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FICCI-KPMG-Report-13-FRAMES

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86 The power of a billion: Realizing the Indian dream<br />

Technology transforming media consumption<br />

release strategies for distributors allowing them to<br />

maximize the revenue collected. Technology is thus<br />

impacting the way media is made and distributed and<br />

also monetization.<br />

© 20<strong>13</strong> <strong>KPMG</strong>, an Indian Registered Partnership and a member firm of the <strong>KPMG</strong> network of independent member firms affiliated<br />

with <strong>KPMG</strong> International Cooperative (“<strong>KPMG</strong> International”), a Swiss entity. All rights reserved.<br />

Mr. Sanjay Gaikwad<br />

CEO & Managing Director,<br />

UFO Moviez India Ltd.<br />

Media and the means of consumption of media have<br />

been evolving over the years. Media exists in various<br />

forms although today it is predominantly associated<br />

with video. Media can be informative, educational or<br />

entertainment oriented. Evolution in the means of<br />

consumption of various categories of media has largely<br />

been driven by technological innovations and to some<br />

extent by a change in content.<br />

Take for example, the case of cinema, the key form of<br />

entertainment available to the average Indian. Indian<br />

Cinema first began its journey in the form of black and<br />

white motion pictures without sound. As technology<br />

progressed and the ability to capture and reproduce<br />

the sound came into existence, movies became more<br />

engaging. Technology has had a major impact on the<br />

evolution of cinema, with better equipment during the<br />

production and the post production processes and with<br />

the way cinema is exhibited to audiences in theaters.<br />

Digital cinema players including UFO have made<br />

a significant impact over the past 6 years on how<br />

Indians watch movies in theaters. With better capture<br />

equipment during the production process, directors<br />

of movies want to emulate and reproduce reality to its<br />

finest detail every time their movies are screened. With<br />

our UFO technology we ensure that every screening is<br />

reproduced immaculately as is expected by the director<br />

of the film. Beyond this, UFO has significantly grown<br />

the business of cinema by taking the first-day-firstshow<br />

to small and big cities alike. A movie which would<br />

previously be screened in just 200 – 300 theaters is<br />

now screened in over 2,000 theaters on day one. This<br />

has significantly improved the probability of every<br />

movie to make money and ensure profitability. This has<br />

contributed to unprecedented box office numbers each<br />

time a big ticket movie is released across an increasing<br />

number of theaters. The INR 1 billion plus box office<br />

collections movie club has thus come into existence<br />

and is growing every year.<br />

However, just taking a movie to all the screens does not<br />

necessarily translate into more business. The challenge<br />

also lies in monetization, and ensuring that appropriate<br />

collections flow to the respective stake holders quickly.<br />

Transparency is a biggest challenge faced by the<br />

Indian Film Industry. The assumed under declaration of<br />

revenues also has an impact on rightful revenue flow<br />

to all the stakeholders. We’ve addressed this challenge<br />

with our Impact Exchange platform, where we provide<br />

computerized box office ticketing systems free of cost<br />

to theaters and enable instant settlement of dues to<br />

each of the stakeholders in a timely manner. The instant<br />

availability of sales data permit better, more scientific<br />

Technology is not only changing the business of<br />

media but has also significantly impacted where and<br />

how consumers today consume media. Consumer<br />

lifestyles have become increasingly busy with time.<br />

This has given rise to a need to consume media ondemand<br />

as and where one’s lifestyle allows. In western<br />

countries, where there is an widespread broadband<br />

access and high bandwidth at the last mile, on-demand<br />

media consumption platforms like Apple TV and Roku<br />

have flourished. In India, while the penetration of<br />

Internet has increased over the last few years, the<br />

constrained availability of consistent high-bandwidth<br />

internet connectivity will continue to be a challenge<br />

for at least the next decade. Further, with the high<br />

costs of licensing spectrum, bandwidth providers will<br />

continue to have to charge for data based internet<br />

plans. Therefore, the leveraging of the Internet as a true<br />

means of delivering high quality media consumption,<br />

apart from the occasional low quality user generated<br />

content that is viewed, is a while away for India. We<br />

have been working over the last few years in trying to<br />

solve this challenge ourselves. We have now developed<br />

a technology called MediaBoost, which will specifically<br />

address this challenge. While there is significant activity<br />

on the wireless front with operators considering<br />

enabling 4G networks for wireless internet access,<br />

this will never be sufficient to fulfill the ever increasing<br />

demands by consumers for media consumption and<br />

higher quality media. There are many companies with<br />

online on-demand services that have tried and failed<br />

predominantly because a consumer trying to access<br />

a media service online typically faces challenges of<br />

long waits, buffering breaks and low quality streaming.<br />

The other major challenge relates to the limitation of<br />

watching media on their computers instead of the<br />

television.<br />

We believe that the only way Indians can enjoy true<br />

on-demand entertainment is to look towards alternate<br />

delivery channels apart from the Internet. Satellite<br />

and DTH players have tried to address this with NVOD<br />

(near video on demand services) but again have seen<br />

limited uptake because of the lack of a pleasant user<br />

viewing experience. With our Media Boost technology,<br />

we’re enabling the existing legacy network that today<br />

connects every household with a television. This<br />

is the RF cable that runs through most homes and<br />

delivers regular cable channels. This cable network<br />

has been laid by an LCO (Local Cable Operator )<br />

using the lowest cost cables and one that has been<br />

serving live television content for decades now. This<br />

infrastructure remains old and obsolete and the skill<br />

sets of the personnel managing the network are also<br />

underdeveloped. The upgrade is an arduous task. Most<br />

firms that today manufacture networking devices have<br />

reached data rates of over a terabit and assume that<br />

the cable networks used to connect these devices<br />

are adequate. Hence they are not able to address the<br />

India’s connectivity needs.

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