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FICCI-KPMG-Report-13-FRAMES

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112 The power of a billion: Realizing the Indian dream<br />

Globally, the Subscription Video on Demand model has the<br />

largest user base and revenues.<br />

US Video on Demand market - Segment wise<br />

size<br />

• Given the low ad revenue potential on digital Vs<br />

traditional, leveraging low cost content (Eg. Short<br />

videos, back dated episodes etc.) is critical<br />

• For long format content online, subscription based video<br />

on demand dominates globally. In the medium term,<br />

given the low rates for Cable in India and the high cost<br />

of bandwidth, providing this at competitive price points<br />

relative to cable may be difficult (especially for mass<br />

adoption)<br />

• However initial launches of video on demand services<br />

have seen an encouraging response. As the catalogue,<br />

technology and broadcast platforms improve, this could<br />

be a strong revenue generator for the industry<br />

Source: IHS Screen Digest June 2012; Company Annual <strong>Report</strong>s; <strong>KPMG</strong> in India Analysis<br />

Please Note: Growth in the SVOD model is driven by Netflix decision to charge directly for online<br />

access from Q4 2011<br />

The key to the success of the SVOD model has been low<br />

subscription prices. For example in the US, where monthly<br />

cable subscriptions are over USD 20, Netflix’s pricing of<br />

USD 8 per month is very attractive. However, access to<br />

low cost content is critical in order to achieving these price<br />

points. Netflix was able to do this by securing initial deals<br />

that were priced at a fraction of the cost of comparable<br />

cable deals. However, content costs have increased at<br />

a 70 percent CAGR 35 in the last 3 years and are placing<br />

significant stress on Netflix’s low price subscription model.<br />

“<br />

We are at an inflection point for video<br />

on demand uptake in India. The growing<br />

consumption of online video; better<br />

connectivity and more options for<br />

broadband; and stiff competition among<br />

mobile and pay TV operators to differentiate<br />

on the basis of content, all point towards<br />

rapid growth of video on demand. While<br />

a majority of on-demand video viewing is<br />

short form (20 minutes)<br />

content that is consumed on TV.<br />

“<br />

- Kallol Borah<br />

Director,<br />

Lukup Media<br />

© 20<strong>13</strong> <strong>KPMG</strong>, an Indian Registered Partnership and a member firm of the <strong>KPMG</strong> network of independent member firms affiliated<br />

with <strong>KPMG</strong> International Cooperative (“<strong>KPMG</strong> International”), a Swiss entity. All rights reserved.<br />

SVOD Service Provider<br />

Netflix<br />

Streampix<br />

Dish/ Blockbuster<br />

Implications for Indian players<br />

Typical Subscription<br />

Charges<br />

USD 8 per month<br />

USD 5 per month<br />

USD 10 per month<br />

Source: Macquarie Equity Research September 2012 – “Netflix virtuous circle turning vicious”<br />

• Ad based monetization through short format, made<br />

for digital content is the more immediate monetization<br />

opportunity through online video in India and has a good<br />

level of exploitation already<br />

• Broadband penetration remains a challenge to large<br />

scale adoption of traditional long format content<br />

• In India and globally, video advertising is one of<br />

the fastest growing advertising segments online;<br />

Opportunity for content owners to benefit from this<br />

through made for digital content<br />

35. Macquarie Equity Research September 2012 – “Netflix virtuous circle turning vicious”<br />

Summary<br />

In categories such as e-books and music, where the model<br />

is largely established in more advanced countries, the<br />

major challenge in the Indian market will be to recreate this<br />

at price points that work, create successful micropayments<br />

models, manage the threat of piracy and deliver a superior<br />

user experience that discourages switching to pirated<br />

content.<br />

However, for players in Print media (Magazines/<br />

Newspapers) and Video (Television/ Movie), business<br />

models are still evolving globally. While players in India in<br />

the sectors can learn from global experiences, they will<br />

need to innovate to develop a sustainable model.

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