FICCI-KPMG-Report-13-FRAMES
FICCI-KPMG-Report-13-FRAMES
FICCI-KPMG-Report-13-FRAMES
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102 The power of a billion: Realizing the Indian dream<br />
Outlook for 20<strong>13</strong><br />
Digital ratings<br />
Despite impressive growth in a relatively short period of<br />
time and having access to significant amounts of data about<br />
users, the industry still struggles to generate meaningful<br />
independently verified data . Unique viewers and click<br />
throughs do not tell a story about the audience or paint a<br />
picture of their on-line consumption habits. Several players<br />
are working on bridging these gaps and will hopefully will<br />
lead to industry accepted measurement systems in the<br />
near future, that allow straightforward comparisons with<br />
traditional media measurement metrics.<br />
Generation C: Defining the future of content –<br />
Google Inc.<br />
Sandeep Menon<br />
Head of Marketing<br />
Google India<br />
© 20<strong>13</strong> <strong>KPMG</strong>, an Indian Registered Partnership and a member firm of the <strong>KPMG</strong> network of independent member firms affiliated<br />
with <strong>KPMG</strong> International Cooperative (“<strong>KPMG</strong> International”), a Swiss entity. All rights reserved.<br />
“<br />
Measurement of ad effectiveness should<br />
use metrics that matter, not just those<br />
that are easy to measure. More relevant<br />
measures of the effectiveness of digital ad<br />
campaigns are now available on a timely<br />
basis, including ad recall, awareness,<br />
purchase intent and actual sales lift.<br />
Further, a metrics infrastructure built on<br />
fast, accurate, granular and actionable<br />
data is critical. As digital ad measurement<br />
evolves to address these, the industry<br />
will benefit from greater recognition of<br />
ad effectiveness. Comscore’s validated<br />
Campaign Essentials (vCE) is an<br />
integrated solution for complete campaign<br />
delivery validation and in-flight optimisation.<br />
“<br />
- Kedar Gavane<br />
Director,<br />
Comscore India<br />
Will Windows 8 be a game changer<br />
Despite previous attempts to dominate the mobile space,<br />
Microsoft has struggled to get traction on the OS front in<br />
the mobile space. There is certainly room in the smartphone<br />
arena for a strong third player – and Windows 8 looks to<br />
be making a positive impression on consumers and is<br />
leveraging its strengths in the PC market and Xbox gaming<br />
to create a consistent experience across platforms. Given<br />
there is a large development community that is already<br />
familiar with the Microsoft platforms, app development on<br />
this platform is likely to catch-up with other platforms very<br />
quickly. Either way this will expand the overall mobile media<br />
consumption market and in the long term be beneficial to<br />
the industry.<br />
The way people consume content has changed<br />
vastly in the recent years. For the first time, an<br />
entire generation has grown up with an unmediated<br />
relationship with content. They are a generation<br />
defined by their interaction with the internet, mobile,<br />
and social networks. They are the generation that<br />
sets the trends and determines what’s popular in<br />
content and culture today. They are the passionate<br />
fans who turned Justin Bieber, Psy and Dhanush into<br />
stars.<br />
A fairly young and educated generation, they are<br />
knowledgeable, discerning and opinionated. To give<br />
an indication, almost 70 percent of YouTube viewers<br />
in India are under the age of 35 and 72 percent have<br />
a college or higher degree education.<br />
At Google we call them Generation C. GenC is a<br />
psychographic label representative of a consumer<br />
class that is defined by 4 Cs :<br />
• Curation: They pick trends around the physical<br />
and online world and amplify them through their<br />
own creative lens. Gangnam Style rapidly spread<br />
from 0 to 1 billion views in a course of 6 months.<br />
An entire ecosystem of content sprouted around<br />
Gangnam Style that further fed the viewership of<br />
the video. In India this trend was witnessed with<br />
Kolaveri Di, and more recently by T-Series, one of<br />
the leading channels on YouTube. They’ve recently<br />
crossed 1 million subscribers on their YouTube<br />
channel by curating content for their audience and<br />
determining the music that matters in popular<br />
culture today.<br />
• Creation: They value creativity and productivity<br />
and the social capital that results from the same.<br />
They want a narrative and a purpose which is<br />
their voice in the world. They upload photos and<br />
videos they have taken themselves. In India 1 in 3<br />
YouTube viewers comments on a video whereas<br />
it is 1 in 4 for photo uploads.<br />
On YouTube 4 years ago, 12 hours of content was<br />
uploaded per minute. Today we see 72 hours<br />
of content being uploaded per minute globally.<br />
Anybody can create content and find a global<br />
audience. In India, Yo Yo Honey Singh became<br />
the music star of the year in 2012 with his song<br />
Brown Rang which was not only the most<br />
watched song but also the top trending video for<br />
YouTube in India.