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Konrad and Alexandra (pdf) - Rolf Gross

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He invited them to dinner in the village Gasthaus. Nina <strong>and</strong> the painting were not mentioned<br />

again.<br />

Alex<strong>and</strong>ra berated herself for her thoughtlessness. But how could she have anticipated<br />

his reaction?<br />

The black spot is he, she answered her own question, I should have guessed that.<br />

Clara, trying to patch Alex<strong>and</strong>ra’s faux-pas, inquired what he planned to do with his<br />

oeuvre. It would already fill a small museum. K<strong>and</strong>insky shrugged, he was under no pressure<br />

to sell. He had a large number of paintings stored in Munich. Time would solve that question.<br />

When they left, K<strong>and</strong>insky gave Alex<strong>and</strong>ra a copy of his book Über das Geistige in der<br />

Kunst, “On the Spiritual in Art,“ with a dedication in German:<br />

Für Alex<strong>and</strong>ra Dadiani, die georgische Prinzessin, die mich ermutigte den Weg in die<br />

Abstraktion zu suchen—For Alex<strong>and</strong>ra Dadiani, the Georgian princess, who encouraged me to<br />

look for a way into abstraction.<br />

After what had happened, Alex<strong>and</strong>ra was mortified by his gift.<br />

K<strong>and</strong>insky smiled. His last words were in Russian. "I am deeply obliged to you. Nina is<br />

waiting for me in Moscow."<br />

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