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FICCI-KPMG-Report-13-FRAMES

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102 The power of a billion: Realizing the Indian dream<br />

Outlook for 20<strong>13</strong><br />

Digital ratings<br />

Despite impressive growth in a relatively short period of<br />

time and having access to significant amounts of data about<br />

users, the industry still struggles to generate meaningful<br />

independently verified data . Unique viewers and click<br />

throughs do not tell a story about the audience or paint a<br />

picture of their on-line consumption habits. Several players<br />

are working on bridging these gaps and will hopefully will<br />

lead to industry accepted measurement systems in the<br />

near future, that allow straightforward comparisons with<br />

traditional media measurement metrics.<br />

Generation C: Defining the future of content –<br />

Google Inc.<br />

Sandeep Menon<br />

Head of Marketing<br />

Google India<br />

© 20<strong>13</strong> <strong>KPMG</strong>, an Indian Registered Partnership and a member firm of the <strong>KPMG</strong> network of independent member firms affiliated<br />

with <strong>KPMG</strong> International Cooperative (“<strong>KPMG</strong> International”), a Swiss entity. All rights reserved.<br />

“<br />

Measurement of ad effectiveness should<br />

use metrics that matter, not just those<br />

that are easy to measure. More relevant<br />

measures of the effectiveness of digital ad<br />

campaigns are now available on a timely<br />

basis, including ad recall, awareness,<br />

purchase intent and actual sales lift.<br />

Further, a metrics infrastructure built on<br />

fast, accurate, granular and actionable<br />

data is critical. As digital ad measurement<br />

evolves to address these, the industry<br />

will benefit from greater recognition of<br />

ad effectiveness. Comscore’s validated<br />

Campaign Essentials (vCE) is an<br />

integrated solution for complete campaign<br />

delivery validation and in-flight optimisation.<br />

“<br />

- Kedar Gavane<br />

Director,<br />

Comscore India<br />

Will Windows 8 be a game changer<br />

Despite previous attempts to dominate the mobile space,<br />

Microsoft has struggled to get traction on the OS front in<br />

the mobile space. There is certainly room in the smartphone<br />

arena for a strong third player – and Windows 8 looks to<br />

be making a positive impression on consumers and is<br />

leveraging its strengths in the PC market and Xbox gaming<br />

to create a consistent experience across platforms. Given<br />

there is a large development community that is already<br />

familiar with the Microsoft platforms, app development on<br />

this platform is likely to catch-up with other platforms very<br />

quickly. Either way this will expand the overall mobile media<br />

consumption market and in the long term be beneficial to<br />

the industry.<br />

The way people consume content has changed<br />

vastly in the recent years. For the first time, an<br />

entire generation has grown up with an unmediated<br />

relationship with content. They are a generation<br />

defined by their interaction with the internet, mobile,<br />

and social networks. They are the generation that<br />

sets the trends and determines what’s popular in<br />

content and culture today. They are the passionate<br />

fans who turned Justin Bieber, Psy and Dhanush into<br />

stars.<br />

A fairly young and educated generation, they are<br />

knowledgeable, discerning and opinionated. To give<br />

an indication, almost 70 percent of YouTube viewers<br />

in India are under the age of 35 and 72 percent have<br />

a college or higher degree education.<br />

At Google we call them Generation C. GenC is a<br />

psychographic label representative of a consumer<br />

class that is defined by 4 Cs :<br />

• Curation: They pick trends around the physical<br />

and online world and amplify them through their<br />

own creative lens. Gangnam Style rapidly spread<br />

from 0 to 1 billion views in a course of 6 months.<br />

An entire ecosystem of content sprouted around<br />

Gangnam Style that further fed the viewership of<br />

the video. In India this trend was witnessed with<br />

Kolaveri Di, and more recently by T-Series, one of<br />

the leading channels on YouTube. They’ve recently<br />

crossed 1 million subscribers on their YouTube<br />

channel by curating content for their audience and<br />

determining the music that matters in popular<br />

culture today.<br />

• Creation: They value creativity and productivity<br />

and the social capital that results from the same.<br />

They want a narrative and a purpose which is<br />

their voice in the world. They upload photos and<br />

videos they have taken themselves. In India 1 in 3<br />

YouTube viewers comments on a video whereas<br />

it is 1 in 4 for photo uploads.<br />

On YouTube 4 years ago, 12 hours of content was<br />

uploaded per minute. Today we see 72 hours<br />

of content being uploaded per minute globally.<br />

Anybody can create content and find a global<br />

audience. In India, Yo Yo Honey Singh became<br />

the music star of the year in 2012 with his song<br />

Brown Rang which was not only the most<br />

watched song but also the top trending video for<br />

YouTube in India.

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