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Fair Use, Technology and Contributory Infringement 427<br />

Respondents offered no evidence of decreased television viewing by Betamax owners.<br />

Sony introduced considerable evidence describing television programs that could<br />

be copied without objection from any copyright holder, with special emphasis on sports,<br />

religious, and educational programming. For example, their survey indicated that 7.3%<br />

of all Betamax use is to record sports events, and representatives of professional baseball,<br />

football, basketball, and hockey testified that they had no objection to the recording of<br />

their televised events for home use.<br />

Respondents offered opinion evidence concerning the future impact of the<br />

unrestricted sale of VTR’s on the commercial value of their copyrights. The District<br />

Court found, however, that they had failed to prove any likelihood of future harm from<br />

the use of VTR’s for time-shifting. . . .<br />

The District Court concluded that noncommercial home use recording of material<br />

broadcast over the public airwaves was a fair use of copyrighted works and did not<br />

constitute copyright infringement. . . .<br />

The Court of Appeals reversed the District Court’s judgment on respondents’<br />

copyright claim. It did not set aside any of the District Court’s findings of fact. Rather, it<br />

concluded as a matter of law that the home use of a VTR was not a fair use because it<br />

was not a “productive use.” It therefore held that it was unnecessary for plaintiffs to prove<br />

any harm to the potential market for the copyrighted works, but then observed that it<br />

seemed clear that the cumulative effect of mass reproduction made possible by VTR’s<br />

would tend to diminish the potential market for respondents’ works. . . .<br />

II<br />

Article I, Sec. 8 of the Constitution provides that: “The Congress shall have Power<br />

. . . to Promote the Progress of Science and useful Arts, by securing for limited Times to<br />

Authors and Inventors the exclusive Right to their respective Writings and Discoveries.”<br />

The monopoly privileges that Congress may authorize are neither unlimited nor<br />

primarily designed to provide a special private benefit. Rather, the limited grant is a<br />

means by which an important public purpose may be achieved. It is intended to motivate<br />

the creative activity of authors and inventors by the provision of a special reward, and to<br />

allow the public access to the products of their genius after the limited period of exclusive<br />

control has expired.<br />

“The copyright law, like the patent statute, makes reward to the owner a<br />

secondary consideration. In Fox Film Corp. v. Doyal, Chief Justice<br />

Hughes spoke as follows respecting the copyright monopoly granted by<br />

Congress, ‘The sole interest of the United States and the primary object<br />

in conferring the monopoly lie in the general benefits derived by the<br />

public from the labors of authors.’ It is said that reward to the author or<br />

artist serves to induce release to the public of the products of his creative<br />

genius.” United States v. Paramount Pictures, 334 U.S. 131, 158 (1948).<br />

As the text of the Constitution makes plain, it is Congress that has been assigned<br />

the task of defining the scope of the limited monopoly that should be granted to authors<br />

or to inventors in order to give the public appropriate access to their work product.<br />

Because this task involves a difficult balance between the interests of authors and<br />

inventors in the control and exploitation of their writings and discoveries on the one hand,<br />

and society’s competing interest in the free flow of ideas, information, and commerce on<br />

the other hand, our patent and copyright statutes have been amended repeatedly.<br />

From its beginning, the law of copyright has developed in response to significant

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