Boxoffice-January.08.1955
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REPORT FROM OHIO EXHIBITORS<br />
AT&T Has Extendi<br />
Nothing to Worry About in /955, TV lo 234 Cities<br />
// Good Pictures Flow Continues<br />
By ELSIE LOEB<br />
CLEVELAND— It looks like a good year<br />
ahead for motion picture theatre owners, in<br />
the view of many exhibitors in this territory.<br />
"If they (the producers) give us the pictures<br />
we can do the business." says Ted<br />
Vermes, owner of the Yorktown, Mercury and<br />
Eclair theatres. "The only trouble is that they<br />
come at too great intervals. Our patrons are<br />
spoiled. They want only the best. But if we<br />
give them the best they give us their patronage.<br />
Cut down the time between big picture<br />
releases and we'll get our patrons back as<br />
regular customers."<br />
"Theatre business is as good as the picture<br />
on the screen," in the opinion of Meyer S.<br />
Fine, president of the 20-theatre Associated<br />
Circuit. "We will have nothing to worry about<br />
in 1955 if we can have a steady flow of<br />
quality product."<br />
Leonard Mishkind and S. P. Gorrell of the<br />
General Theatres Circuit agree that "unquestionably<br />
we do business with big pictures.<br />
While the big screen and the new presentation<br />
media aroused latent interest in motion<br />
pictures, and brought the public back to the<br />
theatre for a look-see, these items of equipment<br />
do not bring the patrons back for a second<br />
look. It's the picture on the screen and<br />
its entertainment value that brings them<br />
back repeatedly. As to the future outlook, we<br />
must be optimistic. A defeatist attitude never<br />
led anyone to success."<br />
Helene Ballin. manager of the Schenley<br />
Theatre, Youngstown, is approaching the new<br />
year with caution. "I just know what to<br />
expect," .she says. "Our business has been<br />
too fluctuating the past several years to<br />
say, with any degree of confidence, just what<br />
to expect in 1955."<br />
Big Attendance Is Seen<br />
For 14 MGM Workshops<br />
NEW YORK—An attendance of more than<br />
5.000 exhibitors and other members of the<br />
industry has been predicted by Mike Simons,<br />
MGM director of customer relations, for the<br />
14 MGM Ticket Selling Workshops now definitely<br />
scheduled. The fii-st will start in Denver<br />
Wednesday (12) and the last one will<br />
occur June 13. There will be three this<br />
month, two in February, three in March and<br />
in April, two in May and one in June. However,<br />
as many as a dozen others may be added.<br />
Simons and Emery Austin, MGM exploitation<br />
manager, will attend all of them. They<br />
will be .supplemented by panelists, including<br />
exhibitors and other members of the industry,<br />
who will discuss local means of stimulating<br />
business.<br />
Cooperating with MGM in putting over the<br />
Denver gathering will be Pat McGee, a leading<br />
exhibitor in the teiTitory; Al Reynolds,<br />
general manager for Claude Ezell of Dallas:<br />
L. J. Williams, exhibitor of Union, Owensville<br />
and Herman, Mo., and Ray Smith, vicepresident<br />
of the Jamestown Amusement Co.<br />
Members of the Rocky Mountain Council of<br />
Joe Shagrin, owner of the Foster Theatre,<br />
Youngstown, hopes that local interest in TV<br />
will wane and that the public will come back<br />
to the theatre. "TV is now going into it's<br />
second year in this' area. And if the history<br />
of other areas is repeated, people will begin<br />
to get more discriminating in their TV programs.<br />
And that's when they will start to<br />
come back to us."<br />
Leo Jones of the Upper and New Star Theatre,<br />
Upper Sandusky, — thinks 1955 theatre<br />
business will be good "If," he says, "we can<br />
overcome the dissension within the industry.<br />
Given good product, equitably sold and properly<br />
exploited, our boxoffices will improve and<br />
the public relations between the theatre and<br />
the public will greatly benefit. Under present<br />
conditions our buying terms are so high that<br />
we can't afford to sell the product properly<br />
to the public. Let the small exhibitor buy his<br />
pictures flat so that he has enough money to<br />
spend on exploitation and then there'll be a<br />
Happy New Year for everyone."<br />
"Even if we do good boxoffice business with<br />
a top picture, there's no profit for theatres<br />
playing a subsequent run policy," says a leading<br />
circuit owner who does not want his name<br />
used. "We just can't live with the terms the<br />
distributors are asking for product today.<br />
As to the future, it all depends upon the<br />
distributors. If they will adopt a live and let<br />
live policy. I think we could have a profitable<br />
year."<br />
"The next six months look good," in the<br />
opinion of Dale Tysinger, manager of Shea's<br />
Theatre, Ashtabula. "Business conditions are<br />
good, unemployment is down to normal, the<br />
pictures announced for release during the<br />
first half of the year look good. All of these<br />
things add up to a feeling of optimism. But<br />
what the conditions will be after the first half<br />
of the year Is anybody's guess."<br />
Motion Picture Organizations will attend, according<br />
to Henry Friedel, MGM branch manager.<br />
The organization is scheduled to open<br />
its convention the next day.<br />
The other January workshops will be at<br />
Jackson, Miss., January 24, and Memphis,<br />
January 27. Richmond, Va., will have one<br />
February 8 and Detroit February 22. There<br />
will be one March 1 at Columbus, Ohio, another<br />
March 3 in Kansas City and a third<br />
March 9 in Dallas. Atlanta will be the site<br />
April 12, Buffalo, April 18, and Jacksonville.<br />
April 26. Billings, Mont., will be the site<br />
May 10. Charlotte, May 16, and Santa Fe,<br />
N. M.. June 13.<br />
E. G. Forsyth Elected<br />
Ontario MPTA Head<br />
TORONTO—At their first meeting for the<br />
new year the directors of the Motion Picture<br />
Theatres Ass'n of Ontario elected E. G.<br />
Forsyth of Toronto as the 1955 president in<br />
succession to Jack D. McCulloch of Petrolia.<br />
Forsyth is assistant general manager of Odeon<br />
Theatres (Canada), Ltd.<br />
Other officers include Lionel Les*er. Toronto<br />
independent, as vice-president: Manager<br />
Jack Clarke of Toronto Loew's as treasurer:<br />
Angus Jewell of Cannington, honorary<br />
secretary, and Arch H. Jolley, executive secretary.<br />
NEW YORK—Network<br />
television<br />
was extended to four more stations<br />
Long Lines Department of America<br />
phone & Telegraph Co. late in Decei<br />
make a total of 360 stations in 234 c<br />
the U. S. with network TV, accor<br />
Long Lines.<br />
The new stations connected to t<br />
Telephone System's nationwide netw<br />
facilities were: WFIE, Evansville, Ind<br />
derson, Ky: WBTW. Florence, S.<br />
WSFA-TV, Montgomery, Ala. The sta<br />
Evansville and Henderson receive tb<br />
network programs over a new 118-mi<br />
relay route running south from Terrc<br />
Ind. Service for the Florence stati<br />
provided over a new 102-mile extensioi<br />
Washington-Atlanta microwave rout<br />
Montgomery station began receiving<br />
over the Atlanta-Jacksonville radii<br />
route.<br />
Joined to the network in 1954 w<br />
television stations in 75 cities, includi<br />
stations in New Hampshire, New<br />
North Dakota and Wyoming.<br />
The year 1954 also saw color te<br />
made available to the American public<br />
first time with over 47,000 channel i<br />
cross-country communications routes i<br />
neered and re-equipped to carry colo<br />
stations in 101 cities, according to th<br />
end report of the Long Lines Depa<br />
It was only a year ago on Jan. 1, 19<br />
the first public color-cast, "The Tour<br />
of Roses Parade," was carried from Pa<br />
Calif., to 18 cities across the U. S.<br />
Black-and-white television also madi<br />
during 1954, with over 20.000 channi<br />
of TV facilities—an all-time yearly<br />
added during the year, bringing the<br />
about 69.000 miles. Long Lines als(<br />
that 1954 marked the 25th anniversar;<br />
first public demonstration of color "!<br />
June 27, 1929. a gi'oup of newspa<br />
porters gathered in the Bell Te<br />
Laboratories in New York to see a color<br />
an American flag rippling in the bree<br />
Skiatron Head Optimis<br />
On Future of Toll TV<br />
NEW YORK—An optimistic<br />
report<br />
future of subscription television was<br />
at the year's end by Arthur Levey, p:<br />
of Skiatron, in which he saw "prom,<br />
vastly improved TV program service<br />
public on the threshold of becor<br />
reality subject to approval by the<br />
Communications Commission." He s<br />
Skiatron system was ready to go into<br />
tion, and that surveys showed public<br />
ance of it by about 82 per cent of thi<br />
surveyed.<br />
Levey listed among major developm<br />
improved decoder.<br />
"A new decoder has been complet<br />
said, "combining simplicity of op<br />
compactness and flexibility. It will ac(<br />
date a unique IBM-type electronic ca<br />
a tamper-proof printed ciixuit, whi<br />
make available a month's programn<br />
30 events for the subscriber's selectic<br />
decoder, now measuring eight by six<br />
with a slot in the center for the inse:<br />
the electronic card, is expected eve<br />
thi'ough the use of transistors, to be<br />
to the size of a small jewel case."<br />
26 BOXOFFICE :: Januar;