aprıl 2012 - tojdac.org

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The Turkish Online Journal of Design, Art and Communication - TOJDAC April <strong>2012</strong> Volume 2 Issue 2 Nowell-Smith, G.(2003). Dünya Sinema Tarihi. (Çev.Ahmet Fethi), !stanbul: Kabalcı Yayınevi. Feigelson, K.(2004). “Sinema ve Toplumsal Kırılmalar”. N. Türko"lu, M. Öztürk ve G. Aymaz (der.). Kentte Sinema Sinemada Kent. !stanbul: Yenihayat Yayıncılık. Veblen, T.(2005). Aylak Sınıfın Teorisi, !stanbul: Babil Yayınları. Manovich, L.(2001). The Language of New Media, Massachusetts: The MIT Press Erkılıç, H.(2006). “Elektronik/Dijital Sinema: De"i#en Üretim Tarzında Olanaklar ve Sınırlılıklar”, Yeni !leti#im Ortamları ve Etkile#im Uluslar arası Konferansı Bildiri Kitabı, 62- 69. Monaco, J.(2010). Bir Film Nasıl Okunur, Ertan Yılmaz (çev.), !stanbul: O"lak Yayınları. Ö"üt, S.(2004).”Interactivity In New Media”. Yayınlanmamı# Yüksek Lisans Tezi, !stanbul: Yeditepe University Graduate Institute Of Social Sciences. Sayın, A.F.(2007).“Teoride ve Pratikte !nteraktif Sinema ve Tv”. Yayınlanmamı# Yüksek Lisans Tezi, !stanbul: Marmara Üniversitesi Sosyal Bilimler Enstitüsü. Öztürk, M.(2005). Sine-masal Kentler. !stanbul: Donki#ot Güncel Yayınları. Copyright © The Turkish Online Journal of Design, Art and Communication 73
The Turkish Online Journal of Design, Art and Communication - TOJDAC April <strong>2012</strong> Volume 2 Issue 2 REINTERPRETATION OF ISTANBUL’S IMAGE THROUGH LIGHT MAPPING Rana KUTLU !stanbul Kültür University, Faculty of Art and Design, Istanbul rana.guvenkaya@gmail.com Banu MANAV !stanbul Kültür University, Faculty of Art and Design, Istanbul manav.banu@gmail.com ! ABSTRACT In the present study, historical and contemporary masterpieces in Istanbul will be discussed and analyzed considering “lighting scheme” as a design tool in the “lighting master plan”. The present image of the city will be analyzed together with the light mapping tool. It was intended to introduce a “conceptual lighting master plan” where a lighting vocabulary is introduced for both educational purpose and as a metaphor in line with the enormous historical background of Istanbul. The scheme can be an overview or road map of how lighting might be used to meet the various program requirements while it also enhances and entegrates with the architecture.Through the effective use of the lighting scheme, the unity and diversity in the history of the old city can be highlighted. Keywords: Light Mapping, Visual Culture 1. INTRODUCTION !stanbul is one of the most important cultural centers of the world. The city embraces two continents, one arm reaching out to Asia, the other to Europe.Through the city’s heart, The Bosphourus strait, course the waters of the Black Sea, the sea of Marmara and The Golden Horn. !stanbul is the former capital of three successive empires-Roman, Byzantine and Ottoman. Today city honors and preserves the legacy of its past while looking forward to its modern future. The historical buildings; museums, churches, palaces, great mosques, bazaars and sights of natural beauty are Istanbul’s variety and these architectural and natural beauties constitute environment and fascinate its visitors. Also, lighting is a fascinating subject, which has physical, psychophysical and aesthetic aspects. Light and colour are two basic factors of human perception. Lighting of historical buildings and monuments plays an important part in the creation of urban lighting conditions. Lighting scheme can be used to emphasize the hierarchy and identity of masterpieces while city lighting plan can be designed with a zoning of the historical places on a light map. The color and lighting scheme can set a mood for the image of the city. Exterior lighting gives scope for new creativity, the opportunity to design in light and color on a scale that extends from distant view of a town to the close detail of the building facade. In the study, historical and contemporary masterpieces in Istanbul will be discussed and analyzed considering “lighting scheme” as a design tool in the “lighting master plan”. The present image of the city will be analyzed together with the light mapping tool. In the transformation and interpretation of the historical identity to the city silhouette, light can be used to formulate this idea. This statement will be discussed at various viewpoints in the specially selected historical places in Istanbul. Copyright © The Turkish Online Journal of Design, Art and Communication 74
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