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Profiles of Contemporary Art and - ARTisSpectrum

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Cary Griffiths<br />

Lyrical Composition: in Yellow <strong>and</strong> Black with Blue Acrylic on Canvas 16” x 20”<br />

In the abstract images <strong>of</strong> American artist Cary<br />

Griffiths, visions <strong>of</strong> color <strong>and</strong> movement converge<br />

to create unexpected configurations <strong>of</strong> line <strong>and</strong> form.<br />

Upon first glance, his abstract images seem simple,<br />

yet there is a complexity inherent in the manner<br />

in which everything comes together, creating an<br />

extraordinary synchronicity that speaks <strong>of</strong> a depth <strong>of</strong><br />

meaning <strong>and</strong> purpose in each <strong>of</strong> his works.<br />

Music has a pr<strong>of</strong>ound influence on the way Griffiths<br />

approaches his art. He paints to the sound <strong>of</strong> music<br />

playing, enabling him to capture the rhythm, melody<br />

<strong>and</strong> lyricism we normally associate with music within<br />

the form, color <strong>and</strong> content <strong>of</strong> his work. What results<br />

are images that are associated with movement <strong>and</strong><br />

emotions, an imagery <strong>of</strong> pure emotive expression.<br />

In the end, Griffiths strives to create an art that is<br />

meant for everyone, to which anyone can connect<br />

regardless <strong>of</strong> background or intent. For him, the<br />

representational aspect <strong>of</strong> painting is less important than his interpretation <strong>of</strong> the reality <strong>of</strong> the emotive force the thing contains.<br />

As he explains, “In the melody <strong>of</strong> modern abstract art, [the viewer] may see <strong>and</strong> hear emotional content: pathos, joy, fury,<br />

forgiveness, betrayal, love. My vision is to create the peace that comes from finding that relationship with abstract painting which<br />

is borne <strong>of</strong> recognition, catharsis <strong>and</strong> finally, solace.”<br />

www.carygriffithsart.com<br />

www.Agora-Gallery.com/<strong>Art</strong>istPage/Cary_Griffiths.aspx<br />

H. Scott Cushing<br />

The Long Isl<strong>and</strong>-based, Brooklyn-born<br />

photographer H. Scott Cushing transcends<br />

his medium’s conventions using digital <strong>and</strong> graphic<br />

techniques. In doing so he creates visually arresting<br />

images that have a crisp, formal photographic beauty<br />

<strong>and</strong> a more surreal sense <strong>of</strong> pattern <strong>and</strong> repetition.<br />

His cloud-speckled skies <strong>and</strong> seascapes are full <strong>of</strong><br />

dramatic light, thick volumes <strong>and</strong> unexpected colors,<br />

like pointillist paintings. By reflecting <strong>and</strong> reshaping<br />

his photos with one or more mirroring effects, he<br />

creates a powerful structural geometry, <strong>and</strong> an effect<br />

that both puzzles <strong>and</strong> intrigues the viewer. Suddenly,<br />

stunning vistas reveal themselves to be technological<br />

products as much as natural phenomena.<br />

Cushing explores the thin, at times nearly nonexistent<br />

space between what we recognize <strong>and</strong> can<br />

easily assimilate, <strong>and</strong> that which is categorically<br />

new <strong>and</strong> impossible to ignore. His work combines<br />

Set 1 Semi Gloss Finish on Epson Fine <strong>Art</strong> Paper 22” x 28”<br />

aesthetic beauty <strong>and</strong> formal audacity. Some pieces remain very easily identifiable as cloudy skies, but in others the combination<br />

<strong>of</strong> naturally occurring symmetries <strong>and</strong> compounded mirror effects turns the image into an abstract cascade <strong>of</strong> patterned light<br />

modulations. Cushing turns these stunning skies upside-down <strong>and</strong> inside-out, effectively negating gravity, creating suspended<br />

spaces with no up or down, but possessing astounding visual power. In a way, then, the images approach minimalism, imagining<br />

pure spaces independent <strong>of</strong> figures or settings, with infinite potential.<br />

www.hscushing.com<br />

www.Agora-Gallery.com/<strong>Art</strong>istPage/H._Scott_Cushing.aspx<br />

72 <strong>ARTisSpectrum</strong>

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