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Civil Remedies<br />
121, 134-35 (2d Cir. 2008). The applicability of Cablevision’s public performance holding to other services is a<br />
matter of ongoing litigation. Compare Warner Bros. Entm’t Inc. v. WTV Sys., Inc., 824 F. Supp. 2d 1003, 1011<br />
n.7 (C.D. Cal. 2011) (holding Cablevision was inapposite where the defendant transmitted performances from<br />
DVDs at its facilities to Internet subscribers) with ABC, Inc. v. Aereo, Inc., 874 F. Supp. 2d 373, (S.D.N.Y. July<br />
11, 2012) aff’d sub nom WNET, Thirteen v. Aereo, Inc. 712 F.3d 676 (2d Cir. 2013) (cert. granted by ABC, Inc.<br />
v. Aereo, Inc., 134 S.Ct. 896 (2014) (declining to issue preliminary injunction where defendant service captured<br />
over-the-air broadcast signals and re-transmitted them over the Internet to subscribers using separate individual<br />
copies of the same programming for transmissions to each requesting user).<br />
53. Although, as noted above, some courts have held that “volitional” conduct is required to violate directly<br />
the reproduction right, even the cases that have recognized such a requirement have been equivocal whether that<br />
requirement applies to the public performance right. The Cablevision court said that its holding as to the<br />
reproduction right “does not dictate a parallel conclusion that the customer, and not [the service] ‘performs’ the<br />
copyrighted work[,]” because “[t]he definitions that delineate the contours of the reproduction and public<br />
performance rights vary in significant ways.” Cablevision, 536 F.3d at 134.<br />
54. See, e.g., Aimster, 334 F.3d 643, 645-46 (7th Cir. 2003); Gershwin Pub’g Corp. v. Columbia Artists<br />
Management, Inc., 443 F.2d 1159, 1162 (2d Cir. 1971).<br />
55. Metro-Goldwyn-Mayer Studios Inc. v. Grokster, Ltd., 545 U.S. 913, 929-30 (2005).<br />
56. See, e.g., Faulkner v. National Geographic Enters. Inc., 409 F.3d 26, 40 (2d Cir. 2005).<br />
57. See, e.g., A&M Records, Inc. v. Napster, Inc., 239 F.3d 1004, 1019 (9th Cir. 2001); Gershwin Pub’g,<br />
443 F.2d at 1162.<br />
58. Ellison v. Robertson, 357 F.3d 1072, 1076 (9th Cir. 2004).<br />
59. See Napster, 239 F.3d at 1021-22, n.6 (citing A&M Records, Inc. v. Napster, 114 F. Supp. 2d 896, 918,<br />
920-21 (N.D. Cal. 2000)) (finding Napster had knowledge where RIAA informed Napster of more than 12,000<br />
infringing tracks available through the Napster service; “[a]though Napster, Inc. purportedly terminated the users<br />
offering these files, the songs are still available using the Napster service”).<br />
60. See Aimster, 334 F.3d at 650 (“Willful blindness is knowledge, in copyright law … as it is in the law<br />
generally.”). In Aimster, the service utilized encryption of files being uploaded and downloaded so the service<br />
would not know which specific works were being copied. The Seventh Circuit held that the service and its<br />
owner had actual knowledge of the unlawful infringements they were facilitating.<br />
61. Perfect 10, Inc. v. Amazon.com, Inc., 508 F.3d 1146, 1170 (9th Cir. 2007) (“Perfect 10”).<br />
62. Sony Corp. of Am. v. Universal City Studios, 464 U.S. 417, 442 (1984); Grokster, 545 U.S. at 931-32;<br />
Perfect 10, 508 F.3d at 1170.<br />
63. Perfect 10, 508 F.3d at 1170.<br />
64. Napster, 239 F.3d at 1022 (“without the support services defendant provides, [] users could not find<br />
and download the music they want with the ease of which defendant boasts.”).<br />
65. Perfect 10, 508 F.3d at 1172 (quoting Religious Tech. Ctr. v. Netcom Online Commc’n Servs, Inc., 907<br />
F. Supp. 1361, 1375 (N.D. Cal. 1995)). .<br />
66. Id. at 1172-73.<br />
67. Grokster, 545 U.S. at 919. Some courts have questioned whether “inducement” liability is a separate<br />
claim for relief, or a subset of general contributory liability. See, e.g., IO Group, Inc. v. Jordon, 708 F. Supp. 2d<br />
989, 999 (N.D. Cal. 2010) (“Given that Grokster explicitly states that ‘one infringes contributorily by intentionally<br />
inducing’ infringement, this Court cannot find that inducement to infringe is a separate claim from contributory<br />
infringement.”); Arista Records LLC v. Usenet.com, 633 F. Supp. 2d 125, 150 n.17 (S.D.N.Y. 2009)<br />
(“several courts recently have expressed doubt as to whether inducement of infringement states a separate claim<br />
for relief, or rather whether it is a species of contributory infringement”). For purposes of this discussion, it is<br />
not material whether inducement is a particular form of contributory infringement or a separate stand-alone<br />
claim.<br />
68. Grokster, 545 U.S. at 939-40.<br />
69. See Arista Records LLC v. Lime Group LLC, 784 F. Supp. 2d 398, 426-31 (S.D.N.Y. 2011); Arista<br />
Records, LLC v. Usenet.com, 633 F. Supp. 2d at 151-54; Metro-Goldwyn-Mayer Studios Inc. v. Grokster, Ltd.,<br />
454 F. Supp. 2d 966, 984-92 (C.D. Cal. 2006).<br />
70. See Grokster, 545 U.S. at 930; Shapiro, Bernstein & Co. v. H. L. Green Co., 316 F.2d 304, 307 (2d Cir.<br />
1963). See also Hotfile, supra fn. 10.<br />
71. See, e.g., Grokster, 545 U.S. at 926 (“As the number of users . . . increases, advertising opportunities<br />
become worth more”); Napster, 239 F.3d at 1023 (“Ample evidence supports the district court’s finding that<br />
Napster’s future revenue is directly dependent upon ‘increases in user-base.’”).<br />
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