aprıl 2012 - tojdac.org

More documents

Recommendations

Info

The Turkish Online Journal of Design, Art and Communication - TOJDAC April 2012 Volume 2 Issue 2 Appendix A TABLE 1 Frequency of Twitter Messages Among Sample for the Period of Analysis* Parliament Member Name Political Group Total Number of Tweets for the Total Period Total Number of Analyzed Tweets (25% of population) Dr. Aseel Alawadhi Liberal 212 53 Saleh Almulla Liberal 128 32 Dr.Waleed Altabtabie Islamist 244 61 Dr.Faisal Almuslim Islamist 172 43 Ahmed Alsadoun Populist Party 188 47 Ali Aldaghbasy Populist Party 88 22 Marzough Alghanim Independent 44 11 Shaieb Almwezry Independent 44 11 *The period of analysis ran from June 15, 2011 to November 15, 2011 TABLE 2 Frequency of Frames (Ranks) Among Parliament Members’ Political Groups Symbolic Frame Structural Frame Political Frame Human Resource Frame Islamist Group 65(2) 88(1) 60(3) 19(4) Independent Group 5(3) 16(2) 18(1) 3(4) Liberal Group 34(4) 68(1) 62(2) 47(3) Populist Party 21(4) 63(1) 28(3) 38(2) Total 125(3) 235(1) 168(2) 107(4) TABLE 3 Issue-Frame Relationship (in numbers) Issues Symbolic Frame Structural Frame Political Frame Human Resource Total Frame Social 58(52)** 17(15.3)** 8(7.2)** 28(25.2)* 111(100) Politics 14(3.4)** 196(47.8)** 139(33.9)** 61(14.8) 410(100) Religion 45(54.2)** 1(1.2)** 1(1.2)** 36(43.3) 83(100) International Affairs 1(6.2) 4(25) 8(50) 3(18.7) 16(100) Economics 7(12.2) 17(29.8) 12(21) 21(36.8) 57(100) Notes: Values in parentheses represent percentages. Values with * were significant at least at p
The Turkish Online Journal of Design, Art and Communication - TOJDAC April 2012 Volume 2 Issue 2 ZAMANSIZ B!R GÖRSEL KÜLTÜR ÜRÜNÜ OLARAK KAYBEDENLER KULÜBÜ Gül YA!ARTÜRK Akdeniz Üniversitesi, "leti#im Fakültesi, Antalya gulyasarturk@yahoo.com ABSTRACT The movie Kaybedenler Kulübü can be seen as an ordinary period film. Although the film takes place in the mid 1990's, it often has no periodic indicator or any expression pertaining to the period. Here, it is possible to say that the film has no borders between time and space. Although the events in the film take place in the 1990's, the audience, not having any idea about the film’s subject or the characters, can easily think that the events occur today due to the visual structure of the film. This choice may be considered as a tribute to the past, or can also be seen as an effort to bring the past forth into the present; to revive the past. Precisely within the framework of the unnoticed efforts, the real characters have began began to make the same program again, but not surprisingly, it does not meet sufficient interest. Because it is obvious that, the radio program is a periodic product. The said effort to revive the book of Baudrillard and Simulation Simulakrlar Ramses finds an optimistic reflection within the text entitled The Story of the Resurrection. After its removal from the tomb, the mummy of Ramses II decays throwing the researchers into great despair. Furthermore, the film does not establish the basis and conjuncture of radio programs' being popular in the 1990's and completely degrades itself into a product of “visual culture”. Usage of different framing to divide the screen and excessive usage of music to support the film results in its being solely consisting of form. In the film, it is possible to see neither the answer to the question “Why are these people losers”, nor the connection between being a loser and the 1990's. Instead, Kaybedenler Kulübü builds its world upon the solitude of the characters and the discourse of the conservative world of men's fraternity. Keywords: Tolga Örnek, Man, 1990’s, Radio 1. G!R!": Tolga Örnek ve Kaybedenler Kulübü Tolga Örnek sinema hayatına Atatürk (1998) belgesiyle ba#lar. Onu ünlü yapansa Hititler (2003) belgeseldir. Ardından Gelibolu (2005) ve dönem sinemasına geçi# yaptı$ı Devrim Arabaları (2008) gelir. Örnek, 2011 yılında Kaybedenler Kulübü ve Labirent filmlerini yönetir. Devrim Arabaları, 27 Mayıs 1960 darbesinden bir yıl sonra, 16 Haziran 1961’de Cemal Gürsel’in Tarımı da ıslâh edece$iz; ancak ot satmakla neticeye varmak kabil de$ildir. Bir vapur dolusu pamuk kar#ılı$ı yedi-sekiz otobüs alabiliyoruz. Bir vapur pamu$un ne emeklerle meydana geldi$ini takdir edersiniz. Bu cihetle sanayi de lâzımdır sözleriyle 29 Ekim 1961’e dek yapılması talimatını verdi$i ilk Türk malı otomobil Devrim’in hikayesidir. Devrim’i dört ayda yapması için görevlendirilen ekip temel olarak TCDD’de görevli 23 mühendisten olu#ur. Proje kapsamında TCDD'nin Eski#ehir Cer Atölyesi merkez seçilir, Ankara, Sivas ve Adapazarı'ndaki TCDD fabrikaları da görevlendirilir. Proje Ula#tırma Bakanı Orhan Mersinli tarafından Yük. Müh Emin Bozo$lu’na verilir, Bozo$lu asker kökenlidir aynı zamanda Sıtkı Ulay Pa#a'nın akrabasıdır 1 . Projenin sonunda dört motor üç de otomobil üretilir ancak TBMM’nin önünde Cemal Gürsel’in binmek istedi$i siyah Devrim’in benzini yetmez ve yolda kalır. Gürsel, yola krem rengi Devrim’le devam etse de bu durum projenin sonunu getirir. Arabalar preslenir geriye kalan tek Devrim, Eski#ehir’de sergilenmektedir ve hala çalı#ır durumdadır. !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 1 http://tr.wikipedia.org/wiki/Devrim_(otomobil) Copyright © The Turkish Online Journal of Design, Art and Communication 136
Page 1 and 2:
APRIL 2012 Volume 2 - Issue 2 Edito
Page 3 and 4:
The Turkish Online Journal of Desig
Page 5 and 6:
Page 7 and 8:
Page 9 and 10:
Page 11 and 12:
Page 13 and 14:
Page 15 and 16:
Page 17 and 18:
Page 19 and 20:
Page 21 and 22:
Page 23 and 24:
Page 25 and 26:
Page 27 and 28:
Page 29 and 30:
Page 31 and 32:
Page 33 and 34:
Page 35 and 36:
Page 37 and 38:
Page 39 and 40:
Page 41 and 42:
Page 43 and 44:
Page 45 and 46:
Page 47 and 48:
Page 49 and 50:
Page 51 and 52:
Page 53 and 54:
Page 55 and 56:
Page 57 and 58:
Page 59 and 60:
Page 61 and 62:
Page 63 and 64:
Page 65 and 66:
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
Page 73 and 74:
Page 75 and 76:
Page 77 and 78:
Page 79 and 80:
Page 81 and 82:
Page 83 and 84:
Page 85 and 86:
Page 87 and 88:
Page 89 and 90:
Page 91 and 92: The Turkish Online Journal of Desig
Page 141: The Turkish Online Journal of Desig
show all

aprıl 2012 - tojdac.org

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?