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Jean Rivard - University of British Columbia

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Figure 4. The club's Christmas gathering in 1898. Felix Paul Grève, holding a stein, is in<br />

the second row from the top, directly under the lamp. Kilian's name may be seen on the<br />

blackboard in back at the top <strong>of</strong> a list <strong>of</strong> four names. He is the third from the left in the<br />

second row. Lomberg is immediately to the right <strong>of</strong> Grève, Cappenberg on the left, looking<br />

down into his stein.<br />

tial pr<strong>of</strong>essor <strong>of</strong> German (Höroldt: 400-403). No fewer than three plays were<br />

chosen to be staged on each <strong>of</strong> the two evenings, beginning at 7 p.m. and<br />

ending at 9:45 p.m.: Philotas, a tragedy by Gotthold Ephraim Lessing,<br />

Johann Wolfgang Goethe's one-act play Die Laune des Verliebten, and the<br />

first <strong>of</strong> the three parts <strong>of</strong> Friedrich Schiller's drama Wallenstein. We know<br />

that, according to the newspapers, both performances were considered great<br />

successes. The net income was 1,121.50 marks. We also know that the monument<br />

was dedicated in 1904. 7 But we have no visible pro<strong>of</strong> that Grève participated<br />

in the performances or even played a part. No cast <strong>of</strong> characters has<br />

been found. However, the Rhenus log contains the following entry: "Of the<br />

Rhenus <strong>of</strong>ficials, three were cast in major roles, three others played minor<br />

speaking parts." At the time, Grève was "a Rhenus <strong>of</strong>ficial." It would have<br />

been strange, given Greve's ambition, if he had not been one <strong>of</strong> the participants.<br />

One would have liked to know whether Grève had possibly played the<br />

part <strong>of</strong> "Lamon" to a young lady playing the "Egle" in Goethe's short play,<br />

with its classical presentation <strong>of</strong> two couples in love (Goethe 1968). His own<br />

Helena und Damon (1902), although reduced in format to a pair <strong>of</strong> actors,<br />

may have very well pr<strong>of</strong>ited from the Bonn dramatic experience. Or did he,<br />

m

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