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“De minimis” Copying 417<br />

puppy with a bouquet of flowers and balloons under a rainbow with the superimposed<br />

text “i wuv you.” American Greetings creates a card with an almost identical arrangement<br />

of its own cute puppy with flowers and balloons, and a generic rainbow that also reads<br />

“i wuv you.”<br />

2.) DJ JJ samples the catchy four-note hook from your song and includes it in the<br />

introduction to her song, which is otherwise entirely different from your work.<br />

3.) A fan develops a South Park trivia game that contains multiple-choice questions<br />

about the key characters and events in all of the episodes to date, duplicating fragmentary<br />

details from the series in an entirely different (text-only) format.<br />

4.) Revisit James’s novel about Hamnet. Under which test is he most likely to win?<br />

In practice, tests have evolved and overlapped over time, and courts have tried to<br />

fine-tune them so that they converge on a reasonable, fact-specific analysis of whether<br />

there has been appropriation sufficient to amount to infringement.<br />

One final wrinkle. Because copyright is a strict liability system, infringement may<br />

result even when one subconsciously copies another’s work. In the words of Learned<br />

Hand: “Everything registers somewhere in our memories, and no one can tell what may<br />

evoke it. . . . The author’s copyright is an absolute right to prevent others from copying<br />

his original collocation of words or notes, and does not depend upon the infringer’s good<br />

faith. Once it appears that another has in fact used the copyright as the source of his<br />

production, he has invaded the author’s rights. It is no excuse that in so doing his memory<br />

has played him a trick.” Fred Fisher, Inc. v. Dillingham, 298 F. 145 (S.D.N.Y. 1924); see<br />

also Bright Tunes Music v. Harrisongs Music, 420 F. Supp. 177 (S.D.N.Y. 1976), aff’d,<br />

ABKCO Music, Inc. v. Harrisongs Music, Ltd., 722 F.2d 988 (2d Cir. 1983). Do you agree?<br />

What are the dangers of holding creators liable for subconscious copying? How about the<br />

dangers of limiting infringement to instances of intentional copying? How does this<br />

doctrine fit with the idea that independent creation—us both coming up with the same<br />

sonnet independently—is not copyright infringement?<br />

e.) “De minimis” Copying<br />

When is copying not copying? When it is de minimis. It is hornbook law that trivial<br />

or “de minimis” copying does not constitute actionable copyright infringement. This is a<br />

copyright specific embodiment of the general common law principle that “de minimis<br />

non curat lex”—the law does not concern itself with trifles. (Any first year law student<br />

could tell you that the law frequently concerns itself with trifles, but the principle is a<br />

general one.)<br />

Before we begin: Please note that it’s de minimis, not de minimUS, a common<br />

misspelling.<br />

Many people assume that there is an accepted quantitative threshold for de minimis<br />

copying, and that—depending on the medium—any use of fewer than 10 seconds, 2<br />

sentences, 6 notes, or the like is non-infringing. As you will see below, there is no brightline<br />

rule, and the inquiry is much more complex and fact-specific.

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