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Boxoffice-January.08.1955

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FOX THEATRE ALL NEW BUT THE WALLS<br />

Continued from preceding page<br />

ment includes the latest optical type sound<br />

with 60 watts of power output. The theatre<br />

is equipped with the latest, improved<br />

magnetic stereophonic sound equipment<br />

capable of producing frequencies from 30<br />

cycles to 15,000 cycles. There are four<br />

channels of amplification: three of these<br />

channels feed three sets of directional<br />

speakers back of the projection screen and<br />

the fourth channel supplies a number of<br />

auditorium side wall speakers.<br />

LIGHTS, CURTAIN CONTROLLED IN<br />

BOOTH<br />

The projection room includes a public<br />

address system which is connected to concealed<br />

horns. A specially designed control<br />

enables the projectionist to have full control<br />

of the lighting system, curtains and<br />

public address system at all times. Special<br />

effects for the screen and curtain illumination<br />

have been planned for main titles and<br />

also for intermissions. This sound equipment<br />

has dual amplification to take care<br />

of any emergency which may arise due to<br />

trouble in one of the amplifiers.<br />

The decorative scheme of the 1,509-seat<br />

auditorium is one of dynamic design that<br />

flows unbroken around the dome in the<br />

ceiling. The proscenium arch is designed<br />

to be the center of interest with strength<br />

of detail. Over the center of the proscenium<br />

arch is a sunburst effect composed of staff<br />

ornaments indirectly lighted. The entire<br />

ornament is made out of staff work covered<br />

with gold leaf. The same ornamental staff<br />

work runs along the wall elevation, gracefully<br />

forming the dado line on each side<br />

of the theatre, which is finished in ivory,<br />

gold and pastel carmine. A very elaborate<br />

valance made of staff work and leafed with<br />

gold is installed at the head of the proscenium<br />

arch, to receive the beautiful<br />

stage drapes and curtains, made of red,<br />

peach and gold colors.<br />

A specially woven carpet of unique design laid over heavy cushioning, and custom-built furnitu<br />

the Fox mezzanine lounge on inviting place to rest. Restrooms are located off the lounge, as well a<br />

phone booth. There is also a cup-vending beverage machine as may be noted at the center right<br />

The Fox is owned by the Evergreen circuit,<br />

a subsidiary of National Theatres<br />

It is managed by Oscar Nyberg, a veteran<br />

in Portland theatre management.<br />

A cavalcade of stars and Hollywood<br />

theatre personalities were on hand for the<br />

theatre opening, as well as theatre executives<br />

from Oregon and Washington.<br />

CREDITS: Air conditioning and filtering: Westinghouse<br />

• Architect; Dougan & Hiems • Carpeting:<br />

Alexander Smith • Concession equipment<br />

Drink dispensers. Movie Hour Fountainette; Ice<br />

Cream freezer, Frigidaire; Butter dispenser, But-<br />

R-Churn • Curtain end light control: Grosh Studios<br />

• Plumbing: Standard Sanitary • Custom-made<br />

furniture: Theatre Upholstering Co. • Projection<br />

and Sound: Simplex • Screen: Miracle Mirror •<br />

Seats: Bodiform * Stereophonic sound: Ampex.<br />

Detail of silver aluminum scrolls and /'owe<br />

decorate the walls of the foyer leading<br />

mezzanine lounge.<br />

FILTERED, CONDITIONED AIR<br />

The air conditioning system is the very<br />

latest and is automatically controlled by<br />

thermostats which maintain the most<br />

healthful and comfortable temperatures<br />

throughout the winter and summer. All air<br />

is filtered to remove dust, and the air is<br />

distributed throughout the entire auditorium<br />

through various types of ornamental<br />

ceiling diffusers. The refrigeration system<br />

is hermetically sealed and uses Pi-eon 12,<br />

a safe and harmless refrigerant. The heating<br />

system is of the latest design, usinv<br />

hot water for heat, and is controlled thermostatically,<br />

the thermostats being located<br />

in various parts of the theatre to maintain<br />

an even temperature throughout. Thirty<br />

thousand cubic feet of filtered cold or<br />

heated air is delivered to the theatre each<br />

minute, which is more than adequate for<br />

the seating capacity of this theatre.<br />

Russell F. McCullough, National Theatres<br />

maintenance manager and purchasing<br />

agent supervised the details of this new<br />

modern theatre and Carl Moeller was the<br />

designer.<br />

The ladies' powder room in the Fox is luxuriously appointed, with custom made lounges, and swiyi<br />

before the curved powder bar. Inset down lights in the canopy above the bar and mirrors create sht<br />

illumination. Framed paintings on the walls add a homelike touch.<br />

16 The MODERN THEATRE SI

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