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Jean Rivard - University of British Columbia

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Books in R e v i e w<br />

labour. There is no doubt that the book<br />

provides a thoughtful elaboration <strong>of</strong> Marx's<br />

labour theory <strong>of</strong> value, along with a consideration<br />

<strong>of</strong> competing value theories. What<br />

remains baffling is the <strong>of</strong>fhand rejection <strong>of</strong><br />

"postmodernism" (which for Smith<br />

encompasses a wide range <strong>of</strong> theorists from<br />

Derrida to Foucault to Laclau and Mouffe)<br />

in a text that makes no effort to engage<br />

with the consequences for Marxism, both<br />

direct and indirect, posed by Derrida,<br />

Foucault, and others.<br />

Indeed, far from confronting the challenge<br />

to fundamental Marxist assumptions<br />

made by "celebrants <strong>of</strong> 'postmodernism'<br />

and/or 'post-structuralism,'" Smith deliberately<br />

identifies four basic "premisses" (sic)<br />

grounding the Marxist project: i) that experiential<br />

reality "is an ontologically unified<br />

ensemble or totality," ii) that the subject <strong>of</strong><br />

history is "real living individuals," iii) that<br />

human actions are "purposive and rational,"<br />

and iv) that "Marx's pivotal notion <strong>of</strong><br />

a 'universal human history' [is] marked<br />

by a determinate (if not 'inexorable') developmental<br />

logic." These premises are,<br />

according to Smith, too fundamental to<br />

be questioned, effectively eliminating<br />

any troubling reservations about the status<br />

<strong>of</strong> history, reality, or subjectivity those<br />

he dubs 'postmodernists' might have<br />

brought up.<br />

The bulk oí Invisible Leviathan is given<br />

over to a debate waged entirely on the<br />

grounds <strong>of</strong> conventional economics, and<br />

here Smith's careful elaboration <strong>of</strong> key<br />

Marxist concepts is very valuable. But the<br />

rigidity <strong>of</strong> the four initial premises leads to<br />

the repetition <strong>of</strong> clichéd Marxist positions<br />

such as "capitalism is, at bottom, an 'irrational'<br />

and historically limited system, one<br />

that digs its own grave. . .." Smith's caricature<br />

<strong>of</strong> "disoriented" postmodernist intellectuals<br />

"[w]allowing in impressionism"<br />

precludes any serious engagement with the<br />

possibility that current crises in capitalism—such<br />

as the increasing fragmentation<br />

and disorganization <strong>of</strong> the working class,<br />

rising rates <strong>of</strong>'structural unemployment,' a<br />

shift in emphasis from the mode <strong>of</strong> production<br />

to what Mark Poster has called<br />

"the mode <strong>of</strong> information"—are also crises<br />

for orthodox Marxism, crises that cannot<br />

be resolved within an unmodified Marxist<br />

paradigm founded on unquestioned<br />

assumptions. The irony is that it is precisely<br />

those 'postmodernists' Smith rejects who<br />

have endeavoured to uncover the historical<br />

formation and ideological function <strong>of</strong> categories<br />

such as a universal history or the<br />

idea <strong>of</strong> progress or Enlightenment, and in<br />

so doing have made possible a critique <strong>of</strong><br />

Marxism that does not repudiate it entirely.<br />

While Murray Smith is intent on protecting<br />

Marx from his critics, Rodolphe<br />

Gasché, in Inventions <strong>of</strong> Difference: On<br />

Jacques Derrida, seems intent on saving<br />

Derrida from his own admirers. Gasché's<br />

book collects essays from 1979 to 1993, each<br />

revealing the depth <strong>of</strong> Derrida's involvement<br />

with the philosophical tradition,<br />

especially his relationship to Hegel. Gasché<br />

contends that Derrida has been misappropriated<br />

by two identifiable groups. On the<br />

one hand, literary critics such as J. Hillis<br />

Miller have popularized an impoverished<br />

and simplistic variant <strong>of</strong> deconstruction,<br />

while on the other hand, philosophers such<br />

as Richard Rorty claim that Derrida has<br />

rejected philosophy as a universal discourse<br />

and turned his attention to creating a localized,<br />

private discourse. In response,<br />

Gasché's essays show that Derrida's thought<br />

cannot be detached from the philosophical<br />

tradition, and indeed elaborates upon that<br />

tradition.<br />

If there is a single thread <strong>of</strong> continuity<br />

linking Gasché's essays, it is his concern<br />

with the play <strong>of</strong> intelligibility and unintelligibility<br />

in Derrida's work. In the preface he<br />

frames this point in terms <strong>of</strong> the tension<br />

between invention (the completely new)<br />

and comprehension (the code within which<br />

the new must be interpreted): "For a differ-<br />

196

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