<br />
tendency to dichotomy. was then the antithesis between (y +