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558 ANTI-CIRCUMVENTION: A NEW STATUTORY SCHEME<br />

gical measure that effectively protects a right of a copyright<br />

owner under this title in a work or a portion thereof; or<br />

(C) is marketed by that person or another acting in concert<br />

with that person with that person’s knowledge for use in circumventing<br />

protection afforded by a technological measure<br />

that effectively protects a right of a copyright owner under<br />

this title in a work or a portion thereof.<br />

(2) As used in this subsection —<br />

(A) to “circumvent protection afforded by a technological<br />

measure” means avoiding, bypassing, removing, deactivating,<br />

or otherwise impairing a technological measure; and<br />

(B) a technological measure “effectively protects a right of a<br />

copyright owner under this title” if the measure, in the ordinary<br />

course of its operation, prevents, restricts, or otherwise<br />

limits the exercise of a right of a copyright owner under this<br />

title.<br />

(c) Other Rights, Etc., Not Affected. —<br />

(1) Nothing in this section shall affect rights, remedies, limitations,<br />

or defenses to copyright infringement, including fair use,<br />

under this title. . . .<br />

Introduction<br />

The Digital Millennium Copyright Act (“DMCA”) was passed in 1998 with the<br />

purported mission of “updating copyright law for the digital age.” In the last chapter, you<br />

read about one of its key provisions—the safe harbors for service providers in section<br />

512. As explained by the legislative history, these limited liability in order to “ensure[]<br />

that the efficiency of the Internet will continue to improve and that the variety and quality<br />

of services on the Internet will continue to expand.” This chapter explores the<br />

countervailing provision of the DMCA that expanded potential liability. Quoting again<br />

from the legislative history: “Due to the ease with which digital works can be copied and<br />

distributed worldwide virtually instantaneously, copyright owners will hesitate to make<br />

their works readily available on the Internet without reasonable assurance that they will<br />

be protected against massive piracy. [This legislation] provides this protection. . . .”<br />

Specifically, Section 1201 of the DMCA added legal protection for “technological<br />

measures” employed by copyright owners either to prevent unauthorized access to their<br />

works (“access controls”), or to prevent copying, distribution, or other uses of their works<br />

that might infringe their exclusive rights (“rights controls”). You have probably<br />

encountered such technological measures—often referred to as “digital rights<br />

management” or “DRM.” They might prevent you from “ripping” streaming audio or<br />

video, modding video games, installing software on unauthorized devices, or printing<br />

and sharing eBooks beyond certain limitations. Which of these do you think are access<br />

controls, and which are rights controls?<br />

Section 1201 can be difficult to parse; to assist you with understanding its<br />

structure, its basic provisions are summarized in the following chart.

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