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Konrad and Alexandra (pdf) - Rolf Gross

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Chamber Music<br />

Munich 1905<br />

The concert was almost a family affair: Niko, Friedrich, <strong>and</strong> Claudia played a Bach flute<br />

sonata; Friedrich <strong>and</strong> his mother, a Beethoven sonata for cello <strong>and</strong> piano, <strong>and</strong> as a final<br />

offering Claudia premiered the two piano pieces that Webern had dedicated to Alex<strong>and</strong>ra.<br />

Claudia’s efforts were graciously applauded, but the forbiddingly abstract Webern piece left all<br />

except Alex<strong>and</strong>ra aghast.<br />

Clara, who played the piano herself, asked Claudia to play the pieces again <strong>and</strong> allow<br />

her to sit next to her <strong>and</strong> look at the score. She discovered Webern’s color notations. An<br />

intense debate ensued about colors <strong>and</strong> music. Clara reported that similar attempts at<br />

combining colors <strong>and</strong> music were being explored by Rimsky-Korsakov <strong>and</strong> his student Skriabin<br />

in St. Petersburg. To her knowledge, the two composers had met with little success, they could<br />

not agree on a universal correlation between pitch <strong>and</strong> color.<br />

Alex<strong>and</strong>ra was amused. She had seen vivid colors to Webern’s music, but neither were<br />

the colors the same today as then, nor did they agree with Webern’s notations in the score.<br />

Professor Dahl shook his head <strong>and</strong> suggested that the reason could be that they were<br />

not "seeing colors" at all, but that the brain intercepted unformed sensations at different times<br />

<strong>and</strong> in different places along the neurons of the cortex. The images were not formed on the<br />

retina. This suggested that there existed neural shortcuts between the auditory <strong>and</strong> the visual<br />

neuronic systems, which connected at different places in different individuals, <strong>and</strong> besides,<br />

very few people possessed them at all.<br />

Alex<strong>and</strong>ra supported his theory. She certainly was not looking at any colored shapes in<br />

front of her eyes. The spontaneous fireworks only existed inside her head, normal vision was<br />

not involved.<br />

Dahl, content with this piece of voluntary information, did not insist on a further<br />

discussion of these phenomena.<br />

Friedrich, who had fidgeted restlessly for some time, diverted this familiar discussion<br />

with an absurd suggestion. "Earlier tonight I asked <strong>Konrad</strong> why all modern revolutions seem to<br />

have begun during Carnival. <strong>Konrad</strong> had never thought about it <strong>and</strong> was skeptical. However,<br />

arguably the revolutions of 1848 in Prussia, Hungary, Austria, <strong>and</strong> France started at this time of<br />

the year. Louis XVI was guillotined on January 21, 1793; the uprisings that led to the Peasant<br />

Wars in Southern Germany started in February 1525; Kapodistria in Greece in 1821 <strong>and</strong><br />

Garibaldi in Italy in 1859 rose in late February, <strong>and</strong> now the Russian revolution breaks out<br />

during the same time of the year. Had anyone an explanation?<br />

Alex<strong>and</strong>ra thought of the penitents marching on Ash Wednesday. Did a connection exist<br />

between penitence <strong>and</strong> revolution? She offered this observation as a contribution. Katharina<br />

suggested that one should investigate the horoscopes of these events, she was sure the stars<br />

would provide the desired explanation.<br />

<strong>Konrad</strong> grinned thoughtfully rubbing his beardless chin. "And all would-be<br />

revolutionaries grow Fasching beards to hide their fright behind.".<br />

"Well, that’s right," Friedrich laughed, "<strong>and</strong> now you have become a reactionary<br />

conservative. It’s that easy!"<br />

195

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