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Konrad and Alexandra (pdf) - Rolf Gross

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meditational techniques, with which we search for enlightenment <strong>and</strong> underst<strong>and</strong>ing of<br />

ourselves, to their minimum essence. The methods of Ch’an are simple <strong>and</strong> practical:<br />

sit before a wall <strong>and</strong> count your breath. After some years of this meditation you will have<br />

a sudden experience of enlightened underst<strong>and</strong>ing. To speed up this process, the<br />

teacher occasionally gives his student a puzzle question, a conundrum to meditate on,<br />

which does not have a verbal solution. It is supposed to teach the student that life is not<br />

rationally comprehensible. The last step of Ch’an teaching does away with all words."<br />

He took a piece of paper <strong>and</strong> a brush. "One typical answer to your question<br />

about the essence of Ch’an is this."<br />

With a single movement of his wrist he drew a perfect ling on the paper.<br />

The abbot smiled at me expectantly, picked up his cup, <strong>and</strong> took a sip of tea.<br />

I felt an irresistible temptation to show off, asked for the brush, <strong>and</strong> with a lucky h<strong>and</strong><br />

drew an equally perfect ling. The man stared at me, puzzled.<br />

Proud that I had successfully surprised him, I did not notice what happened next<br />

until it had happened. The abbot made an involuntary movement with his h<strong>and</strong> <strong>and</strong><br />

spilled his tea over my ling.<br />

I was speechless.<br />

And then I understood. Complete spontaneity is the way to all insight.<br />

Slowly a smile went over the man’s face that turned into unrestrained laughter.<br />

He rose, <strong>and</strong> in an entirely un-Chinese outburst of joy slapped me on the shoulder.<br />

How is it possible that I have never understood that you, my extraordinary<br />

challenge, have been trying to teach me this insight for twelve years...?<br />

We shall sail from Shanghai in three days <strong>and</strong> arrive in Batumi in the first week of<br />

February. I want to spend a week with Irakli <strong>and</strong> Tamunia-Deda <strong>and</strong> be home by the<br />

middle of February. I shall finally hold you in my arms again.<br />

Be well until then.<br />

Your longing husb<strong>and</strong>,<br />

<strong>Konrad</strong><br />

The whole family awaited the long-lost husb<strong>and</strong>, father, <strong>and</strong> brother-in-law with flowers,<br />

hugs, <strong>and</strong> kisses at the railway station. This time little Sophia rode on <strong>Konrad</strong>’s shoulders,<br />

while Otto walked next to him talking about <strong>Konrad</strong>’s adventures in Samark<strong>and</strong> <strong>and</strong> his rides<br />

with Uncle Niko.<br />

At home <strong>Konrad</strong> opened his valise <strong>and</strong> spread his presents. Five lengths of magnificent<br />

printed silk, one a shade of light green that grew darker towards the bottom where a b<strong>and</strong> of<br />

stylized field flowers bloomed in all colors. A yellow pilgrim’s bag stamped with the large red<br />

woodprints the monasteries of Putuo Shan Dao. A box of ivory chopsticks imprinted with<br />

Chinese characters for all to try. A precious ink-stone for his calligraphy. Two necklaces of<br />

enameled beads <strong>and</strong> a strange yellow mask with a beaked snout <strong>and</strong> the big teeth of a<br />

monkey.<br />

"What is this, Daddy?" asked Otto taken aback.<br />

<strong>Konrad</strong> laughed. "The mask of the Monkey King, Wang Hou, who invented grammar<br />

<strong>and</strong> came to China as the emissary of the Buddha. These days he is the beloved acrobatic<br />

joker of the Chinese Opera. Let me show you."<br />

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