FICCI-KPMG-Report-13-FRAMES
FICCI-KPMG-Report-13-FRAMES
FICCI-KPMG-Report-13-FRAMES
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
112 The power of a billion: Realizing the Indian dream<br />
Globally, the Subscription Video on Demand model has the<br />
largest user base and revenues.<br />
US Video on Demand market - Segment wise<br />
size<br />
• Given the low ad revenue potential on digital Vs<br />
traditional, leveraging low cost content (Eg. Short<br />
videos, back dated episodes etc.) is critical<br />
• For long format content online, subscription based video<br />
on demand dominates globally. In the medium term,<br />
given the low rates for Cable in India and the high cost<br />
of bandwidth, providing this at competitive price points<br />
relative to cable may be difficult (especially for mass<br />
adoption)<br />
• However initial launches of video on demand services<br />
have seen an encouraging response. As the catalogue,<br />
technology and broadcast platforms improve, this could<br />
be a strong revenue generator for the industry<br />
Source: IHS Screen Digest June 2012; Company Annual <strong>Report</strong>s; <strong>KPMG</strong> in India Analysis<br />
Please Note: Growth in the SVOD model is driven by Netflix decision to charge directly for online<br />
access from Q4 2011<br />
The key to the success of the SVOD model has been low<br />
subscription prices. For example in the US, where monthly<br />
cable subscriptions are over USD 20, Netflix’s pricing of<br />
USD 8 per month is very attractive. However, access to<br />
low cost content is critical in order to achieving these price<br />
points. Netflix was able to do this by securing initial deals<br />
that were priced at a fraction of the cost of comparable<br />
cable deals. However, content costs have increased at<br />
a 70 percent CAGR 35 in the last 3 years and are placing<br />
significant stress on Netflix’s low price subscription model.<br />
“<br />
We are at an inflection point for video<br />
on demand uptake in India. The growing<br />
consumption of online video; better<br />
connectivity and more options for<br />
broadband; and stiff competition among<br />
mobile and pay TV operators to differentiate<br />
on the basis of content, all point towards<br />
rapid growth of video on demand. While<br />
a majority of on-demand video viewing is<br />
short form (20 minutes)<br />
content that is consumed on TV.<br />
“<br />
- Kallol Borah<br />
Director,<br />
Lukup Media<br />
© 20<strong>13</strong> <strong>KPMG</strong>, an Indian Registered Partnership and a member firm of the <strong>KPMG</strong> network of independent member firms affiliated<br />
with <strong>KPMG</strong> International Cooperative (“<strong>KPMG</strong> International”), a Swiss entity. All rights reserved.<br />
SVOD Service Provider<br />
Netflix<br />
Streampix<br />
Dish/ Blockbuster<br />
Implications for Indian players<br />
Typical Subscription<br />
Charges<br />
USD 8 per month<br />
USD 5 per month<br />
USD 10 per month<br />
Source: Macquarie Equity Research September 2012 – “Netflix virtuous circle turning vicious”<br />
• Ad based monetization through short format, made<br />
for digital content is the more immediate monetization<br />
opportunity through online video in India and has a good<br />
level of exploitation already<br />
• Broadband penetration remains a challenge to large<br />
scale adoption of traditional long format content<br />
• In India and globally, video advertising is one of<br />
the fastest growing advertising segments online;<br />
Opportunity for content owners to benefit from this<br />
through made for digital content<br />
35. Macquarie Equity Research September 2012 – “Netflix virtuous circle turning vicious”<br />
Summary<br />
In categories such as e-books and music, where the model<br />
is largely established in more advanced countries, the<br />
major challenge in the Indian market will be to recreate this<br />
at price points that work, create successful micropayments<br />
models, manage the threat of piracy and deliver a superior<br />
user experience that discourages switching to pirated<br />
content.<br />
However, for players in Print media (Magazines/<br />
Newspapers) and Video (Television/ Movie), business<br />
models are still evolving globally. While players in India in<br />
the sectors can learn from global experiences, they will<br />
need to innovate to develop a sustainable model.